{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"\u00abPanorama \u00e0 360 degr\u00e9s de la formation musicale\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Us6JBQSXs7\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/news\/pedagogie\/2023\/11\/profil-pedagogie-musicale\">\"Panorama a 360 gradi della formazione musicale\".<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/news\/pedagogie\/2023\/11\/profil-pedagogie-musicale\/embed#?secret=Us6JBQSXs7\" width=\"600\" height=\"338\" title=\"&#8220;\u00abPanorama \u00e0 360 degr\u00e9s de la formation musicale\u00bb&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"Us6JBQSXs7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/11\/Depositphotos_159479256_S.jpg","thumbnail_width":1000,"thumbnail_height":667,"description":"Do-r\u00e9-mi \u00e0 deux dans une petite salle: est-ce cela le quotidien d\u2019une professeure, d\u2019un professeur de musique? Depuis juin 2021, un groupe de travail \u00e9largi plac\u00e9 sous la direction de l\u2019Association suisse des \u00e9coles de musique s\u2019est pench\u00e9 attentivement sur la profession et a d\u00e9velopp\u00e9 une profil professionnel moderne."}