{"id":23263,"date":"2019-11-27T00:00:00","date_gmt":"2019-11-26T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2019\/11\/27\/architecture-et-musique\/"},"modified":"2024-08-16T10:57:29","modified_gmt":"2024-08-16T08:57:29","slug":"architecture-et-musique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2019\/11\/architecture-et-musique","title":{"rendered":"Architettura e musica"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Expo58_building_Philips.jpg\" alt=\"\" width=\"554\" height=\"493\" \/><figcaption class=\"wp-caption-text\">Padiglione Philips creato per l'Esposizione Universale di Bruxelles del 1958. Foto : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/User:Wouterhagens\" target=\"_blank\" rel=\"noopener\">Wouter Hagens \/ wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Le Editions du Patrimoine e il Centre des Monuments Nationaux hanno pubblicato congiuntamente un libro sontuoso e riccamente illustrato dedicato all'affascinante Teatro dell'Opera, progettato nei minimi dettagli dall'architetto Charles Garnier per la Parigi di Haussmann. Oltre a una serie di documenti d'epoca, quasi 300 fotografie di Jean-Pierre Delagarde, di qualit\u00e0 eccezionale, riproducono l'architettura, l'arredamento esterno e interno, compresa la ricca statuaria e gli affreschi, talvolta in dettaglio, e un catalogo della sessantina di marmi utilizzati. Solidamente documentato, il testo di G\u00e9rard Fontaine ci guida attraverso la storia del monumento inaugurato nel 1875, la sua facciata, le sue famose scale, l'auditorium e i suoi corridoi, il palcoscenico e i suoi annessi, i saloni e il sontuoso grand foyer, senza dimenticare gli innumerevoli ornamenti, le dorature, le tappezzerie e i lampadari. Tra gli artisti presenti, naturalmente, Chagall e il suo soffitto, ma anche lo scultore friburghese Marcello e la sua famosa Pizia. Il capolavoro di Garnier \u00e8 stato concepito come una sintesi tra l'ordine classico e statico e il movimento barocco, a complemento del piacere e del sogno incarnati dall'arte lirica. Questo tempio laico prepara e prolunga lo spettacolo proiettandoci in un altro spazio-tempo onirico, creato dalla visione di un'abbondanza di sculture, dipinti, arti decorative ed elementi tecnici, perfettamente resi in questo bellissimo libro.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Opera-Garnierklein.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Il compositore Iannis Xenakis collabor\u00f2 con Le Corbusier dal 1947 al 1959, soprattutto per progetti di ingegneria. Nell'ambito dell'Esposizione Universale di Bruxelles del 1958, i due crearono insieme un padiglione per il quale Edgar Var\u00e8se scrisse il suo <em>Poesia elettronica spazializzata.<\/em> Questo snello edificio \u00e8 oggetto di uno studio dettagliato, che costituisce una delle tre parti del libro di S\u00e9verine Bridoux-Michel pubblicato dalle Edizioni Imbernon, che hanno sede proprio nella Cit\u00e9 radieuse che l'architetto di Chaux-de-Fonds costru\u00ec a Marsiglia. Nato in una famiglia di musicisti (in particolare il fratello Albert, violinista, compositore e discepolo di Jaques-Dalcroze), Le Corbusier ha dato ritmo allo spazio, costruendo una musica del silenzio armonizzata da materiali e colori. Xenakis vedeva la sound art come un'architettura mobile. L'influenza del Modulor di Le Corbusier \u00e8 particolarmente evidente in uno dei suoi primi lavori, <em>Metastasi,<\/em> Questa affascinante indagine sul mondo dei due creatori \u00e8 arricchita da riproduzioni di fotografie, schizzi, dipinti e altri documenti. Questa affascinante indagine sul mondo dei due creatori \u00e8 arricchita da riproduzioni di fotografie, schizzi, dipinti e altri documenti.<\/p>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/12_crit_buch_Mettraux2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>La Chaux-de-Fonds \u00e8 orgogliosa della sua Salle de musique, inaugurata nel 1955. In occasione della sua riapertura dopo una completa ristrutturazione, \u00e8 stata pubblicata da Alphil una monografia con la riproduzione di numerosi documenti, alcune preziose testimonianze e un portfolio del fotografo Pablo Fernandez. Marikit Taylor ripercorre la storia della sua costruzione, dalle origini al completamento, descrivendone le caratteristiche, la straordinaria acustica, i lavori di restauro e, in collaborazione con l'organista titolare Philippe Laubscher, il suo grande organo. Yvonne Tissot racconta la vita musicale della citt\u00e0 orologiera e le attivit\u00e0 della Soci\u00e9t\u00e9 de Musique, che \u00e8 stata all'origine del progetto della sala, nonch\u00e9 i concerti inaugurali, prima di illustrare le numerose attivit\u00e0 musicali che vi si svolgono. Infine, Cyril Tissot racconta le numerose registrazioni effettuate, spesso da interpreti prestigiosi, in questa sala di fama internazionale.<\/p>\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/12_crit_buch_Mettraux3.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>G\u00e9rard Fontaine: L'Op\u00e9ra de Charles Garnier - Une \u0153uvre d'art total, fotografie di Jean-Pierre Delagarde, 290 p., \u20ac 35,00, Editions du Patrimoine \/ Centre des monuments nationaux, Paris 2018, ISBN 9782757706084 <\/em><\/p>\n<p><em>S\u00e9verine Bridoux-Michel: Le Corbusier &amp; Iannis Xenakis. Un dialogue architecture \/ musique, 200 p., \u20ac 27,00, Editions Imbernon, Marsiglia 2018, ISBN 9782919230266<\/em><\/p>\n<p><em>La Salle de musique de La Chaux-de-Fonds - Un lieu et une acoustique d'exception, 312 p., Fr. 37.00, Editions Alphil, Neuch\u00e2tel 2017, ISBN 978-2-88930-057-0<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>La felice interazione tra musica e architettura \u00e8 celebrata in tre interessanti libri.<\/strong><\/p>","protected":false},"author":1,"featured_media":23264,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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