{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"JazzOnze+ se termine sur un bilan radieux - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oCzqRdeYxE\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/news\/resonance\/2019\/11\/jazzonze-se-termine-sur-un-bilan-radieux\">JazzOnze+ si conclude con una nota positiva<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/news\/resonance\/2019\/11\/jazzonze-se-termine-sur-un-bilan-radieux\/embed#?secret=oCzqRdeYxE\" width=\"600\" height=\"338\" title=\"\u201cJazzOnze+ si conclude con un bilancio brillante\u201d \u2014 Rivista musicale svizzera\" data-secret=\"oCzqRdeYxE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Photo-Charles-Lloyd.jpg","thumbnail_width":554,"thumbnail_height":368,"description":"Le rendez-vous automnal du jazz \u00e0 Lausanne s\u2019est termin\u00e9 avec la prestation\u00a0du trio Cross Currents avec Dave Holland, Chris Potter et Zakir Hussain. Pr\u00e8s de 5000 personnes ont assist\u00e9 aux concerts propos\u00e9s durant cinq jours.\u00a0"}