{"id":23206,"date":"2018-10-31T00:00:00","date_gmt":"2018-10-30T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2018\/10\/31\/messiaen-et-takemitsu\/"},"modified":"2024-08-16T11:26:06","modified_gmt":"2024-08-16T09:26:06","slug":"messiaen-et-takemitsu","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2018\/10\/messiaen-et-takemitsu","title":{"rendered":"Messiaen e Takemitsu"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Takemitsu2Schott.jpg\" alt=\"\" width=\"554\" height=\"282\" \/><figcaption class=\"wp-caption-text\">T\u014dru Takemitsu. Foto: Schott Music<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Nonostante la loro fondamentale importanza nella storia della musica, i prestiti musicali sono ancora un campo di ricerca relativamente inesplorato. Messiaen non ha mai nascosto i suoi modelli e i suoi entusiasmi, ma le loro implicazioni per la sua tecnica compositiva non sono ancora state studiate in modo pi\u00f9 dettagliato e approfondito. Cercando appassionatamente ci\u00f2 che lo toccava nei grandi maestri, si appropriava di materiali sparsi per utilizzarli e trascenderli nelle proprie composizioni, raccogliendo e classificando metodicamente giri melodici, sequenze armoniche, frammenti ritmici e, naturalmente, canti di uccelli, da cui poteva attingere al momento opportuno, come un pittore con la sua tavolozza. Ricevere influenze \u00e8 una cosa naturale, ma in questo caso particolare, l'estrema diversit\u00e0 dei prestiti e la loro natura sono eccezionali, dal momento che troviamo in tutta la sua produzione una moltitudine di citazioni, pi\u00f9 o meno distorte, dal canto popolare a Stravinsky, da Claude Le Jeune a Jolivet, senza dimenticare Mozart, Moussorgski, Wagner, Massenet, Debussy, Berg e musiche extraeuropee, che Messiaen ha reso irriconoscibili fondendo questo materiale composito nel suo stile personale che rende le sue opere immediatamente riconoscibili. Frutto di una lunga ricerca, questo libro, diviso in tre parti (aspetti teorici, fonti e analisi delle opere), \u00e8 stato scritto in stretta collaborazione da tre autori che hanno messo in comune le loro conoscenze di musicologia, composizione ed esecuzione.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux1.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>T\u014dru Takemitsu \u00e8 stato segnato dalla guerra in giovent\u00f9 e ha seguito un percorso educativo e musicale atipico. Probabilmente il pi\u00f9 grande compositore giapponese, possedeva anche un dono speciale per la narrazione, e la qualit\u00e0 letteraria dei suoi scritti li ha fatti riconoscere ben oltre i circoli musicali. Con sobriet\u00e0, intensit\u00e0 e chiarezza di pensiero, l'autore di <em>In un giardino d'autunno <\/em>unifica il silenzio, il suono, la natura, la vita e l'impermanenza, utilizzando spesso immagini poetiche e precise che catturano l'immaginazione. Questa selezione di scritti diversi, coinvolgenti e tradotti con sensibilit\u00e0 raccoglie 56 testi di varia lunghezza, spesso brevi ma densi, e quasi un centinaio di note che Takemitsu scrisse per presentare le sue opere. Grazie a un'ottima traduzione, possiamo cos\u00ec accostarci a presentazioni del suo approccio compositivo, a riflessioni sulla musica in generale, a testi dedicati ad altri artisti, musicisti e non, a racconti, a interviste con il compositore o anche a dialoghi che egli stesso ha condotto con Berio, Cage, Rattle e Xenakis. La sua grande curiosit\u00e0 e attenzione verso gli altri e il mondo che lo circondava lo ha portato ad affrontare una grande variet\u00e0 di argomenti, che vanno dalla pittura, alla letteratura, alla danza e al cinema, alle questioni sociali, alle riflessioni sulle parole e sui loro molteplici significati e sulle diverse qualit\u00e0 del suono. I saggi di Takemitsu sono fluidi come la sua musica, di cui ha detto: \"Quello che mi sforzo di creare sono trasformazioni progressive come le onde del flusso e riflusso\".<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux2.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Yves Balmer, Thomas Lac\u00f4te e Christopher Brent Murray: Le mod\u00e8le et l'invention. Messiaen et la technique de l'emprunt, 624 p., \u20ac 65,00, \u00c9ditions Sym\u00e9trie, Lyon 2017, ISBN 978-2-36485-045-3<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p><em>T\u014dru Takemitsu: \u00c9crits, selezionato e introdotto da Wataru Miyakawa, prefazione di Kenzabur\u014d \u014ce, 464 p., \u20ac 37,00, \u00c9ditions Sym\u00e9trie, Lione 2018, ISBN 978-2-36485-042-2<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Uno studio sull'importanza dei modelli nella musica di Messiaen e una raccolta di scritti di Takemitsu sono stati appena pubblicati da Sym\u00e9trie, un editore dedicato alla musica del XX e XXI secolo.<\/strong><\/p>","protected":false},"author":1,"featured_media":23207,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Messiaen 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