{"id":23137,"date":"2017-02-27T00:00:00","date_gmt":"2017-02-26T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2017\/02\/27\/mysterieuse-sympathie-des-arts\/"},"modified":"2024-08-16T11:52:06","modified_gmt":"2024-08-16T09:52:06","slug":"mysterieuse-sympathie-des-arts","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2017\/02\/mysterieuse-sympathie-des-arts","title":{"rendered":"La misteriosa simpatia delle arti"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Papiers_Ausschnitt.jpg\" alt=\"\" width=\"554\" height=\"380\" \/><figcaption class=\"wp-caption-text\">Dettaglio della copertina<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Piuttosto che un saggio teorico, il libro <em>Carte con suono<\/em> \u00e8 un'esperienza pratica che inizia con la lettura dei variegati testi di Jean-No\u00ebl von der Weid, a volte visionari, a volte pi\u00f9 tranquilli, a volte senza fiato, a volte fantastici, faceti, narrativi o epici, ma sempre concisi. L'esperienza pu\u00f2 essere vissuta ad alta voce o in silenzio, anche in silenzio, e ognuno sperimenter\u00e0, se non una sinestesia, almeno un'esperienza di ascolto diversa e particolare, grazie al fatto che anche le parole hanno i loro ritmi e il loro timbro, le frasi il loro tempo, climax e respiro. Questi testi hanno di per s\u00e9 un valore intrinseco, brillano in un vocabolario lussureggiante, capace persino di suggerire nuovi spazi sonori o di ispirare nuove musiche. Dalla descrizione libera alla pittura d'atmosfera, dall'illustrazione alla poesia pura, talvolta vicina al gongorismo o a Lautr\u00e9amont, l'autore diversifica gli approcci, talvolta seguendo il processo di scrittura dei compositori scelti, giocando con gli stili e le loro figure, allitterando o assonando, contraendo o allungando le frasi all'estremo, infilando abilmente qualche citazione d'autore (da Rabelais ad Artaud). Eccezionalmente, vengono utilizzati scritti degli stessi compositori, come frammenti di Jan\u00e1\u010dek o estratti di lettere di Lassus. \u00c8 incluso anche l'inventario post mortem dei beni di Couperin.<\/p>\n<p>Ciascuno dei 49 compositori selezionati \u00e8 anche oggetto di una presentazione, meno biografica che basata sull'atto compositivo stesso, che rivela una comprensione intima del loro contributo e delle loro specificit\u00e0. L'eclettica selezione comprende un organum di P\u00e9rotin, brani per clavicembalo di Couperin e Pancrace Royer, oltre alle opere del compositore stesso. <em>Il valzer<\/em> di Ravel o <em>Wiener Blut <\/em>di Johann Strauss fils, estratti da <em>Ges\u00e4nge der Fr\u00fche<\/em> di Schumann o <em>Angolo dei bambini <\/em>di Debussy, <em>Arcana <\/em>di Var\u00e8se o <em>Angeli neri<\/em> o Gombert, Gesualdo, Beethoven, Liszt, Scriabin, Bart\u00f3k, Revueltas, Ellington, Scelsi, Ligeti, Kagel, Donatoni o Neuwirth.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Papiers_Ganz.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jean-No\u00ebl von der Weid: Papiers sonores, 180 p., \u20ac 25,00, \u00c9ditions Aedam Musicae, Ch\u00e2teau-Gontier 2016, ISBN 978-2-919046-38-6<\/em><\/p>\n<p><em>I link alle registrazioni delle opere selezionate sono disponibili sul sito web dell'editore:<br \/>\n<\/em><a href=\"http:\/\/www.musicae.fr\/livre-Papiers-sonores-de-Jean-Noel-von-der-Weid-166-165.html\"><em>www.musicae.fr\/livre-Papiers-sonores-de-Jean-Noel-von-der-Weid-166-165<\/em><\/a><em><br \/>\n<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Come possiamo esprimere l'inesprimibile? Possiamo usare le parole per far emergere i sentimenti contenuti in un'opera musicale? In parole povere, usare la parola scritta per significare il significato di un'opera musicale. <\/strong><\/p>","protected":false},"author":1,"featured_media":23138,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Myst\u00e9rieuse sympathie des arts - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2017\/02\/mysterieuse-sympathie-des-arts\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Myst\u00e9rieuse sympathie des arts - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Comment exprimer l\u2019inexprimable ? 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