{"id":22932,"date":"2020-05-26T00:00:00","date_gmt":"2020-05-25T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2020\/05\/26\/linachevee-achevee\/"},"modified":"2024-06-28T10:18:20","modified_gmt":"2024-06-28T08:18:20","slug":"linachevee-achevee","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2020\/05\/linachevee-achevee","title":{"rendered":"Il locale, non finito, \u00e8..."},"content":{"rendered":"

\"\"<\/p>\n

\n

Nell'estate del 2013, l'ultimo concerto di Claudio Abbado al Centro Cultura e Congressi di Lucerna (KKL) ha lasciato un'impressione indelebile nel pubblico, che si \u00e8 sentito privilegiato nell'assistere all'ultima collaborazione di questo leggendario direttore d'orchestra con la \"sua\" orchestra del Festival nell'esecuzione della Nona Sinfonia di Bruckner. Era noto per aver conosciuto e apprezzato ogni singolo membro; infatti, su sua richiesta, i musicisti dovevano chiamarlo per nome. In questo modo, tutti si sentivano personalmente ispirati dal lavoro intenso e impegnativo di \"Claudio\" che, nonostante la salute fragile, si donava senza badare a spese. La scelta stessa di questa sinfonia incompiuto<\/em> \u00e8 struggente, come se cercasse di rimandare l'inevitabile morte dell'amatissimo chef, che mor\u00ec di cancro pochi mesi dopo...<\/p>\n

Lo scopo di questo articolo, che per una volta si riferisce a una registrazione \"storica\", \u00e8 quello di informare i lettori della Recensione musicale<\/em> la recente pubblicazione da parte di Accentus di questo doppio CD di vitale importanza. La qualit\u00e0 del suono \u00e8 fedele all'acustica del KKL e si sente che il pubblico \u00e8 incantato con profondo rispetto. Le due registrazioni - della Nona Sinfonia nel 2013 e della Prima l'anno precedente, nella versione viennese preferita da Abbado, composta nel 1890-91 - rimarranno per sempre esempi di sobriet\u00e0, fervore e convinzione interiore.<\/p>\n

L'eccellente libretto, magnificamente illustrato, \u00e8 altamente evocativo dell'evento, e il notevole testo di Julia Spinola (in tre lingue), cos\u00ec come le numerose recensioni della stampa dell'epoca, sottolineano l'unanimit\u00e0 dell'entusiasmo. Quello che mi colpisce personalmente ascoltando Abbado verso la fine della sua vita alla guida delle pi\u00f9 grandi orchestre europee \u00e8 che lascia respirare la musica ancora pi\u00f9 liberamente di prima. L'ultima sinfonia di Bruckner, ad esempio, emerge da un silenzio eloquente e si sviluppa molto gradualmente, senza alcuna banalit\u00e0. Ogni momento contribuisce a costruire l'architettura, lontano da qualsiasi effetto dimostrativo. Questa forza di convinzione \u00e8 onnipresente nei brani cantabile<\/em>infinitamente flessibile e liquido, nel tutti ff<\/em>Ci sono anche i famosi silenzi bruckneriani, come se la musica fosse ancora in fase di composizione...<\/p>\n

Nella Prima Sinfonia, i timpani suonano un po' ronzanti, ma la registrazione rimane mirabilmente dettagliata. Nella Nona, l'immagine \u00e8 ancora pi\u00f9 spaziosa, forse grazie alle impostazioni acustiche variabili del KKL. La soppressione degli applausi - frenetici, se guardiamo le foto del libretto - \u00e8 certamente una scelta, ma \u00e8 vero che il silenzio ci lascia nel sogno di Bruckner... I nostri due CD avrebbero consentito l'inclusione dell'Incompiuta di Schubert, con cui Claudio Abbado ha aperto il suo ultimo concerto a Lucerna. Ma siamo invece grati per il regalo d'oro che questa bella pubblicazione ci offre!<\/p>\n

\"\"Anton Bruckner: Sinfonia I e IX. Registrato dal vivo nel 2012\/13. Orchestra del Festival di Lucerna, Claudio Abbado. Accentus Music ACC 30489 (2 CD)<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u00c8 appena uscita una registrazione storica: Claudio Abbado alla guida della Lucerne Festival Orchestra esegue due sinfonie di Bruckner. <\/strong><\/p>","protected":false},"author":1,"featured_media":22933,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[1855,1854,1856],"class_list":["post-22932","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-anton-bruckner","tag-claudio-abbado","tag-lucerne-festival-orchestra"],"acf":[],"yoast_head":"\nL\u2019Inachev\u00e9e achev\u00e9e\u2026 - Revue Musicale 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