{"id":23187,"date":"2018-04-27T00:00:00","date_gmt":"2018-04-26T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2018\/04\/27\/sons-et-musiques-sans-frontieres\/"},"modified":"2024-08-16T11:33:28","modified_gmt":"2024-08-16T09:33:28","slug":"sons-et-musiques-sans-frontieres","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/04\/sons-et-musiques-sans-frontieres","title":{"rendered":"Suoni e musica senza confini"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/05_crit_buch_Mettraux1-Kopie.jpg\" alt=\"\" width=\"554\" height=\"391\" \/><figcaption class=\"wp-caption-text\">Particolare della copertina di \"Musica e ambiente\".<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Oltre a un vasto catalogo di composizioni di tutti i generi, Jean-Yves Bosseur ha pubblicato numerosi libri e testi, principalmente dedicati alla musica contemporanea. In un libro recentemente ripubblicato, esplora le relazioni tra i suoni e i diversi ambienti in cui sono inseriti, non da una prospettiva teorica, ma piuttosto moltiplicando esempi illuminanti e spiegando gli approcci di numerosi compositori e designer. Grande liberatore, John Cage \u00e8 stato uno dei primi a considerare che l'intero universo sonoro \u00e8 a nostra disposizione, senza discriminazioni. Seguendo le sue orme, altri hanno volontariamente superato i confini tra musica e rumore, naturale e artificiale, vita quotidiana e arte, uditivo e visivo, temporale e statico, portando spesso a una nuova consapevolezza dell'ambiente sonoro. Qualsiasi luogo, urbano o rurale, con o senza intervento umano, pu\u00f2 sostituire la sala da concerto; tutti i suoni e i rumori, scelti, trasformati o integrati in un'opera, possono diventare oggetti di un nuovo ascolto. Sarebbe impossibile elencare qui tutte le potenzialit\u00e0 esaminate in questo libro: composizioni o installazioni scritte in relazione alle caratteristiche spaziali e acustiche di un luogo, l'inclusione di suoni presi dall'ambiente in un'opera da concerto, un ecosistema che diventa esso stesso musica, il dialogo tra suoni creati e naturali, e molte altre. Ma il suono pu\u00f2 anche diventare una fonte nociva di malattia, o addirittura un'arma perniciosa di dissuasione, repressione, tortura o distruzione; pu\u00f2 diventare un'identit\u00e0 sonora per un marchio di oggetti di uso quotidiano (design musicale) o un segnale funzionale, ma anche una musica per la manipolazione mentale, un inquinamento fonico che formatta i suoi ascoltatori, come un lavaggio del cervello, un flusso permanente, per esempio nei centri commerciali, senza scampo per i dipendenti o i clienti prigionieri, al fine di incoraggiare il consumismo. Per contrastare queste brutture violente o sciroppose, i tecnici dell'acustica cercano di limitare i danni psicosociali causati dal rumore e i musicisti cercano di preservare la bellezza del suono e dei paesaggi (relativamente) silenziosi. Il futuro non pu\u00f2 fare a meno di un'ecologia musicale.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/05_crit_buch_Mettraux1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Compositore troppo spesso trascurato al giorno d'oggi, Ferruccio Busoni ha lasciato scritti talvolta pi\u00f9 visionari delle sue opere musicali, in particolare di quelle pi\u00f9 lunghe e famose, <em>Schema di una nuova estetica musicale <\/em>(1907), che ha spalancato le porte alla modernit\u00e0 musicale del XX secolo, fino alla microtonalit\u00e0 e alla musica elettroacustica. In questa nuova edizione, il saggio \u00e8 seguito dalla trascrizione delle annotazioni aggiunte da Schoenberg, tradotte per la prima volta in francese: reazioni, aggiunte e riflessioni che si fanno pi\u00f9 lunghe e approfondite con il passare delle pagine. Tra gli altri 32 testi di Busoni selezionati per questa raccolta, che testimoniano anch'essi la grande libert\u00e0 del suo pensiero, diversi riguardano le sue opere (e, di conseguenza, la forma operistica in generale) o la sua concezione delle opere di altri compositori (Bach e Liszt in particolare). \u00c8 inoltre piacevole leggere prese di posizione su questioni estetiche e tecniche musicali, uno scritto sull'uso dei terzi toni e una riflessione sull'essenza della musica.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/05_crit_buch_Mettraux2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Jean-Yves Bosseur: Musique et environnement, 244 p., \u20ac 24,00, Editions Minerve, Paris 2016, ISBN 978-2-86931-147-3<\/em><\/p>\n<p><em>Ferruccio Busoni: Esquisse d'une nouvelle esth\u00e9tique musicale et autres \u00e9crits, Introduzione di Pierre Michel, Traduzione dal tedesco di Martin Kaltenecker, Paul Masotta, Daniel Doll\u00e9 e Pierre Michel, 228 p., \u20ac 22,00, Editions Minerve, Parigi 2018, ISBN 978-2-86931-149-7<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>La maggior parte del catalogo di Minerve \u00e8 dedicata alla musica. Due recenti pubblicazioni sono dedicate, una all'interazione tra musica e ambiente, l'altra agli scritti di Busoni.<\/strong><\/p>","protected":false},"author":1,"featured_media":23188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sons et musiques sans fronti\u00e8res - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/04\/sons-et-musiques-sans-frontieres\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sons et musiques sans fronti\u00e8res - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Dans leur catalogue, les \u00e9ditions Minerve proposent en majorit\u00e9 des ouvrages relatifs \u00e0 la musique. 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