{"id":22703,"date":"2013-01-08T00:00:00","date_gmt":"2013-01-07T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2013\/01\/08\/un-acousmonium-en-concerts-et-en-ateliers\/"},"modified":"2023-01-18T17:43:25","modified_gmt":"2023-01-18T16:43:25","slug":"un-acousmonium-en-concerts-et-en-ateliers","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers","title":{"rendered":"Un acusmonium in concerti e workshop"},"content":{"rendered":"<img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg\" alt=\"\" \/>\n<div class='text-section'>\n<p>In tre fasi, in tre scuole della citt\u00e0, verr\u00e0 installato un acusmonium, si terr\u00e0 un concerto pubblico all'una per consentire al maggior numero possibile di alunni di partecipare, e si terr\u00e0 un workshop sulla musica elettroacustica e la sua diffusione per le classi interessate.<\/p>\n<p>Claude Jordan e Julie Chapuis conducono questi laboratori e suonano sull'acousmonium opere di Bernard Parmegiani, \u00c5ke Parmerud, Amon Tobin, Alain Savouret e Luc Ferrari.<\/p>\n<p>Il primo incontro si \u00e8 svolto il 10 gennaio. I prossimi sono il 15 febbraio alle 16.00 presso l'Ecole d'arts appliqu\u00e9s e l'8 marzo alle 12.00 presso l'ESTER.<\/p>\n<p><strong>Ma cos'\u00e8 un acusmonium?<\/strong><\/p>\n<p>Gi\u00e0 negli anni Cinquanta, alcuni compositori cominciarono a mettere in discussione il valore della produzione di concerti di musica elettroacustica. Il contenuto musicale di queste opere era fissato su un supporto di ascolto - nastro magnetico e successivamente CD - ed esisteva gi\u00e0 in forma \"concreta\". Quindi, come possiamo dare significato, dinamica e rilevanza all'ascolto di questa musica in concerto quando l'ascoltatore pu\u00f2 ascoltarla a casa?<\/p>\n<p>Le riflessioni su questo tema hanno portato alla creazione dell'acousmonium. Nella sala da concerto vengono installati altoparlanti di varie qualit\u00e0, che immergono il pubblico nella massa sonora dell'opera a diversi livelli. Da qui, l'opera di diffusione sonora diventa una vera e propria interpretazione musicale.<\/p>\n<p>Claude Jordan e Julie Chapuis hanno scelto le opere che meglio illustrano questa storia.<\/p>\n<p><strong>Gli interpreti<\/strong><\/p>\n<p>Claude Jordan ha studiato flauto, programmazione di sintetizzatori, composizione e contrappunto. Allievo di Rainer Boesch, si \u00e8 specializzato in musica elettroacustica, lavorando attivamente per integrare sintesi e strumenti tradizionali. \u00c8 membro dell'AMEG (Association pour la Musique Electroacoustique \u00e0 Gen\u00e8ve).<\/p>\n<p>Julie Chapuis ha studiato composizione elettroacustica e performance al Conservatorio di Val-Maubu\u00e9e, in particolare con Denis Dufourt e Jonathan Prager.<\/p>\n<p><strong>Ascoltare un acusmonium:<\/strong> <a href='http:\/\/vimeo.com\/29419223'>vimeo.com\/29419223<\/a><\/p>\n<p><strong>Foto<\/strong> Un acusmonium di Fran\u00e7ois Bayle, nel 1980.<\/p>\n<\/p><\/div>","protected":false},"excerpt":{"rendered":"<p><strong>I Concerts de Musique Contemporaine (CMC) e il centro culturale ABC di La Chaux-de-Fonds si uniscono per un'operazione che unisce un'esperienza musicale originale alla pedagogia, un'azione di \"mediazione culturale\", per usare una terminologia alla moda. <\/strong><\/p>","protected":false},"author":1,"featured_media":22704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[447,1606],"tags":[],"class_list":["post-22703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-campus","category-musique-a-lecole"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un acousmonium en concerts et en ateliers - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un acousmonium en concerts et en ateliers - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Les Concerts de Musique Contemporaine (CMC) et le centre de culture ABC \u00e0 La Chaux-de-Fonds s&#039;associent pour une op\u00e9ration qui lie exp\u00e9rience musicale originale et p\u00e9dagogie, une action de \u00abm\u00e9diation culturelle\u00bb, pour reprendre une terminologie en vogue.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2013-01-07T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-18T16:43:25+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"383\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Un acousmonium en concerts et en ateliers\",\"datePublished\":\"2013-01-07T23:00:00+00:00\",\"dateModified\":\"2023-01-18T16:43:25+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers\"},\"wordCount\":362,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/bayle-acousmonium.jpg\",\"articleSection\":[\"Campus\",\"Musique \u00e0 l'\u00e9cole\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers\",\"name\":\"Un acousmonium en concerts et en ateliers - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/bayle-acousmonium.jpg\",\"datePublished\":\"2013-01-07T23:00:00+00:00\",\"dateModified\":\"2023-01-18T16:43:25+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/bayle-acousmonium.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/bayle-acousmonium.jpg\",\"width\":554,\"height\":383},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/campus\\\/2013\\\/01\\\/un-acousmonium-en-concerts-et-en-ateliers#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Un acousmonium en concerts et en ateliers\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Un acousmonium en concerts et en ateliers - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers\/","og_locale":"it_IT","og_type":"article","og_title":"Un acousmonium en concerts et en ateliers - Revue Musicale Suisse","og_description":"Les Concerts de Musique Contemporaine (CMC) et le centre de culture ABC \u00e0 La Chaux-de-Fonds s'associent pour une op\u00e9ration qui lie exp\u00e9rience musicale originale et p\u00e9dagogie, une action de \u00abm\u00e9diation culturelle\u00bb, pour reprendre une terminologie en vogue.","og_url":"https:\/\/www.revuemusicale.ch\/it\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2013-01-07T23:00:00+00:00","article_modified_time":"2023-01-18T16:43:25+00:00","og_image":[{"width":554,"height":383,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Un acousmonium en concerts et en ateliers","datePublished":"2013-01-07T23:00:00+00:00","dateModified":"2023-01-18T16:43:25+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers"},"wordCount":362,"commentCount":0,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg","articleSection":["Campus","Musique \u00e0 l'\u00e9cole"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers","url":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers","name":"Un acousmonium en concerts et en ateliers - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg","datePublished":"2013-01-07T23:00:00+00:00","dateModified":"2023-01-18T16:43:25+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/bayle-acousmonium.jpg","width":554,"height":383},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/campus\/2013\/01\/un-acousmonium-en-concerts-et-en-ateliers#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Un acousmonium en concerts et en ateliers"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/22703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=22703"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/22703\/revisions"}],"predecessor-version":[{"id":22705,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/22703\/revisions\/22705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/22704"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=22703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=22703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=22703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}