{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ? - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Wo1n0rAT5Y\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2023\/02\/barreaux-references\">Dietro le sbarre: la musica come fuga?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2023\/02\/barreaux-references\/embed#?secret=Wo1n0rAT5Y\" width=\"600\" height=\"338\" title=\"&#8220;Derri\u00e8re les barreaux : la musique pour s\u2019\u00e9vader ?&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"Wo1n0rAT5Y\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_Focus_Prison.jpg","thumbnail_width":1400,"thumbnail_height":933,"description":"La pratique musicale intensive offre la possibilit\u00e9 d\u2019accompagner durablement le processus de reconstruction d\u2019une personne en vue de son d\u00e9veloppement. En forgeant d\u2019audacieuses habitudes de travail, des r\u00e9flexions jusqu\u2019alors inexplor\u00e9es ouvriront la porte \u00e0 de nouveaux horizons."}