{"id":23102,"date":"2016-06-29T00:00:00","date_gmt":"2016-06-28T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2016\/06\/29\/larchitecture-des-lieux-de-musique\/"},"modified":"2024-08-16T12:22:46","modified_gmt":"2024-08-16T10:22:46","slug":"larchitecture-des-lieux-de-musique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2016\/06\/larchitecture-des-lieux-de-musique","title":{"rendered":"L'architettura dei locali musicali"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Cidade_da_musica_city_of_music.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Cidade das Artes, Rio de Janeiro. Foto: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Cidade_da_musica_city_of_music.jpg\" target=\"_blank\" rel=\"noopener\">Osmar Carioca\/wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Illustrato con oltre 340 fotografie e 200 piante, sezioni, assonometrie e schizzi, il libro di Antoine Pecqueur inizia con una panoramica storica sull'architettura dei teatri d'opera, delle sale da concerto sinfoniche e delle sale da musica da camera. Gli edifici dedicati all'arte lirica furono costruiti in Italia gi\u00e0 all'inizio del XVII secolo, mentre le prime sale specificamente dedicate ai concerti pubblici apparvero in Inghilterra qualche decennio pi\u00f9 tardi. Dopo un lungo periodo di empirismo, con i suoi fallimenti e i suoi successi, solo all'inizio del XX secolo un tecnico dell'acustica collabor\u00f2 per la prima volta con un architetto, nella Boston Symphony Hall, inaugurata nel 1900. Una terza figura importante, lo scenografo (spesso trascurato), avrebbe dato il suo contributo in seguito. In altre parole, la progettazione di questi edifici pu\u00f2 spesso rivelarsi conflittuale, con ciascuna parte che ha la propria visione e le proprie esigenze. Nonostante ci\u00f2, la costruzione di uno di questi templi della musica \u00e8 vissuta come una consacrazione da molti architetti. Oltre alle interviste a otto di questi architetti, l'autore tratta, in brevi capitoli, la ristrutturazione e la riconversione di sale da concerto, auditorium di conservatori, spazi per concerti all'aperto, gli aspetti ecologici (costruzione, riscaldamento, trasporto pubblico, ecc.) e, in particolare, i recenti sviluppi nel campo dell'architettura.) e, in particolare, i recenti sviluppi dell'architettura, con brevi descrizioni di sale importanti, eccezionali, rivoluzionarie (come la Filarmonica di Berlino) o, al contrario, fallimentari (l'Auditorium di Chicago), nonch\u00e9 le nuove tendenze, in particolare il nuovo impulso dato dai Paesi emergenti.<\/p>\n<p>Ma la parte pi\u00f9 sviluppata del libro \u00e8 dedicata alla presentazione dettagliata di 30 sale emblematiche costruite negli ultimi tre decenni, come il KKL, il Teatro dell'Opera di Oslo, la Grange au Lac di Evian o le recenti Filarmonie di Parigi e sull'Elba ad Amburgo, da architetti come Norman Foster, Frank Gehry, Zaha Hadid, Herzog &amp; de Meuron, Oscar Niemeyer, Jean Nouvel o Renzo Piano (elenco delle 30 sale: vedi sotto). Le descrizioni rivelano i loro punti di forza senza sorvolare sui loro difetti (acustica secca o eccessivamente riverberante, spazi angusti o ansiogeni, problemi di isolamento, ecc.) e includono sia le circostanze in cui l'edificio \u00e8 stato costruito sia, ad esempio, la questione dell'accessibilit\u00e0 e del comfort per i suoi utenti, musicisti e ascoltatori.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt>\n<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"media photo large\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Peking_Konzert.jpg\" alt=\"Image \" width=\"554\" height=\"220\" \/><figcaption class=\"wp-caption-text\">Centro nazionale per le arti dello spettacolo, Pechino. Foto : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Centro_de_artes_esc%C3%A9nicas,_Beijing_(15547200247).jpg\" target=\"_blank\" rel=\"noopener\">Carlos Adampol Galindo\/wikimedia commons<\/a><\/figcaption><\/figure><\/dt>\n<dd class=\"caption\"><\/dd>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><strong>Elenco dei locali, con il nome dell'architetto o dello studio di architettura<\/strong><\/p>\n<p>Aalborg, Musikkens Hus (Coop Himmelb(l)au)<br \/>\nAix-en-Provence, Grand Th\u00e9\u00e2tre de Provence (Vittorio Gregotti)<br \/>\nBaden-Baden, Festspielhaus (Wilhelm Holzbauer)<br \/>\nBruges, Concertgebouw (Paul Robbrecht e Hilde Daem)<br \/>\nCopenaghen, Koncerthuset (Jean Nouvel)<br \/>\nCopenaghen, Opera (Henning Larsen)<br \/>\nDallas, Centro Sinfonico Meyerson (Ieoh Ming Pei)<br \/>\nDigione, Auditorium (Arquitectonica)<br \/>\n\u00c9vian, La Grange au Lac (Patrick Bouchain)<br \/>\nGuangzhou, Opera (Zaha Hadid)<br \/>\nAmburgo, Filarmonica dell'Elba (Herzog &amp; de Meuron)<br \/>\nKyoto, Sala concerti (Arata Isozaki)<br \/>\nLos Angeles, Sala concerti Walt Disney (Frank Gehry)<br \/>\nLucerna, KKL (Jean Nouvel)<br \/>\nLussemburgo, Filarmonica (Christian de Portzamparc)<br \/>\nLione, Op\u00e9ra national (Jean Nouvel)<br \/>\nMetz, Arsenal (Ricardo Bofill)<br \/>\nNewcastle Gateshead, The Sage (Norman Foster)<br \/>\nOslo, Opera (Sn\u00f8hetta)<br \/>\nParigi, Filarmonica (Jean Nouvel)<br \/>\nParma, Auditorium Niccol\u00f2-Paganini (Renzo Piano)<br \/>\nPechino, Centro nazionale per le arti dello spettacolo (Paul Andreu)<br \/>\nPoitiers, Teatro-auditorium (Jo\u00e3o Lu\u00eds Carrilho da Gra\u00e7a)<br \/>\nPorto, Casa da musica (Rem Koolhaas)<br \/>\nPotsdam, Nicolaisaal (Rudy Ricciotti)<br \/>\nRavello, Auditorium Oscar Niemeyer (Oscar Niemeyer)<br \/>\nRio de Janeiro, Cidade das Artes (Christian de Portzamparc)<br \/>\nRoma, Auditorium Parco della Musica (Renzo Piano)<br \/>\nSan Sebastian, Kursaal (Rafael Moneo)<br \/>\nValencia, Palau de les Arts Reina Sofia (Santiago Calatrava)<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt>\n<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"media photo large\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Grange_Au_Lac.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">La Grange au Lac, Evian. Foto: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Grange_Au_Lac.jpg\" target=\"_blank\" rel=\"noopener\">Stazione di Evian \/ wikimedia commons<\/a><\/figcaption><\/figure><\/dt>\n<dd class=\"caption\"><\/dd>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/espaces.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Antoine Pecqueur, Les espaces de la musique, Architecture des salles de concert et des op\u00e9ras, 288 p., 550 ill. a colori, \u20ac 36,00, Co-pubblicazione Philharmonie de Paris, \u00c9ditions parenth\u00e8ses, Marsiglia 2015, ISBN 978-2-86364-307-5<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Questo libro riccamente illustrato invita a scoprire l'architettura delle sale da concerto e dei teatri d'opera, con particolare attenzione a 30 edifici contemporanei.<\/strong><\/p>","protected":false},"author":1,"featured_media":23103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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