{"id":23172,"date":"2018-02-20T00:00:00","date_gmt":"2018-02-19T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2018\/02\/20\/touchez-cest-gratuit\/"},"modified":"2024-08-16T11:37:45","modified_gmt":"2024-08-16T09:37:45","slug":"touchez-cest-gratuit","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/02\/touchez-cest-gratuit","title":{"rendered":"Tocca, \u00e8 gratis"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/tharaud.jpeg\" alt=\"\" width=\"554\" height=\"383\" \/><figcaption class=\"wp-caption-text\">Dettaglio della copertina del libro<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>\"Non mi dispiace mostrarti le mie mani. Toccare \u00e8 gratis... Gi\u00e0 che ci siete, toccate il mio corpo, perch\u00e9 \u00e8 con quello che gioco...\". Cos\u00ec Alexandre Tharaud saluta i suoi fan dopo i concerti, con un misto di tenerezza e ironia che caratterizza questo libro, che parla di tutto ci\u00f2 che circonda la musica nella sua vita di pianista di fama mondiale. Una vita fatta di arrivi e partenze nelle citt\u00e0 di tutto il mondo. Con al centro le sale in cui tiene i suoi recital.<\/p>\n<p>Alexandre Tharaud vive letteralmente nelle sale da concerto. Ogni volta scopre o riscopre lo stesso tipo di \"animale\", un pianoforte, l'altro eroe di questo racconto dalle mille avventure. Intorno a lui gravitano personaggi molto strani, a cominciare da chi gira le pagine, sia che si tratti di un giovane ubriaco di marijuana che sbaglia ogni curva, sia che si tratti della signora con le collane il cui tintinnio accompagna il \"pianoforte\".<em>Appassionata<\/em> Beethoven o quella con i seni generosi che quasi lo soffocano mentre si china verso lo spartito. Hanno formato un duo da quando lui ha smesso di suonare senza spartito, dopo un traumatico \"vuoto\" a un concerto a Buenos Aires.<\/p>\n<p>Nel suo ambiente, naturalmente, il pubblico, che non sfugge all'occhio e soprattutto all'orecchio di questo interprete sempre in agguato. N\u00e9 dalla sua penna, scolpita da questa benevolenza un po' disillusa. \"Incendi\", l'ultima parte del libro, descrive il pompiere di turno, le cui opere spera segretamente che gli piacciano. Una cosa tira l'altra: la paura del palcoscenico (il suo \"fratellino\"), il silenzio prima della prima nota, poi il gesto, che finalmente esegue, dopo aver atteso tutto il giorno. No. Alexandre Tharaud non sta parlando di musica, ma di... tosse. Che si tratti di una tosse franca, di una tosse pesante o di una tosse chiusa. E la severa e spietata milizia della <em>shhh!<\/em>Poi il bouquet. Poi il bouquet, sotto gli applausi, che in Giappone diminuiscono durante l'offerta e aumentano fino a un crescendo. La sessione di autografi, su una custodia di violoncello, un francobollo, un corpetto o una testa calva, e infine l'albergo. Il giorno dopo, dimenticate tutto quando l'aereo lascia la terra.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/03_crit_buch_tharaud.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Alexandre Tharaud: Montrez-moi vos mains, 224 p., \u20ac 17,00, Grasset, Parigi 2017, ISBN 978-2-246-86363-2<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Alexandre Tharaud, il pi\u00f9 importante pianista della sua generazione, parla della sua professione. Ricordo dopo ricordo, condivide i suoi dubbi, le sue convinzioni pi\u00f9 profonde e le sue abitudini pi\u00f9 intime.<\/strong><\/p>","protected":false},"author":1,"featured_media":23173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Touchez, c\u2019est gratuit - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/02\/touchez-cest-gratuit\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Touchez, c\u2019est gratuit - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Alexandre Tharaud, pianiste phare de sa g\u00e9n\u00e9ration, parle de son m\u00e9tier. Souvenir apr\u00e8s souvenir, il livre ses doutes, ses convictions profondes, ses habitudes les plus intimes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/02\/touchez-cest-gratuit\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-19T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-16T09:37:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/tharaud.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"383\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Touchez, c\u2019est gratuit\",\"datePublished\":\"2018-02-19T23:00:00+00:00\",\"dateModified\":\"2024-08-16T09:37:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit\"},\"wordCount\":415,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/tharaud.jpeg\",\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2018\\\/02\\\/touchez-cest-gratuit\",\"name\":\"Touchez, c\u2019est gratuit - 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