{"id":22464,"date":"2018-09-03T00:00:00","date_gmt":"2018-09-02T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2018\/09\/03\/un-nouveau-chemin\/"},"modified":"2023-01-18T17:42:37","modified_gmt":"2023-01-18T16:42:37","slug":"un-nouveau-chemin","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/news\/resonance\/2018\/09\/un-nouveau-chemin","title":{"rendered":"Un nuovo percorso"},"content":{"rendered":"<figure style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/TIBOR_JUNIOR_REHEARSAL_FINAL_SION_FESTIVAL_2018_MA28_CLAUDE_DUSSEZ_5645_BD.jpg\" alt=\"\" \/><figcaption class=\"wp-caption-text\">Masha Lakisova. Foto: Claude Dussez<\/figcaption><\/figure>\n<div class='text-section'>\n<p>Questo nuovo tipo di concorso offre ai giovani candidati, tra i 14 e i 17 anni, un percorso professionale innovativo: La nozione stessa di \"concorso\" \u00e8 paradossale quando si tratta di musica, perch\u00e9 se l'idea di un confronto e poi di una classifica, basata su un'esibizione virtuosa, ha un ingrediente \"sportivo\" che sembra controindicato rispetto alla profondit\u00e0 della realizzazione artistica, una certa competitivit\u00e0 \u00e8 comunque al centro della pratica quotidiana del musicista, che \u00e8 costantemente in conflitto con se stesso, confrontando le proprie capacit\u00e0 con i propri ideali e cercando di guadagnare terreno su uno rispetto all'altro.<\/p>\n<p>La filosofia di \"Tibor Junior\" fa eco a queste osservazioni. I giovani ne sono consapevoli attraverso le caratteristiche specifiche del concorso. Innanzitutto, \u00e8 garantito l'anonimato dei partecipanti. La giuria conosce solo i nomi, l'et\u00e0 e la nazionalit\u00e0 dei candidati, ma non ha accesso al loro background o all'identit\u00e0 dei loro insegnanti. In questo modo, a essere giudicati sono gli artisti in quanto tali e non i prodotti di un programma didattico designato. Il programma musicale, invece, pur mantenendo alcuni standard, tende a essere pi\u00f9 aperto, offrendo ai giovani un felice mix di brani obbligatori e scelte personali; anche la musica contemporanea ha un posto d'onore, essendo presente in ogni turno, e i violinisti sono incoraggiati a interrogare la musica del loro tempo e a confrontarsi con essa in modo rigoroso piuttosto che limitarsi a un repertorio fisso.<\/p>\n<p>Un altro aspetto importante del concorso \u00e8 la presenza di duetti in ogni turno, che i violinisti junior condividono tra loro o con i membri della giuria. Questo elemento insolito \u00e8 stato pensato per enfatizzare l'idea di comunicazione, condivisione e ascolto, e aiuta a rimettere al centro la musica, piuttosto che l'ego del musicista, cosa che sembra importante trasmettere agli artisti agli albori della loro carriera. Da un punto di vista pedagogico, suonare con la giuria offre anche una meravigliosa opportunit\u00e0 di apprendimento. Questa \"collaborazione\" con la giuria si concretizza anche nel fatto che i candidati eliminati entrano automaticamente a far parte dei giurati per i turni successivi; si trovano quindi in mezzo a solisti e pedagoghi di prestigio, con i quali scambiano idee e con i quali sviluppano le loro capacit\u00e0 di ascolto e di critica. La loro voce conter\u00e0 anche nelle deliberazioni finali, cos\u00ec come quella dell'orchestra, poich\u00e9 l'ultima particolarit\u00e0 del concorso \"Tibor Junior\" \u00e8 che tutte le fasi si svolgono con un'orchestra, l'Hemu nel primo turno e la Kremerata Baltica nel secondo turno e nella finale.<\/p>\n<p>Il concorso ha una dimensione educativa e in concomitanza con l'evento vengono organizzati numerosi incontri e masterclass.<\/p>\n<p>14 candidati di 11 nazionalit\u00e0 hanno partecipato alla fase finale del concorso, che si \u00e8 svolta nell'ultima settimana di agosto a Sion; la finale si \u00e8 tenuta al teatro Val\u00e8re il 2 settembre. <\/p>\n<p><strong>I vincitori<\/strong><\/p>\n<p>1\u00b0 PREMIO: Masha Lakisova (USA)<br \/> 2\u00b0 PREMIO: Iris Scialom (Francia)<br \/> 3\u00b0 PRIX EX AEQUO: Arthur Traelnes (Svizzera) e Qingzhu Weng (Cina)<\/p>\n<p>Sono stati assegnati anche quattro premi speciali:<br \/> Premio del pubblico: Arthur Traelnes (Svizzera)<br \/> Invito a suonare con la Kremerata Baltica in Lettonia: Arthur Traelnes (Svizzera)<br \/> Invito a suonare al concerto di apertura del Concorso Il Piccolo Violino Magico nel 2019: Masha Lakisova (USA)<br \/> Premio della Fondazione Sion per la musica per violino: Ju Seon Kim (Corea del Sud)<\/p>\n<p>\u00a0<\/p>\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Nato dall'entusiasmo e dall'energia di Pavel Vernikov, presto affiancato in questa avventura da Gidon Kremer, il concorso violinistico \"Tibor Junior\" si \u00e8 tenuto per la prima volta quest'anno.<\/strong><\/p>","protected":false},"author":1,"featured_media":22465,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1603,2],"tags":[],"class_list":["post-22464","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classique","category-resonance"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un nouveau chemin - 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