{"id":23302,"date":"2020-10-27T00:00:00","date_gmt":"2020-10-26T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2020\/10\/27\/esthetiques-contemporaines\/"},"modified":"2024-08-15T16:23:03","modified_gmt":"2024-08-15T14:23:03","slug":"esthetiques-contemporaines","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines","title":{"rendered":"Estetica contemporanea"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg\" alt=\"\" width=\"554\" height=\"368\" \/><figcaption class=\"wp-caption-text\">Luis de Pablo 2008. Foto : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Luis_de_Pablo.jpg\" target=\"_blank\" rel=\"noopener\">PROGETTO SIGMA \/ wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Luis de Pablo compie quest'anno 90 anni: \u00e8 un compositore spagnolo dallo spirito universale e dal vasto bagaglio culturale. Appassionato promotore della musica contemporanea - anche come atto di resistenza al regime di Franco, prima di essere costretto all'esilio - \u00e8 autore di 200 raffinate partiture, sintesi personalissima di consonanza e microintervalli, forma libera e metro complesso, nonch\u00e9 di alcune musiche non occidentali. Il libro, edito da Aedam Musicae, raccoglie le lettere del compositore al musicologo Jean-No\u00ebl von der Weid, ognuna delle quali \u00e8 accompagnata da un'introduzione e da note esplicative, interessanti aggiunte che brillano qua e l\u00e0 di un'immaginazione surrealista o di un virtuosismo barocco che ricorda G\u00f3ngora. Introdotti ad alcune figure notevoli della letteratura iberica, entriamo in stretto contatto con l'universo umanistico di questa calda personalit\u00e0, anche attraverso una nota biografica introduttiva che presenta alcuni dei suoi capolavori.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div>\n<h3 class=\"\">Musica contemporanea<\/h3>\n<\/div>\n<div class=\"text-section\">\n<p>Dagli anni '90 Minerve ha prodotto un'eccellente serie di glossari, la maggior parte dei quali dedicati alla terminologia musicale. Nella quarta edizione, recentemente pubblicata, rivista e ampliata, il noto compositore e musicologo Jean-Yves Bosseur ha rivolto la sua attenzione al vocabolario specifico della musica contemporanea, selezionando 94 termini (parole, espressioni o coppie antinomiche), tra cui alcune nozioni ridefinite dalla met\u00e0 del secolo scorso (in particolare la notazione), esplorando cos\u00ec un panorama molto ampio delle questioni artistiche, filosofiche e teoriche alla base delle varie tendenze della creazione musicale odierna. Non limitandosi alle proprie definizioni, che sono chiare e precise, le integra con contributi di compositori e musicologi, citando numerosi testi e posizioni, alcuni dei quali inediti, che forniscono punti di vista talvolta contraddittori, invitando al dibattito e alla riflessione e riflettendo la gradita diversit\u00e0 dell'estetica del nostro tempo.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/11_crit_buch_Mettraux2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div>\n<h3 class=\"\">Lo spirito seriale<\/h3>\n<\/div>\n<div class=\"text-section\">\n<p>Un altro libro di J.-Y. Bosseur, pubblicato dallo stesso editore, \u00e8 dedicato allo spirito seriale nelle arti: la musica, naturalmente, ma anche la letteratura (Michel Butor e Georges Perec in particolare) e le arti visive (da Josef Albers ai giorni nostri, attraverso tre rappresentanti dell'arte concreta zurighese: Max Bill, Camille Graeser e Richard-Paul Lohse). Mentre una forma di serialismo \u00e8 stata settarizzata come un assoluto nel dopoguerra, Schoenberg, il fondatore della teoria della composizione con dodici toni, non ha mai confuso il fine con i mezzi, considerando questo strumento come un aiuto non egemonico alla creazione. L'atteggiamento moraleggiante e intollerante di alcuni seguaci del serialismo post-weberniano ha contribuito a dare un'immagine negativa di questa tecnica di scrittura, mentre gli approcci molto pi\u00f9 liberi e aperti di Dallapiccola, Henze, Stravinsky e Zimmermann testimoniano la potenziale fertilit\u00e0 di un metodo che pu\u00f2 essere usato come fermento per l'immaginazione creativa. L'autore non nasconde le controversie su chi ha inventato la tecnica (Hauer contro Schoenberg), n\u00e9 il paradosso tra l'ordine ultradeterminato del serialismo integrale e l'impressione di disordine o staticit\u00e0 nella sua realizzazione sonora, n\u00e9 delle critiche di compositori diversi come Cage, Carter, Ligeti, Xenakis e persino Kagel, quest'ultimo che denuncia l'accademismo e i tab\u00f9 armonici della serialit\u00e0 dell'immediato dopoguerra e parla di una \"iper-organizzazione nevrotica\". Eppure, nelle sue varie metamorfosi, lo spirito seriale ha ispirato anche molti capolavori, dalla Seconda Scuola Viennese ai giorni nostri.<\/p>\n<\/div>\n<div class=\"text-section\">\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/l_esprit_seriel_570.