{"id":29450,"date":"2023-02-23T09:18:08","date_gmt":"2023-02-23T08:18:08","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29450"},"modified":"2023-02-23T09:18:15","modified_gmt":"2023-02-23T08:18:15","slug":"de-nouvelles-idees-pour-la-pratique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique","title":{"rendered":"Nuove idee per la pratica"},"content":{"rendered":"

Siamo nel pieno della digitalizzazione o l'onda \u00e8 gi\u00e0 passata? E quali sono le implicazioni per l'educazione musicale? Nel primo giorno del MFF, i relatori hanno affrontato una serie di domande chiave. La presentazione orientata alla pratica di Andr\u00e9a Belliger, specialista della digitalizzazione e docente presso l'Universit\u00e0 di Scienze Applicate di Lucerna, ha suscitato applausi scroscianti e ha portato a una vivace discussione durante la pausa. \"Ha portato strumenti di cui non avevo mai sentito parlare prima\", ha detto un partecipante. Un altro ha detto che \u00e8 stato positivo essere consapevoli delle nuove possibilit\u00e0, anche se non saranno necessariamente incorporate nell'insegnamento. Il secondo giorno si \u00e8 concentrato sull'inclusione. Una serie di brevi presentazioni introduttive e una tavola rotonda hanno dimostrato che il settore dell'educazione musicale ha ancora molta strada da fare in questo campo. Felix Klieser, primo corno e insegnante presso l'Universit\u00e0 di Musica e Arti dello Spettacolo di Hannover (D), ha parlato della sua esperienza personale e ha chiesto che le persone con disabilit\u00e0 non vengano stigmatizzate come un gruppo omogeneo, ma che si tenga conto delle esigenze individuali - soprattutto in un contesto pedagogico, dove \u00e8 sempre importante che gli insegnanti adattino l'insegnamento della musica ai loro allievi.<\/p>\n

\"Dobbiamo adattare l'educazione musicale a un mondo che sta cambiando profondamente, preservando i valori su cui si basa il nostro lavoro. Detto questo, cambiare non significa rinnegare tutto ci\u00f2 che esisteva prima. Il cambiamento \u00e8 a volte spettacolare, a volte minimo. Vi auguriamo forza, coraggio e perseveranza. Philippe Kr\u00fcttli, Presidente dell'ASEM<\/em><\/p>\n

\"\"
Anne Fr\u00f6hlich | FRAME PHOTOGRAPHY<\/figcaption><\/figure><\/blockquote>\n

Progetti in finale del concorso per le migliori pratiche 2022<\/h3>\n

Tra gli altri momenti salienti del FFM 2023 vi sono state le esibizioni musicali dei vincitori del Concorso svizzero di musica per la giovent\u00f9 e dell'orchestra bernese \"Tabula Musica\". Inoltre, sono stati presentati dieci progetti innovativi delle scuole di musica, alcuni dei quali sono stati premiati nei 4 concorsi.e<\/sup> concorso per le migliori pratiche.<\/p>\n

Conservatorio di Musica, Danza e Teatro di Ginevra - Musica-Teatro, corso interdisciplinare<\/a> (2\u00b0 premio<\/strong>)
\nContatto: Philippe R\u00e9gana \/ direction@conservatoirepopulaire.ch
\nFilm<\/a><\/p>\n

Istituto Jaques-Dalcroze di Ginevra - La piattaforma e-dalcroze<\/a>
\nContatto: H\u00e9l\u00e8ne Nicolet \/ helene.nicolet@dalcroze.ch
\nFilm<\/a><\/p>\n

Musikschule Basel - Kreuz und Quer - Ensemble Integrativi<\/a>
\nContatto: Thomas Waldner \/ thomas.waldner@mab-bs.ch
\nFilm<\/a><\/p>\n

Musikschule Emmen - Musikschulfestival \"Emmen musiziert! 2021<\/a>
\nContatto: Brigitte Annoff \/ Brigitte.Annoff@emmen.ch
\nFilm<\/a><\/p>\n

Musikschule Lyss - trivs I Spiele und \u00fcbe dein Instrument ganz leicht<\/a> (Premio del Giubileo<\/strong>)
\nContatto: Daniel Brand \/ daniel@trivs.app
\nFilm<\/a><\/p>\n

Musikschule Oberer Sempachersee - Un corso di strumento per smartphone <\/a>(1\u00b0 premio e <\/strong>\"premio corona<\/strong>\")
\nContatto: Manuel Imhof \/ manuel.imhof@msoss.ch
\nFilm<\/a><\/p>\n

Musikschule Oberseetal - MSO-Story: come Lea e Linus trovano lo strumento che fa al caso loro<\/a>
\nContatto: Roland Recher \/ roland.recher@musikschule-oberseetal.ch
\nFilm<\/a><\/p>\n

Musikschule Olten - Musikkindergarten der Musikschule Olten<\/a> (premio pubblico<\/strong>)
\nContatto: Sandra Rupp Fischer \/ Sandra.RuppFischer@olten.ch
\nFilm<\/a><\/p>\n

