{"id":23372,"date":"2021-11-22T00:00:00","date_gmt":"2021-11-21T23:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2021\/11\/22\/multiples-aspects-de-lopera\/"},"modified":"2024-08-15T10:06:51","modified_gmt":"2024-08-15T08:06:51","slug":"multiples-aspects-de-lopera","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2021\/11\/multiples-aspects-de-lopera","title":{"rendered":"Le molteplici sfaccettature dell'opera"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/640px-Lets_go_to_the_Opera.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Vista del Teatro dell'Opera di Oslo. Foto : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Let%27s_go_to_the_Opera.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Azedized \/ wikimedia commons<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Sotto la direzione di Herv\u00e9 Lacombe, Fayard si \u00e8 impegnata a pubblicare un monumento di rara portata: tre corposi volumi, di cui sono appena usciti i primi due, che costituiscono una vera e propria enciclopedia dell'opera lirica francese, notevolmente strutturata (anche se priva di analisi dettagliate delle partiture) e ricca di informazioni che non tolgono nulla al piacere della lettura. Gli oltre 150 autori (musicologi, storici, specialisti di teatro e letterati, tra gli altri) ci aiutano a scoprire gli innumerevoli aspetti dell'arte lirica - dalle sue prime apparizioni in Francia all'epoca di Mazzarino fino alla Rivoluzione (volume 1) e dal Consolato al 1900 (volume 2) - e le sue varie forme, tra cui, ad esempio, la com\u00e9die-ballet, la f\u00eate th\u00e9\u00e2trale e altri intrattenimenti, la com\u00e9die m\u00eal\u00e9e d'ariettes e l'op\u00e9rette. Dal significato sociologico alle influenze reciproche con nazioni vicine o lontane, dalle diverse tendenze stilistiche o estetiche ai temi principali e alle fonti di ispirazione dei libretti, dalla copertura mediatica agli arrangiamenti e ai capostipiti dei prodotti derivati, dall'importanza della coreografia ai rapporti con la letteratura e le altre arti, dai teatri e il loro pubblico al lavoro dietro e sul palcoscenico, senza dimenticare i compositori (i capitoli sono dedicati ai pi\u00f9 eminenti, francesi e non, e il numero dei loro colleghi citati \u00e8 considerevole), i librettisti, i cantanti (box biografici), i ballerini, i registi, i copisti e gli editori: L'abbondante variet\u00e0 di argomenti trattati in questi volumi interesser\u00e0 gli appassionati, i dilettanti e i curiosi che desiderano conoscere a fondo le molteplici sfaccettature del repertorio operistico francese.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/12_crit_buch_Mettraux1-1.jpeg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Indissociabili dalle opere liriche, gli edifici appositamente costruiti o ristrutturati per ospitare le loro rappresentazioni sono il soggetto di un bel libro riccamente illustrato pubblicato da Premi\u00e8res Loges. Christophe Rizoud ci invita a esplorare 130 edifici di tutto il mondo, luoghi leggendari o poco conosciuti, un quarto dei quali si trova in Francia, la met\u00e0 in altri Paesi europei e l'altro quarto in altri continenti (in Svizzera, troviamo il Grand Th\u00e9\u00e2tre de Gen\u00e8ve, l'Op\u00e9ra de Lausanne e l'Opernhaus de Zurich). Dal Th\u00e9\u00e2tre Antique di Orange e dal rinato Teatro Olimpico di Vicenza ai teatri d'opera recentemente costruiti a Muscat (Oman), Oslo, Pechino e Valencia, dal K\u00f6nigliches Kurtheater guglielmino da 199 posti di Bad Wildbad all'Arena di Verona da 22.000 posti, la scelta \u00e8 singolarmente varia. Per ognuno di questi templi dell'arte, dettagli generali, un breve elenco di alcune creazioni degne di nota e un aneddoto speciale fanno da contorno alla descrizione architettonica e alla storia.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/12_crit_buch_Mettraux-1.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<p><em>Herv\u00e9 Lacombe: Storia dell'opera francese. Du Roi-Soleil \u00e0 la R\u00e9volution, 1272 p., \u20ac 39,00, Fayard, Paris 2021, ISBN 9782213709901<\/em><\/p>\n<p><em>Id. Du Consulat aux d\u00e9buts de la III\u00e8me R\u00e9publique, 1200 p., \u20ac 39,00, Fayard, Paris 2020, ISBN 9782213709567<\/em><\/p>\n<\/div>\n<div class=\"text-section\">\n<p><em>Christophe Rizoud: Le tour du monde en 130 op\u00e9ras, 320 p., \u20ac 32,00, Premi\u00e8res Loges, Paris 2021, ISBN 978-2-84385-367-8<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Le pubblicazioni pi\u00f9 recenti si sono concentrate sul mondo dell'opera e sulle sue sedi.<\/strong><\/p>","protected":false},"author":1,"featured_media":23373,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23372","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Multiples 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