{"id":23017,"date":"2014-04-07T00:00:00","date_gmt":"2014-04-06T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2014\/04\/07\/lopera-classique-chinois\/"},"modified":"2024-08-16T14:55:52","modified_gmt":"2024-08-16T12:55:52","slug":"lopera-classique-chinois","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2014\/04\/lopera-classique-chinois","title":{"rendered":"Opera classica cinese"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Chinos.jpg\" alt=\"\" width=\"554\" height=\"376\" \/><figcaption class=\"wp-caption-text\">Dettaglio della copertina<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>L'autore ci introduce alle origini religiose e rituali di questa forma d'arte, ancora oggi molto viva, nonch\u00e9 alle varie forme di spettacolo precedenti che ne sono state all'origine (numeri di giocolieri, danze antiche, spettacoli popolari) e di cui \u00e8 una sintesi. Probabilmente influenzata dall'India attraverso il buddismo, l'opera cinese raggiunse il suo apogeo durante la dinastia Yuan (1279-1368). Si \u00e8 evoluta gradualmente secondo un particolare processo ciclico: dapprima forma d'arte popolare, ha suscitato l'entusiasmo dei letterati. Questi ultimi adattarono il testo, rendendolo cos\u00ec complesso che il grande pubblico se ne allontan\u00f2 a favore di un nuovo stile pi\u00f9 accessibile... e il ciclo ricominci\u00f2!<\/p>\n<p>La sezione dedicata alla tecnica teatrale si basa sulla sua forma pi\u00f9 elaborata e varia (che \u00e8 anche la pi\u00f9 conosciuta in Occidente): l'opera di Pechino, che \u00e8 relativamente recente, risalendo solo al XIX secolo. L'interpretazione degli attori \u00e8 altamente codificata, con 27 forme diverse di risate utilizzate a seconda delle circostanze o del tipo di personaggio. Anche i personaggi sono stereotipati: quando uno di loro entra in scena, il pubblico pu\u00f2 indovinare immediatamente di chi si tratta, dal costume, dal linguaggio del corpo e\/o dalla pittura del viso. Quanto alla scenografia, che \u00e8 assente, \u00e8 sostituita dal realismo dell'interpretazione degli attori. Jacques Pimpaneau non si limita alla pratica pechinese, ma descrive anche le caratteristiche specifiche delle opere locali. In ogni provincia coesistono numerose forme di questo teatro cantato, dalle pi\u00f9 elaborate alle pi\u00f9 becere. Ci\u00f2 che li accomuna \u00e8 la predominanza del canto, l'uso della danza, dei costumi e dei volti dipinti e truccati, nonch\u00e9 il repertorio, che \u00e8 comune a tutta la Cina. Le differenze locali risiedono nella musica e nella composizione dell'orchestra, ma anche nella messa in scena e nei costumi. Un capitolo del libro \u00e8 dedicato anche ai teatri delle ombre e delle marionette, dove vengono rappresentate le stesse opere, sempre accompagnate da un ensemble strumentale. Questa presentazione completa di una forma musicale e teatrale cinese essenziale \u00e8 tanto pi\u00f9 interessante in quanto l'autore unisce la precisione di uno studioso alla chiarezza di un insegnante.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Chine.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jacques Pimpaneau, Chine : l'Op\u00e9ra classique - promenade au jardin des poiriers, 192p, \u20ac 23,75, Les Belles Lettres, Parigi 2014, ISBN 978-2-251-44442-0<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Scritto da Jacques Pimpaneau, specialista della civilt\u00e0 e della letteratura cinese, questo libro offre ai lettori una panoramica completa della storia e della tecnica dell'opera cinese.<\/strong><\/p>","protected":false},"author":1,"featured_media":23018,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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