{"id":23495,"date":"2023-01-19T10:22:47","date_gmt":"2023-01-19T09:22:47","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=23495"},"modified":"2023-01-19T10:31:01","modified_gmt":"2023-01-19T09:31:01","slug":"le-hautbois-damour-a-lhonneur","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur","title":{"rendered":"L'oboe d'amore al centro dell'attenzione"},"content":{"rendered":"
\"\"
Katharina Suske. Foto: Giro Annen<\/figcaption><\/figure>\n

A volte, ancora oggi, i musicisti dichiarano perentoriamente che Bach suona bene su qualsiasi strumento per cui non ha scritto. \u00c8 una musica cos\u00ec pura che se la si suona su un pianoforte, \u00e8 ancora Bach. Questi sopravvissuti di un'altra epoca sono stati i primi, nella seconda met\u00e0 del XX secolo, a condannare le trascrizioni degli Swingle Singers o quelle di Emerson, Lake e Palmer! Sembra chiaro, tuttavia, che il compositore volesse sonorit\u00e0 precise. Se, nella seconda cantata del suo oratorio di Natale, Bach ha scritto per due oboi d'amore e due oboi di caccia, non si tratta di timbri scelti a caso. \u00c8 proprio l'oboe d'amore, cos\u00ec apprezzato dal nostro compositore, a occupare il posto d'onore in questa registrazione.<\/p>\n

L'intonazione, cos\u00ec delicata in un oboe barocco, non \u00e8 mai in dubbio nell'esecuzione di Katharina Suske, e la sua padronanza dell'imbuto produce un suono rotondo e sensuale che ci incanta fin dalla prima frase. Alla guida della Freitagsakademie, l'oboista cesella con precisione la musica del Cantor di Lipsia, offrendo un fraseggio organico di altissima qualit\u00e0.<\/p>\n

La registrazione inizia con la sinfonia di una delle due cantate italiane di Bach (anche se la paternit\u00e0 di \"Non sa che sia dolore\" \u00e8 fortemente contestata). Il flauto di J\u00f6rg Fiedler e il violino di Ilia Korol si librano sui bassi orchestrali, che rendono molto chiara l'architettura dell'opera. Segue il magnifico concerto per oboe d'amore in la maggiore. Gli interpreti riescono, con convincente naturalezza, a far emergere la vivacit\u00e0 e la poesia di questo importante lavoro della letteratura per oboe e orchestra. Karoline Echeverri usa il suo arco per creare una magnifica tavolozza di sottili sfumature nel Concerto per violino BWV 1056. Il flauto di J\u00f6rg Fiedler, l'oboe d'amore di Katharina Suske e il violino di Karoline Echeverri si uniscono nel triplo concerto di Walter Hindermann basato su cantate di J.S. Bach, completando una registrazione di pura gioia!<\/p>\n

\"\"Concerti di Bach: Persi e ritrovati. Die Freitagsakademie; Katharina Suske, oboe d'amore e direzione artistica. Deutsche harmonia mundi 19658710732<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Katharina Suske e la Freitagsakademie eseguono i concerti di Bach per oboe d'amore, violino e flauto.<\/p>","protected":false},"author":1,"featured_media":23496,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[1628,1631,1635,1633,1632,1629,1634,1630],"class_list":["post-23495","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-bach","tag-dagon","tag-echeverri","tag-fiedler","tag-freitagsakademie","tag-hautbois","tag-korol","tag-suske"],"acf":[],"yoast_head":"\nLe hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Katharina Suske et la Freitagsakademie jouent des concertos de Bach pour hautbois d'amour, violon et fl\u00fbte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-01-19T09:22:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-01-19T09:31:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"913\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Le hautbois d\u2019amour \u00e0 l\u2019honneur\",\"datePublished\":\"2023-01-19T09:22:47+00:00\",\"dateModified\":\"2023-01-19T09:31:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur\"},\"wordCount\":429,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Suske_GiroAnnen.jpg\",\"keywords\":[\"Bach\",\"Dagon\",\"Echeverri\",\"Fiedler\",\"Freitagsakademie\",\"hautbois\",\"Korol\",\"Suske\"],\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur\",\"name\":\"Le hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Suske_GiroAnnen.jpg\",\"datePublished\":\"2023-01-19T09:22:47+00:00\",\"dateModified\":\"2023-01-19T09:31:01+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Suske_GiroAnnen.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Suske_GiroAnnen.jpg\",\"width\":1400,\"height\":913},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2023\\\/01\\\/le-hautbois-damour-a-lhonneur#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le hautbois d\u2019amour \u00e0 l\u2019honneur\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Le hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur\/","og_locale":"it_IT","og_type":"article","og_title":"Le hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse","og_description":"Katharina Suske et la Freitagsakademie jouent des concertos de Bach pour hautbois d'amour, violon et fl\u00fbte.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-01-19T09:22:47+00:00","article_modified_time":"2023-01-19T09:31:01+00:00","og_image":[{"width":1400,"height":913,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Le hautbois d\u2019amour \u00e0 l\u2019honneur","datePublished":"2023-01-19T09:22:47+00:00","dateModified":"2023-01-19T09:31:01+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur"},"wordCount":429,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg","keywords":["Bach","Dagon","Echeverri","Fiedler","Freitagsakademie","hautbois","Korol","Suske"],"articleSection":["Critiques","Disques"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur","url":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur","name":"Le hautbois d\u2019amour \u00e0 l\u2019honneur - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg","datePublished":"2023-01-19T09:22:47+00:00","dateModified":"2023-01-19T09:31:01+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Suske_GiroAnnen.jpg","width":1400,"height":913},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2023\/01\/le-hautbois-damour-a-lhonneur#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Le hautbois d\u2019amour \u00e0 l\u2019honneur"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=23495"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23495\/revisions"}],"predecessor-version":[{"id":23498,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/23495\/revisions\/23498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/23496"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=23495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=23495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=23495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}