{"id":23399,"date":"2022-04-01T00:00:00","date_gmt":"2022-03-31T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2022\/04\/01\/quand-le-jazz-est-un-jeu\/"},"modified":"2024-08-15T09:48:08","modified_gmt":"2024-08-15T07:48:08","slug":"quand-le-jazz-est-un-jeu","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2022\/04\/quand-le-jazz-est-un-jeu","title":{"rendered":"Quando il jazz \u00e8 un gioco"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Tabarini-Villa-Dutoit-Kopie.jpg\" alt=\"\" width=\"554\" height=\"369\" \/><figcaption class=\"wp-caption-text\">Claude Tabarini. Foto: \u00a9 Nicolas Masson<\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>L'AMR (Association pour la musique improvis\u00e9e) di Ginevra avrebbe dovuto inventare un personaggio se non fosse esistito: Claude Tabarini. La vita di questo gruppo di musicisti si dipana attraverso la lettura di <em>Suonare il jazz <\/em>e ascoltare la musica offerta dal sito <a href=\"http:\/\/www.claudetabarini.ch\" target=\"_blank\" rel=\"noopener\">www.claudetabarini.ch<\/a>dove si possono ascoltare tutte le spedizioni musicali di cui parla nel libro.<\/p>\n<p>Claude Tabarini \u00e8 un compositore, batterista, pianista e combattente della resistenza che vive in una piccola casa nel mezzo del cortile di Ilot 13, uno dei principali insediamenti abusivi di Ginevra. Come dice lui stesso, il suo Jouer au jazz \u00e8 una \"testimonianza sociologica e musicale\" basata sulla sua casa e sull'AMR, dall'altra parte della stazione. Con l'autore ormai settantenne, leggiamo e ascoltiamo come in quarant'anni abbia collaborato con un numero impressionante di musicisti del locale in avventure improvvisate, la maggior parte delle quali fuori dagli schemi. Dovendo scegliere, cominceremo a caso dall'inizio, quello di \"Op\u00e9ra Taba\", che esegu\u00ec con Laurent Peradotto (tromba, pianoforte, flauto, percussioni, voce) nel suo monolocale per \"una coppia smarrita a cui offrivano il t\u00e8\" nel 1979. E non possiamo resistere a fare il salto a una registrazione in compagnia - famosa - di Steve Lacy (sassofono), Jean-Jacques Avenel (contrabbasso) e Maurice Magnoni (sassofono) nel 1984. I crediti di questa antologia includono ex membri dell'AMR come i contrabbassisti Olivier Magnenat e Jacques Siron e il pianista Jacques Demierre. Ma ci sono anche giovani musicisti, come il sassofonista Manuel Gesseney e il pianista Thomas Florin. Oltre a suonare, Claude Tabarini \u00e8 anche un paroliere. Basta guardare alcuni dei titoli delle sue numerose band: \"Les biscuits bleus du roi Ferdinand\", \"Jean-Bernard le flic\", \"Jazz for elegant people\". E non mancano splendori, stranezze e stravaganze da assaporare, lasciandovi impressionare dalla forza creativa di questa associazione di musicisti dell'estremo lembo del lago.<\/p>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo large\">\n<dt>\n<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"media photo large\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/SdA_jour_fonce-2-Kopie.jpg\" alt=\"Image \" width=\"554\" height=\"360\" \/><figcaption class=\"wp-caption-text\">Edificio AMR a Ginevra. DR<\/figcaption><\/figure><\/dt>\n<dd class=\"caption\"><\/dd>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/04_crit_buch_Muehlethaler.jpeg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<div class=\"text-section\">\n<p><em>Claude Tabarini: Jouer au jazz, 112 p., Fr. 20.00, \u00c9ditions H\u00e9ros-Limite, Gen\u00e8ve 2022, ISBN 978-2-88955-066-1<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>Il nuovo libro di Claude Tabarini, \"Jouer au jazz\", \u00e8 una \"testimonianza sociologica e musicale\". <\/strong><\/p>","protected":false},"author":1,"featured_media":23400,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Quand le jazz 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