{"id":22925,"date":"2017-11-08T00:00:00","date_gmt":"2017-11-07T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2017\/11\/08\/couleurs-luxuriantes\/"},"modified":"2024-06-27T16:06:07","modified_gmt":"2024-06-27T14:06:07","slug":"couleurs-luxuriantes","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2017\/11\/couleurs-luxuriantes","title":{"rendered":"Colori intensi"},"content":{"rendered":"<p><img decoding=\"async\" class=\"size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Ensemble-Batida.jpg\" alt=\"\" \/><\/p>\n<div class=\"text-section\">\n<p>Il compositore e direttore d'orchestra argentino Martin Matalon, nato nel 1958, ha studiato e lavorato negli Stati Uniti prima di trasferirsi in Francia, dove attualmente vive. Il suo lavoro proteiforme comprende colonne sonore per <em>Metropolis <\/em>di Lang o per i primi tre film di Bu\u00f1uel, ma anche installazioni sonore, teatro musicale e opere, racconti musicali, un balletto, partiture per orchestra, ensemble vocale o musica da camera, con o senza elettronica. Oltre 70 opere, da cui emergono due serie di brani dai nomi generici di <em>Tracce <\/em>per uno e <em>Schermo<\/em> per l'altro. Percussionista fino in fondo, Matalon sfrutta magistralmente i timbri delle percussioni, creando un vero e proprio universo sonoro dai colori caldi e lussureggianti.<\/p>\n<p>Il dinamico e inventivo Ensemble Batida (si veda l'intervista pubblicata su <a href=\"\/it\/dms\/archiv\/smz\/2017\/01\/articles\/archiv-01-02-Resonance.pdf\/\"><em>RMS<\/em> Gennaio 2017, pagina 21<\/a>) propone due opere per percussioni, due pianoforti ed elettronica in un CD VDE-Gallo. <em>...dal colore al materiale... <\/em>d'abord, un'esultante musica che unisce brillantezza e raffinatezza, si compone di un prologo, dieci interludi e un epilogo - una sequenza di eventi variegati, atmosfere suggerite, impennate, sciami e bagliori della durata di circa quaranta minuti. Realizzata dalle Percussions de Strasbourg e dal tragico pianista prodigio Christopher Falzone, \u00e8 una versione completamente rielaborata della musica scritta da Matalon per accompagnare la proiezione del film. <em>L'et\u00e0 dell'oro<\/em>. Con il consenso del compositore, gli esecutori hanno arrangiato la parte pianistica per i due pianisti dell'ensemble. Pi\u00f9 breve (23 minuti), <em>La Makina<\/em>L'opera in quattro parti alterna momenti eruttivi, misteriosi, giocosi e implacabili, suggerendo immagini tanto fluide quanto minerali, o esplosioni di meccanismi, automi, ingranaggi e ruote dentate. L'interpretazione dinamica, la precisione ritmica, la qualit\u00e0 e la diversit\u00e0 degli attacchi e dell'articolazione, l'intelligenza del fraseggio, la fusione, la finezza del trattamento elettronico dei timbri, la notevole registrazione e il missaggio, l'eccellenza dello strumentario: tutto contribuisce all'eccezionale successo di questo disco.<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30508 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida.jpg\" alt=\"\" width=\"180\" height=\"180\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida.jpg 180w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2017\/11\/11_crit_CD_Batida-96x96.jpg 96w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/p>\n<p><em>Monografia di Martin Matalon. Ensemble Batida: Alexandra Bellon, Anne Briset, Jeanne Larrouturou, percussioni; Viva Sanchez Morand, Rapha\u00ebl Krajka, pianoforti. Musicisti ospiti: Elena Beder, Claire Defet, Fabien Perreau, percussioni. VDE-Gallo CD-1496<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>\"...del color a la materia...\" e \"La Makina\": L'Ensemble Batida ha registrato due opere del compositore argentino Martin Matalon.<\/strong><\/p>","protected":false},"author":1,"featured_media":22926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-22925","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Couleurs luxuriantes 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