{"id":23123,"date":"2016-11-29T00:00:00","date_gmt":"2016-11-28T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2016\/11\/29\/deux-guides-utiles\/"},"modified":"2024-08-16T11:55:50","modified_gmt":"2024-08-16T09:55:50","slug":"deux-guides-utiles","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2016\/11\/deux-guides-utiles","title":{"rendered":"Due utili guide"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Gitarre.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Foto: Martin Fisch\/flickr.com<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Utilizzare correttamente le percussioni \u00e8 molto pi\u00f9 complesso di quanto sembri. Samuel Z. Solomon \u00e8 una guida precisa per i compositori. Partendo da un punto di vista pratico, piuttosto che teorico, l'autore inizia con il descrivere le questioni generali e fondamentali della scelta degli strumenti e delle bacchette, della logistica e della notazione, prima di descrivere le caratteristiche specifiche di quasi 90 tastiere, pelli, metalli, legni e altri strumenti a percussione, scelti perch\u00e9 facilmente reperibili e con caratteristiche riproducibili per la maggior parte delle migliaia di altri strumenti che compongono questa pletora di strumenti. In tutto il libro, l'autore sottolinea l'importanza di lavorare con un percussionista, d\u00e0 consigli su come rendere pi\u00f9 realistiche (e pi\u00f9 responsabili) le scelte del compositore e le loro conseguenze, e utilizza casi di studio per aiutarlo a scrivere in modo pi\u00f9 efficace. Ad esempio, specifica le notazioni migliori e le indicazioni pi\u00f9 utili, in modo che la partitura possa fornire agli strumentisti le informazioni pi\u00f9 chiare possibili, e mette in guardia contro la scelta sconsiderata di troppi strumenti. Il libro contiene inoltre una serie di importanti e utili appendici (repertorio, tecniche estese, esempi di disposizione degli strumenti, vari diagrammi che mostrano le dinamiche possibili per un determinato tipo di bacchetta su un determinato strumento, ecc.) Infine, nove ore di video online completano ci\u00f2 che le parole non possono descrivere.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Guides2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Troppo spesso relegata a un ruolo di accompagnamento, la chitarra nasconde una ricchezza di potenzialit\u00e0 che troppo spesso viene trascurata. Inoltre, la maggior parte dei trattati di strumentazione trascura la chitarra, dando spesso solo poche indicazioni, peraltro largamente inadeguate. Mancava un libro completo che guidasse i compositori, dalla tecnica tradizionale di base ai vari effetti come la chitarra preparata, senza dimenticare le diverse accordature (comprese quelle microtonali) e l'uso dello strumento in un ensemble o in un'orchestra. Due capitoli particolarmente dettagliati sono dedicati ai suoni armonici e ai vari usi percussivi della chitarra. Quest'ultimo prevede non solo di colpire il corpo dello strumento, ma anche, ad esempio, di percuotere una corda invece di pizzicarla, il che fa vibrare entrambi i lati della corda, producendo un suono ausiliario chiaramente udibile. Un'altra sezione \u00e8 dedicata a una serie di strumenti della stessa famiglia: chitarre a 7, 10 e 12 corde, chitarre a risonanza, chitarre ad arpa (o chitarre con due manici) e ukulele. Come tutti i libri di questa collana, questo libro \u00e8 pensato sia per i compositori che per gli strumentisti che desiderano avvicinarsi alle diverse tecniche contemporanee e contiene numerosi esempi musicali e un CD audio.<\/p>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Guides.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Seth F. Josel, Ming Tsao, The Techniques of Guitar Playing, BVK 2243, 233 p., Englisch, \u20ac 52,00, B\u00e4renreiter, Kassel 2016, ISBN 9783761822432<\/em><\/p>\n<p><em>Samuel Z. Solomon, Come scrivere per le percussioni. A Comprehensive Guide to Percussion Composition, Second Edition, 304 p., \u00a3 19,99, Oxford University Press 2016, ISBN 9780199920365<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Come si scrive per gli strumenti a percussione? Quali sono le tecniche specifiche della chitarra? Il primo libro \u00e8 rivolto a compositori e orchestratori, il secondo agli strumentisti.<\/strong><\/p>","protected":false},"author":1,"featured_media":23124,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Deux guides utiles - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2016\/11\/deux-guides-utiles\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deux guides utiles - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Comment \u00e9crire pour les instruments de percussion ? 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