{"id":23314,"date":"2021-01-18T00:00:00","date_gmt":"2021-01-17T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2021\/01\/18\/traites-dinterpretation-et-de-phonetique\/"},"modified":"2024-08-15T16:19:05","modified_gmt":"2024-08-15T14:19:05","slug":"traites-dinterpretation-et-de-phonetique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2021\/01\/traites-dinterpretation-et-de-phonetique","title":{"rendered":"Trattati di interpretazione e fonetica"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/800px-Hof-Musici_Krumlov_2017.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Il teatro dell'opera di \u010cesk\u00fd Krumlov ha tribune per l'orchestra costruite nel 1765\/6, conservate nel loro stato originale. Foto: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hof-Musici_Krumlov_2017.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">VitVit\/wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>La musica vocale non pu\u00f2 essere affrontata senza considerare le sottili sfumature della dizione, troppo spesso trascurate al giorno d'oggi. Abitudini approssimative spesso sostituiscono la conoscenza e la comprensione di base. In questo trattato chiaro e pedagogico sulla fonetica della lingua francese cantata, basato su tavole pratiche, Marie-Paule Hallard, specialista del settore, illustra la corrispondenza tra l'ortografia e la pronuncia di ogni grafema e fonema, specifica le regole di accentuazione e di collegamento, d\u00e0 consigli su come migliorare l'articolazione delle vocali e delle consonanti e offre al lettore una sintesi dei principi di interpretazione. Facile da usare, questo manuale \u00e8 una guida indispensabile per tutti i cantanti, studenti, dilettanti e professionisti, che siano o meno di madrelingua francese.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_buch_Mettraux1-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Oltre alla carriera di violista in rinomati ensemble di musica antica, Kai K\u00f6pp concentra la sua ricerca sul campo dell'interpretazione storica. Il suo libro sulla pratica degli strumentisti orchestrali dal Barocco al periodo romantico, pubblicato in tedesco nel 2009, \u00e8 stato tradotto in modo eccellente dal violinista Fabien Roussel. Grande importanza viene data ai colpi d'arco, la cui organizzazione e coordinazione rimangono essenziali per l'esecuzione d'insieme. Uno studio approfondito delle diverse scuole e della loro evoluzione attraverso varie fonti offre possibili risposte ad alcune domande fondamentali legate all'esecuzione musicale dei primi repertori: come suonava uno strumentista? Quali articolazioni erano suggerite dalle indicazioni (o dalla loro mancanza) da parte sua? L'esame di quindici esempi, tratti da opere che vanno da Lully a Wagner, ci permette di applicare le conoscenze acquisite in questo abbondante e affascinante corpus teorico.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/1_2_crit_buch_Mettraux2-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Marie-Paule Hallard: Le Fran\u00e7ais chant\u00e9, phon\u00e9tique et aspects de la langue en chant classique, 108 p., \u20ac 27,00, \u00e9ditions Sym\u00e9trie, Lyon 2020, ISBN 978-2-36485-080-4<\/em><\/p>\n<p><em>Kai K\u00f6pp: Pratica orchestrale storica, barocca, classica e romantica, 384 pp,<br \/>\n\u20ac 29,00, \u00e9ditions Sym\u00e9trie, Lione 2019, ISBN 978-2-36485-051-4<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Le Edizioni Sym\u00e9trie hanno recentemente pubblicato due opere fondamentali, autentici corsi di interpretazione. <\/strong><\/p>","protected":false},"author":1,"featured_media":23315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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