{"id":23007,"date":"2014-02-05T00:00:00","date_gmt":"2014-02-04T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2014\/02\/05\/la-theorie-musicale-au-20e-siecle-et-telemann\/"},"modified":"2024-08-16T15:02:04","modified_gmt":"2024-08-16T13:02:04","slug":"la-theorie-musicale-au-20e-siecle-et-telemann","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2014\/02\/la-theorie-musicale-au-20e-siecle-et-telemann","title":{"rendered":"La teoria musicale nel XX secolo e Telemann"},"content":{"rendered":"

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Sotto la direzione scientifica di Nicolas Donin e Laurent Feneyrou, un gruppo internazionale di specialisti della musica occidentale del XX secolo, tra cui alcuni musicologi svizzeri (P. Alb\u00e8ra, R. Brotbeck, R. Campos, T. Hirsbrunner, G. Starobinski), ha prodotto un'opera incomparabile: un vasto panorama che non ha equivalenti in francese. Quasi 70 capitoli sono dedicati alle tecniche di scrittura, da Sch\u00f6nberg, Scriabin e D'Indy a Zimmermann, Xenakis e Ligeti; dal Trattato di orchestrazione<\/em> da Koechlin a Tecnica del linguaggio musicale <\/em>dal dadaismo, dalla musica microtonale e dalla politonalit\u00e0 al minimalismo, allo spettralismo e all'elettronica dal vivo.<\/p>\n

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Uno dei vantaggi di questo libro \u00e8 che non si limita agli scritti teorici dei compositori, ma guarda anche al processo compositivo stesso. Un'altra qualit\u00e0 di quest'opera \u00e8 la volont\u00e0 di non fare discriminazioni, senza apriorismi stilistici, illustrando cos\u00ec l'affascinante diversit\u00e0 della musica del XX secolo. Pubblicata in due grandi volumi cartonati, quest'opera \u00e8 essenziale per chiunque desideri approfondire la propria conoscenza della musica degli ultimi cento anni.<\/p>\n

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Nicolas Donin e Laurent Feneyrou, curatori scientifici, Th\u00e9ories de la composition musicale au XXe si\u00e8cle, 1840 p. in 2 volumi, \u20ac 395,00, Editions Sym\u00e9trie, Lyon 2013, ISBN 978-2-914373-60-9 <\/em><\/p>\n

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Autobiografie di Telemann<\/h3>\n
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In un formato molto pi\u00f9 leggero, le Editions Sym\u00e9trie hanno pubblicato le tre pi\u00f9 o meno brevi autobiografie scritte da Telemann su richiesta di Mattheson (per il suo Scuola generale di medicina<\/em> del 1731 e la sua Grundlage einer Ehrenpforte<\/em> del 1740, nonch\u00e9 per il Lexikon Musikalisches<\/em> (1732) del cugino di Bach, Johann Gottfried Walther, il primo dizionario musicale in tedesco. Non senza umorismo, Telemann descrive come, da bambino precoce e dotato, gli fosse stato proibito di suonare per parte della sua giovinezza e come abbia disobbedito, diventando un musicista autodidatta. Racconta il suo apprendistato negli stili francese e italiano e l'influenza dei musicisti popolari polacchi, dai quali \"chiunque prestasse attenzione poteva raccogliere idee per una vita intera in otto giorni\". Entriamo nel mondo intimo di colui che \u00e8 considerato il compositore pi\u00f9 prolifico di tutti i tempi, grazie alla sua \"naturalezza che non sopporta l'ozio\", che lo fa vivere \"in continua e gioiosa attivit\u00e0\". La sua sconfinata immaginazione unita al duro lavoro gli permise, ad esempio, di scrivere quasi 200 ouverture orchestrali (suite) in soli due anni. Una breve ma illuminante introduzione descrive anche questo periodo, durante il quale cominciava ad affermarsi una cultura specificamente tedesca.<\/p>\n

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Georg Philipp Telemann, Autobiografie, introduzione e traduzione di Gabrielle Marcq, 96 p., \u20ac 9,50, Editons Sym\u00e9trie, Lione 2013, ISBN 978-2-914373-90-6 <\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Nel corso degli anni, le Editions Sym\u00e9trie hanno pubblicato un'ampia gamma di libri dedicati alla musica e alla musicologia, oltre a corrispondenze e scritti di musicisti. Due esempi recenti: <\/strong><\/p>","protected":false},"author":1,"featured_media":23008,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"\nLa th\u00e9orie musicale au 20e si\u00e8cle \u2013 et Telemann - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2014\/02\/la-theorie-musicale-au-20e-siecle-et-telemann\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La th\u00e9orie musicale au 20e si\u00e8cle \u2013 et Telemann - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Au fil des ans, les Editions Sym\u00e9trie ont fait para\u00eetre un vaste choix de livres consacr\u00e9s \u00e0 la musique et \u00e0 la musicologie, ainsi qu\u2019aux correspondances et \u00e9crits de musiciens. 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