{"id":29359,"date":"2023-02-22T11:16:51","date_gmt":"2023-02-22T10:16:51","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29359"},"modified":"2025-04-07T16:51:06","modified_gmt":"2025-04-07T14:51:06","slug":"musiques-contemporaines","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/02\/musiques-contemporaines","title":{"rendered":"Musica contemporanea"},"content":{"rendered":"<figure id=\"attachment_29412\" aria-describedby=\"caption-attachment-29412\" style=\"width: 2400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-29412 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash.jpg\" alt=\"\" width=\"2400\" height=\"1802\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash.jpg 1332w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-300x225.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-1024x769.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-768x577.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-1536x1153.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-2048x1538.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-233x175.jpg 233w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-466x350.jpg 466w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-1065x800.jpg 1065w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-920x691.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/katie-mcnabb-8AJuvX4hzws-unsplash-1400x1051.jpg 1400w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><figcaption id=\"caption-attachment-29412\" class=\"wp-caption-text\"><a href=\"https:\/\/unsplash.com\/de\/fotos\/8AJuvX4hzws\" target=\"_blank\" rel=\"noopener\">Foto: Katie McNabb\/unsplash.com<\/a><\/figcaption><\/figure>\n<p>Una delle recenti pubblicazioni di Contrechamps \u00e8 la nuova edizione di un'opera dello storico dell'arte losannese Philippe Junod. Composto da nove articoli precedenti rivisti, integrati da abbondanti note e da un'ampia bibliografia, esamina criticamente l'equivoco rapporto tra musica e pittura, le loro influenze reciproche e le metafore che ne derivano, le speculazioni sui diversi tipi di sinestesia, le molteplici metamorfosi della musica delle sfere e i limiti del confronto, cos\u00ec spesso soggettivo e fluttuante, tra le opere o le personalit\u00e0 di compositori e pittori.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-29413 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1-192x300.png\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1-192x300.png 192w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1-112x175.png 112w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1-224x350.png 224w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1-300x469.png 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux1.png 350w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/p>\n<p>Sebbene alcuni dei suoi numerosi scritti incentrati sulla musica possano sembrare storicamente datati, Adorno ha comunque esercitato un'importante influenza su una parte significativa del pensiero musicologico della seconda met\u00e0 del secolo scorso, in particolare attraverso le sue analisi delle partiture. Una raccolta di testi, per lo pi\u00f9 inediti in francese, che il filosofo tedesco ha dedicato alle funzioni dei colori sonori, al rapporto tra le arti, a Wagner e a Richard Strauss, rivela la sua diffidenza nei confronti dell'emancipazione del timbro dall'elaborazione motivico-tematica, la sua ambivalenza nei confronti dell'autore di<em>Elektra<\/em> o la sua instancabile messa in discussione di tutti gli aspetti dell'estetica musicale.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-29414 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2-189x300.jpeg\" alt=\"\" width=\"189\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2-189x300.jpeg 189w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2-110x175.jpeg 110w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2-221x350.jpeg 221w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2-300x476.jpeg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux2.jpeg 350w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/p>\n<p>Opera cardine della produzione di Luigi Nono, il suo onirico quartetto per archi <em>Fragmente-Stille, an Diotima<\/em>composto nel 1979-80, \u00e8 oggetto di una monografia in cui Laurent Feneyrou non solo ne fornisce un'analisi dettagliata, descrivendone la concezione, la complessit\u00e0 strutturale e l'uso di prestiti musicali, ma ne rivela anche il significato autobiografico, politico e poetico, in relazione a H\u00f6lderlin, di cui la partitura riporta alcuni frammenti.<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-29420 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1-183x300.jpeg\" alt=\"\" width=\"183\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1-183x300.jpeg 183w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1-107x175.jpeg 107w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1-214x350.jpeg 214w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1-300x491.jpeg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux3-1.jpeg 350w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Ancora attivo a oltre 85 anni, il compositore americano e pioniere del minimalismo Steve Reich pensava da tempo a un libro in cui discutere liberamente dei suoi ricordi, degli sviluppi del suo itinerario musicale, delle sue fonti di ispirazione (da P\u00e9rotin al jazz, passando per Bach, Bart\u00f3k e Stravinsky), dei suoi incontri e delle sue opere. A tal fine, nel 2020 e nel 2021 ha registrato una serie di 19 interviste con musicisti e altri artisti con cui ha collaborato, tra cui il direttore d'orchestra Michael Tilson Thomas, il giovane compositore Nico Muhly, il violinista del Quartetto Kronos David Harrington e la coreografa Anne Teresa de Keersmaeker. Trascrizione di queste conversazioni rilassate, questo libro fa luce su molti aspetti del pensiero dell'autore di <em>La musica del deserto<\/em> nonch\u00e9 le circostanze che hanno dato origine alle sue composizioni principali.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-29416 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4-232x300.jpg 232w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4-135x175.jpg 135w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4-270x350.jpg 270w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4-300x388.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/03_crit_buch_Mettraux4.jpg 350w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/p>\n<p><em>Philippe Junod: Contrepoints. Dialoghi tra musica e pittura, 236 p., Fr. 27.00, Edizioni Contrechamps, Ginevra 2020, ISBN 978-2-940068-66-1<\/em><\/p>\n<p><em>Theodor W. Adorno: La funzione del colore nella musica, \u00c9crits musicaux III, 351 p., \u20ac 28,00, Editions Contrechamps, Ginevra 2021, ISBN 978-2-940068-63-1<\/em><\/p>\n<p><em>Laurent Feneyrou: Luigi Nono \/ Fragmente-Stille, an Diotima<strong>, <\/strong>300 p., \u20ac 15,00, Edizioni Contrechamps, Ginevra 2021, ISBN 978-2-940068-62-3<\/em><\/p>\n<p><em>Steve Reich: Conversazioni, 384 p., \u20ac 24,00, Edizioni Allia, Parigi 2023, ISBN 979-10-304-1703-6<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Le Edizioni Contrechamps continuano instancabilmente a pubblicare opere dedicate alla musica del XX e XXI secolo. Da parte loro, le Edizioni Allia hanno appena pubblicato la traduzione di una raccolta di conversazioni di Steve Reich.<\/p>","protected":false},"author":1,"featured_media":29412,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[1653,1650,1649,1655,1654,1657,1656,1651],"class_list":["post-29359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-adorno","tag-editions-allia","tag-editions-contrechamps","tag-laurent-feneyrou","tag-luigi-nono","tag-musique-et-peinture","tag-philippe-junod","tag-steve-reich"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Musiques contemporaines - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/02\/musiques-contemporaines\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Musiques contemporaines - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Inlassablement, les Editions Contrechamps continuent de publier des ouvrages consacr\u00e9s \u00e0 la musique des 20e et 21e si\u00e8cles. 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