{"version":"1.0","provider_name":"Rassegna musicale svizzera","provider_url":"https:\/\/www.revuemusicale.ch\/it","author_name":"Musikzeitung-Redaktion","author_url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin","title":"Num\u00e9ro 11-12\/2024 \u2013 Focus \u00abIA\u00bb - Revue Musicale Suisse","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"BoE98Ecj1v\"><a href=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2024\/11\/numero-11-12-2024-focus-ia\">Numero 11-12\/2024 - Focus sull'IA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2024\/11\/numero-11-12-2024-focus-ia\/embed#?secret=BoE98Ecj1v\" width=\"600\" height=\"338\" title=\"&#8220;Num\u00e9ro 11-12\/2024 \u2013 Focus \u00abIA\u00bb&#8221; &#8212; Revue Musicale Suisse\" data-secret=\"BoE98Ecj1v\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.revuemusicale.ch\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/11\/Titel_Inhalt_web-300x222-1.jpg","thumbnail_width":300,"thumbnail_height":222,"description":"Table des mati\u00e8res Focus \u00ab Nous sommes dans une phase de transition \u00bb Entretien avec l\u2019artiste multiforme Kieran Pavel \u00ab Actuellement, c\u2019est le Far West \u00bb La question des droits est totalement ouverte | (En italique: r\u00e9sum\u00e9 fran\u00e7ais des articles en allemand) Critiques Nouveaut\u00e9s livres, albums, partitions Echo \u00abSeine Musik war den Amerikanern fremd\u00bb Nuria [&hellip;]"}