{"id":23409,"date":"2022-05-25T00:00:00","date_gmt":"2022-05-24T22:00:00","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/blog\/2022\/05\/25\/musique-au-20e-siecle\/"},"modified":"2024-08-15T09:42:38","modified_gmt":"2024-08-15T07:42:38","slug":"musique-au-20e-siecle","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2022\/05\/musique-au-20e-siecle","title":{"rendered":"La musica nel XX secolo"},"content":{"rendered":"<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Bundesarchiv_B_145_Bild-F004566-0002_Darmstadt_Internationaler_Kurs_fuer_neue_Musik.jpg\" alt=\"\" width=\"554\" height=\"397\" \/><figcaption class=\"wp-caption-text\">Cortile estivo con Karl Heinz Stockhausen a Darmstadt nel 1957. Foto : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Bundesarchiv_B_145_Bild-F004566-0002,_Darmstadt,_Internationaler_Kurs_f%C3%BCr_neue_Musik.jpg?uselang=de\" target=\"_blank\" rel=\"noopener\">Rolf Unterberg, Bundesarchiv, B 145 Bild-F004566-0002<\/a><\/figcaption><\/figure>\n<div class=\"text-section\">\n<p>Che ruolo ha la leggenda nella genesi e nella creazione della <em>Quartetto per la fine del tempo<\/em> di Messiaen? In che misura Webern, lettore entusiasta nel 1941 di <em>Mein Kampf<\/em>Era affascinato dall'ideologia nazista e perch\u00e9 questo aspetto poco brillante della sua personalit\u00e0 \u00e8 stato a lungo oscurato? Perch\u00e9 il realismo proletario e la dottrina Zhdanov schiacciarono alcuni artisti e misero fine all'avanguardia sovietica? In che modo le Scuole estive di Darmstadt furono sostenute dagli Stati Uniti all'inizio della Guerra fredda, con l'obiettivo di utilizzare il serialismo come parte della propaganda anticomunista? Quali furono i primi esempi di politiche nazionali di democratizzazione della cultura? Il libro di Bruno Giner, recentemente pubblicato da Delatour, fornisce risposte precise, concise e vivaci a queste e a molte altre domande, esplorando i legami tra alcuni compositori della prima met\u00e0 del XX secolo e il contesto politico in cui hanno vissuto. Si scoprono, ad esempio, l'impegno sociale di Satie, il sostegno di Edgard Var\u00e8se alla Repubblica spagnola, le attivit\u00e0 di Elsa Barraine nella Resistenza e gli ensemble musicali nel campo di concentramento di Mauthausen.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/06_crit_buch_Mettraux1.png\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p>Mancava una storia completa della dodecafonia e della musica seriale, dalle origini agli sviluppi finali, compreso il contributo di Hauer e della sua scuola e le critiche mosse al serialismo. Questa aspettativa \u00e8 stata soddisfatta dal libro di Franck Jedrzejewski, pubblicato da Brepols, che descrive la diffusione della tecnica dodecafonica schoenberghiana in tutti i continenti, la sua influenza su numerosi creatori e le sue numerose metamorfosi e mutazioni (serie incomplete, rotazioni, permutazioni, uso della microtonalit\u00e0, ecc.) Un breve capitolo esplora anche l'algebra delle serie e la loro classificazione in base alla struttura. Le copiose appendici comprendono un ampio repertorio di serie, l'elenco completo delle serie comprendente tutti i dodici intervalli possibili, i diagrammi delle corde di tutte le 554 strutture di nodi dodecafonici e un'ampia bibliografia.<\/p>\n<div class=\"text-section\">\n<dl class=\"picture media photo\">\n<dt><img decoding=\"async\" class=\"media photo aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/06_crit_buch_Mettraux2.jpg\" alt=\"Image \" \/><\/dt>\n<\/dl>\n<\/div>\n<\/div>\n<div class=\"text-section\">\n<p><em>Bruno Giner: Treize histoires secr\u00e8tes de la musique. Quelques jalons pour la musique europ\u00e9enne du premier XX\u00e8me si\u00e8cle, 196 p., \u20ac 22,00, Editions Delatour France, Sampzon 2022, ISBN 9782752104366<br \/>\n<\/em><\/p>\n<p><em>Franck Jedrzejewski: Musica dodecafonica e seriale: una nuova storia, XIII+521 p., \u20ac 130,00, Brepols, Turnhout 2021, ISBN 978-2-503-59486-6<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>L'interazione tra i compositori e il loro contesto ideologico o politico e la storia della diffusione della tecnica seriale sono i temi di due opere di recente pubblicazione.<\/strong><\/p>","protected":false},"author":1,"featured_media":23410,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[],"class_list":["post-23409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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