{"id":23047,"date":"2015-01-22T00:00:00","date_gmt":"2015-01-21T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2015\/01\/22\/un-maitre-de-lopera-du-seicento\/"},"modified":"2024-08-16T14:39:44","modified_gmt":"2024-08-16T12:39:44","slug":"un-maitre-de-lopera-du-seicento","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2015\/01\/un-maitre-de-lopera-du-seicento","title":{"rendered":"Un maestro dell'opera del Seicento"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/San.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">San Marco a Venezia. Foto: Thomas Max M\u00fcller \/ pixelio.de<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Nato da una famiglia povera, colui che sarebbe diventato il pi\u00f9 popolare compositore italiano del suo tempo prese il cognome del nobile veneziano che, incantato dalla qualit\u00e0 della sua voce, gli diede protezione e affetto fin dall'adolescenza. Inizi\u00f2 la sua carriera musicale come cantante e poi come organista presso la Basilica di San Marco, dove divenne poi maestro di coro nel 1668.<\/p>\n<p>Ma la maggior parte della sua attivit\u00e0 musicale fu dedicata alle sue 33 opere, la maggior parte delle quali furono create a Venezia, dove il primo teatro dedicato a spettacoli musicali al di fuori del contesto di corte, il San Cassiano, apr\u00ec nel 1637. Cavalli fond\u00f2 immediatamente una nuova compagnia d'opera, che inizi\u00f2 a lavorare alla sua prima opera nel 1639. Il successo fu immediato e per circa trent'anni Cavalli domin\u00f2 la produzione operistica veneziana, dimostrando temporaneamente le sue capacit\u00e0 manageriali in un'epoca in cui tutti gli oneri gravavano sulle spalle dell'impresario. In questo modello economico, era il pubblico a imporre i propri gusti, da cui la proliferazione di situazioni burlesche, anche nelle tragedie, e di arie a scapito dei recitativi. Ben presto, per\u00f2, abbandon\u00f2 la posizione di impresario per dedicarsi alla composizione, alla produzione e alla regia delle proprie opere, per le quali gestiva un vero e proprio laboratorio di copisti. Preferendo la coerenza dell'azione teatrale agli effetti del virtuosismo vocale o alla divisione troppo netta tra aria e recitativo, la sua musica dimostra una grande fluidit\u00e0, passando dal recitar cantando all'arioso e all'aria con perfetta naturalezza.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/REZ_res_klassik_b_Cavalli_F.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p>Olivier Lexa fornisce un breve resoconto delle trame delle opere e descrive l'ambiente intellettuale in cui erano immersi i loro eccellenti librettisti (accademia, influenza della Comedia nueva spagnola, ecc.). Nel 1662, la sontuosa prima di<em>Ercole Amante<\/em> a Parigi segn\u00f2 una svolta nella carriera di Cavalli, i cui ultimi anni furono pi\u00f9 cupi, anche se le sue opere furono spesso riprese in molte citt\u00e0. Venezia preferisce compositori che privilegiano il virtuosismo rispetto al sentimento e alla profondit\u00e0.<\/p>\n<p>Questa biografia completa la riscoperta di un genio troppo a lungo dimenticato, anche a causa delle difficolt\u00e0 comuni alle opere del Seicento: la decifrazione di partiture spesso incomplete, la ricostituzione del materiale orchestrale e la pletora di ruoli.<\/p>\n<p><em>Olivier Lexa, Francesco Cavalli, 256 p., \u20ac 18,00, Actes Sud, Parigi 2014, ISBN 978-2-330-03460-3<br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Parte di una serie di biografie di compositori pubblicate da Actes Sud, il libro di Olivier Lexa colloca accuratamente la vita e l'opera di Francesco Cavalli (1602-1676) nel loro contesto politico, sociale e artistico.<\/strong><\/p>","protected":false},"author":1,"featured_media":23048,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un 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