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Jean-No\u00ebl von der Weid: Luis de Pablo, b\u00e2tisseur d'essentiel, 144 p., \u20ac 18,00, \u00c9ditions Aedam Musicae, Ch\u00e2teau-Gontier 2020, ISBN 978-2-919046-77-5<\/em><\/p>\n<p><em>Jean-Yves Bosseur: Vocabulaire de la musique contemporaine, quarta edizione, 216 p., \u20ac 19,00, \u00c9ditions Minerve, Paris 2020, ISBN 978-2-86931-158-9<\/em><\/p>\n<p><em>Jean-Yves Bosseur: L'Esprit s\u00e9riel, d'un art \u00e0 l'autre, 200 p., \u20ac 22,00, \u00c9ditions Minerve, Parigi 2018, ISBN 978-2-86931-150-3<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Presentazione di tre opere dedicate alla musica del XX e XXI secolo: lettere di Luis de Pablo, un glossario dei principali concetti della musica contemporanea e uno studio sul serialismo nelle varie arti.<\/strong><\/p>","protected":false},"author":1,"featured_media":23303,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23302","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Esth\u00e9tiques contemporaines - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Esth\u00e9tiques contemporaines - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Pr\u00e9sentation de trois ouvrages d\u00e9di\u00e9s \u00e0 la musique des 20e et 21e si\u00e8cles : des lettres de Luis de Pablo, un lexique des principales notions de la musique contemporaine et une \u00e9tude sur le s\u00e9rialisme dans les diff\u00e9rents arts.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-26T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-08-15T14:23:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"368\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Esth\u00e9tiques contemporaines\",\"datePublished\":\"2020-10-26T23:00:00+00:00\",\"dateModified\":\"2024-08-15T14:23:03+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines\"},\"wordCount\":745,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Luis_de_Pablo.jpg\",\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines\",\"name\":\"Esth\u00e9tiques contemporaines - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Luis_de_Pablo.jpg\",\"datePublished\":\"2020-10-26T23:00:00+00:00\",\"dateModified\":\"2024-08-15T14:23:03+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Luis_de_Pablo.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Luis_de_Pablo.jpg\",\"width\":554,\"height\":368},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2020\\\/10\\\/esthetiques-contemporaines#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Esth\u00e9tiques contemporaines\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Esth\u00e9tiques contemporaines - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines\/","og_locale":"it_IT","og_type":"article","og_title":"Esth\u00e9tiques contemporaines - Revue Musicale Suisse","og_description":"Pr\u00e9sentation de trois ouvrages d\u00e9di\u00e9s \u00e0 la musique des 20e et 21e si\u00e8cles : des lettres de Luis de Pablo, un lexique des principales notions de la musique contemporaine et une \u00e9tude sur le s\u00e9rialisme dans les diff\u00e9rents arts.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2020-10-26T23:00:00+00:00","article_modified_time":"2024-08-15T14:23:03+00:00","og_image":[{"width":554,"height":368,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"5 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Esth\u00e9tiques contemporaines","datePublished":"2020-10-26T23:00:00+00:00","dateModified":"2024-08-15T14:23:03+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines"},"wordCount":745,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg","articleSection":["Critiques","Livres et partitions"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines","url":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines","name":"Esth\u00e9tiques contemporaines - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg","datePublished":"2020-10-26T23:00:00+00:00","dateModified":"2024-08-15T14:23:03+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Luis_de_Pablo.jpg","width":554,"height":368},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2020\/10\/esthetiques-contemporaines#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Esth\u00e9tiques contemporaines"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=23302"}],"version-history":[{"count":4,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23302\/revisions"}],"predecessor-version":[{"id":30663,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23302\/revisions\/30663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/23303"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=23302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=23302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=23302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}