{"id":23182,"date":"2018-03-27T00:00:00","date_gmt":"2018-03-26T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2018\/03\/27\/la-musique-a-geneve\/"},"modified":"2024-08-16T11:35:37","modified_gmt":"2024-08-16T09:35:37","slug":"la-musique-a-geneve","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/03\/la-musique-a-geneve","title":{"rendered":"Musica a Ginevra"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Genf-2.jpg\" alt=\"\" width=\"554\" height=\"373\" \/><figcaption class=\"wp-caption-text\">Centro storico di Ginevra. Foto: Dragunsk Usf\/flickr.com<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>In un libro riccamente illustrato, la storica Corinne Walker ci presenta un solido quadro della vita cittadina dall'inizio del XVII secolo al periodo dell'annessione francese, ben lontano dal clich\u00e9 di una Ginevra in cui la musica era bandita da un calvinismo gretto. Al contrario, la musica era molto presente, soprattutto nel XVIII secolo, quando la pratica musicale si diffuse non solo nell'\"alta societ\u00e0\", ma anche tra i ricchi borghesi e gli artigiani. Non furono certo i canti del salterio a suscitare la passione per l'arte di Euterpe, ma innanzitutto la pratica sociale del ballo: sebbene la patria di Rousseau non avesse corti principesche o religiose, era comunque in mano a un'oligarchia che, come i giovani aristocratici riformati che venivano dall'estero a studiare, non disdegnava il divertimento. Cos\u00ec, a meno di mezzo secolo dalla morte di Calvino, e nonostante le reazioni scandalizzate dell'austero Concistoro, si moltiplicarono i balli che prevedevano la presenza di musicisti (gli stessi maestri di ballo suonavano il violino), con diversi gruppi, alcuni provenienti dalla vicina Savoia, che si esibirono gi\u00e0 nel XVII secolo. Un ensemble pi\u00f9 ampio (\"Soci\u00e9t\u00e9 de concerts\") fu creato nel 1717. I salotti patrizi organizzavano concerti privati e accoglievano musicisti, tra cui Mozart, all'et\u00e0 di 10 anni, per ben tre settimane. La citt\u00e0 attir\u00f2 anche virtuosi come Viotti, l'oboista Le Brun e il suonatore di corno Punto. L'opera non fu da meno: nel 1766, dopo vari tentativi, un divieto di rappresentazione teatrale e un acceso dibattito, fu costruito in legno il primo teatro della Neuve. Lo stesso anno, incoraggiato da Voltaire, Gr\u00e9try vi diede la sua prima opera comica. Dai maestri e dalle scuole di musica ai costruttori di strumenti e partiture e ai mercanti, dalla musica dei templi riformati a quella che accompagna le parate militari, le feste degli archibugi e le cerimonie rivoluzionarie, molti altri aspetti della vita musicale sono trattati in questo libro, compreso un contributo di Xavier Bouvier che esamina il contributo della giovane \u00e9lite inglese e del violinista e compositore ginevrino Gaspard Fritz (1716-1783).<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Geneve-et-musique.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Corinne Walker: Musiciens et amateurs: le go\u00fbt et les pratiques de la musique \u00e0 Gen\u00e8ve aux XVIIe et XVIIIe si\u00e8cles \/ con un contributo di Xavier Bouvier, 113 p., La Baconni\u00e8re Arts\/Haute \u00c9cole de musique, Gen\u00e8ve\/Neuch\u00e2tel 2017, ISBN 9782940462148<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Qualche decennio dopo, nella Ginevra della met\u00e0 del XIX secolo, la musica era ancora un piacevole passatempo per le famiglie benestanti e il pianoforte faceva parte dell'educazione delle ragazze. I concerti erano tenuti principalmente da illustri dilettanti di talento pi\u00f9 o meno mediocre. Questo \u00e8 il contesto descritto da Michel Cardinaux nella prima monografia dedicata a Vincent Adler (1826-1871), pianista e compositore di origine ungherese la cui carriera musicale itinerante lo port\u00f2 a Vienna e Parigi, oltre che nella citt\u00e0 del lago di Ginevra dal 1851 al 1856 e negli ultimi tre anni della sua vita. Edouard Lalo ha commentato le sue opere: \"... come compositore, \u00e8 molto notevole; \u00e8 il moderno Chopin. Come pianista, suscit\u00f2 entusiasmo ai suoi concerti nella Svizzera francese, poich\u00e9 il suo modo di suonare combinava, secondo i commenti dell'epoca, potenza e morbidezza vellutata. Il suo successo non gli imped\u00ec di trovarsi in una posizione difficile, a causa della forte concorrenza di innumerevoli virtuosi. Impegnato come insegnante al Conservatorio di Ginevra, fu apprezzato dai suoi allievi, che gli offrirono un pianoforte in abbonamento. Di salute cagionevole, mor\u00ec prematuramente. Dobbiamo ringraziare l'autore di questo libro per aver fatto rivivere la memoria di un musicista oggi totalmente dimenticato e, speriamo, per aver incoraggiato a riscoprire le sue composizioni, alcune delle quali sono brevemente presentate nell'ultimo capitolo.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/04_crit_buch_geneve2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Michel Cardinaux: Vincent Adler: un compositeur hongrois \u00e0 Gen\u00e8ve, 161 p., Fr. 25.00, Rapsodia Helvetica, Nuvilly 2017, <a href=\"mailto:rapsodia@bluemail.ch\">rapsodia@bluemail.ch<\/a>ISBN 9782970087151<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p>Michel Cardinaux ha registrato una prima serie di brani dedicati a questo meraviglioso musicista:<\/p>\n<p>Vincent Adler : <em>Grande marcia op. 24<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/CVChKbwlaCA\">https:\/\/youtu.be\/CVChKbwlaCA<\/a><\/p>\n<p>Vincent Adler : <em>Barcarolle op. 26<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/aH-cl5U_g4I\">https:\/\/youtu.be\/aH-cl5U_g4I<\/a><\/p>\n<p>Vincent Adler. <em>Studio op. 16 n. 6<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/gYeu2BLxMwo\">https:\/\/youtu.be\/gYeu2BLxMwo<\/a><\/p>\n<p>Vincent Adler : <em>Valzer rococ\u00f2 op. 11<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/eegaa_igZcg\">https:\/\/youtu.be\/eegaa_igZcg<\/a><\/p>\n<p>Vincent Adler : <em>Album opus 13 n. 1<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/NlzdME9m0i4\">https:\/\/youtu.be\/NlzdME9m0i4<\/a><\/p>\n<p>Vincent Adler : <em>Album opus 13 n. 2<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/6DJp5hdtrBs\">https:\/\/youtu.be\/6DJp5hdtrBs<\/a><\/p>\n<p>Vincent Adler : <em>Foglio d'album postumo<\/em><br \/>\n<a href=\"https:\/\/youtu.be\/tdypjrTI8ks\">https:\/\/youtu.be\/tdypjrTI8ks<\/a><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Due recenti pubblicazioni esplorano una parte importante del passato musicale ginevrino, spesso oscurato da idee preconcette, e la vita e l'opera del compositore e pianista Vincent Adler, uno dei tanti musicisti stranieri con sede a Ginevra.<\/strong><\/p>","protected":false},"author":1,"featured_media":23183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La 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