Musikschule Pfannenstiel - \"Musikgeister\" - con \"MUSiK! - Musica in classe<\/a> (2\u00b0 premio<\/strong>)
\nContatto: Kerstin Wiehe \/ kerstin.wiehe@musikschule-pfannenstiel.ch
\nFilm<\/a><\/p>\n

Musikschule Zollikon - FUNtastic: corso di orchestrazione per bambini e bambine<\/a>
\nContatto: Jovita Tuor \/ jovita.tuor@schulezollikon.ch
\nFilm<\/a><\/p>\n

Vincitori del concorso ASEM e del premio FFM 2023 People's Choice Award<\/h3>\n

1\u00b0 premio nel concorso per le migliori pratiche:<\/strong>
\nMusikschule Oberer Sempachersee - Un corso di strumento per smartphone<\/p>\n

2\u00b0 premio nel concorso per le migliori pratiche (ex aequo):<\/strong>
\nConservatorio di Musica, Danza e Teatro di Ginevra - Musica-Teatro, corso interdisciplinare
\ne
\nMusikschule Pfannenstiel - \"Musikgeister\" - con \"MUSiK! - Musica in classe<\/p>\n

Premio del Giubileo:<\/strong>
\nMusikschule Lyss - trivs I Spiele und \u00fcbe dein Instrument ganz leicht<\/p>\n

Premio speciale per la pandemia<\/strong>
\nMusikschule Oberer Sempachersee - Un corso di strumento per smartphone<\/p>\n

Tratto dal pubblico della FFM 2023:<\/strong>
\nMusikschule Olten - Musikkindergarten der Musikschule Olten<\/p>","protected":false},"excerpt":{"rendered":"

Il 20 e 21 gennaio, i direttori scolastici e le parti interessate provenienti da tutta la Svizzera si sono incontrati al Forum sull'educazione musicale 2023 (FFM). Due i temi all'ordine del giorno: la trasformazione digitale e l'inclusione. <\/p>","protected":false},"author":21891,"featured_media":29451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-29450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asem"],"acf":[],"yoast_head":"\nDe nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse<\/title>\n<meta name=\"description\" content=\"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"De nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-23T08:18:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-23T08:18:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"934\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anicia Kohler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anicia Kohler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique\"},\"author\":{\"name\":\"Anicia Kohler\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\"},\"headline\":\"De nouvelles id\u00e9es pour la pratique\",\"datePublished\":\"2023-02-23T08:18:08+00:00\",\"dateModified\":\"2023-02-23T08:18:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique\"},\"wordCount\":682,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Alle-Gewinner.jpg\",\"articleSection\":[\"ASEM\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique\",\"name\":\"De nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Alle-Gewinner.jpg\",\"datePublished\":\"2023-02-23T08:18:08+00:00\",\"dateModified\":\"2023-02-23T08:18:15+00:00\",\"description\":\"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Alle-Gewinner.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/Alle-Gewinner.jpg\",\"width\":1400,\"height\":934,\"caption\":\"Projets gagnants du Concours de bonnes pratiques \u2013\u00a0Anne Fr\u00f6hlich | FRAME PHOTOGRAPHY\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2023\\\/02\\\/de-nouvelles-idees-pour-la-pratique#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"De nouvelles id\u00e9es pour la pratique\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\",\"name\":\"Anicia Kohler\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g\",\"caption\":\"Anicia Kohler\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/anicia-kohler\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"De nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse","description":"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique\/","og_locale":"it_IT","og_type":"article","og_title":"De nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse","og_description":"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.","og_url":"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-02-23T08:18:08+00:00","article_modified_time":"2023-02-23T08:18:15+00:00","og_image":[{"width":1400,"height":934,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg","type":"image\/jpeg"}],"author":"Anicia Kohler","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Anicia Kohler","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique"},"author":{"name":"Anicia Kohler","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/e4ba37136bd24461e8c7874590a4762f"},"headline":"De nouvelles id\u00e9es pour la pratique","datePublished":"2023-02-23T08:18:08+00:00","dateModified":"2023-02-23T08:18:15+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique"},"wordCount":682,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg","articleSection":["ASEM"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique","url":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique","name":"De nouvelles id\u00e9es pour la pratique - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg","datePublished":"2023-02-23T08:18:08+00:00","dateModified":"2023-02-23T08:18:15+00:00","description":"Les 20 et 21 janvier dernier ont eu lieu le Forum sur la formation musicale 2023 (FFM). Deux th\u00e8mes figuraient au programme: la transformation num\u00e9rique et l\u2019inclusion.","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/02\/Alle-Gewinner.jpg","width":1400,"height":934,"caption":"Projets gagnants du Concours de bonnes pratiques \u2013\u00a0Anne Fr\u00f6hlich | FRAME PHOTOGRAPHY"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/basis\/asem\/2023\/02\/de-nouvelles-idees-pour-la-pratique#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"De nouvelles id\u00e9es pour la pratique"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/e4ba37136bd24461e8c7874590a4762f","name":"Anicia Kohler","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/6ea00b417b00b657b92c811768262d33fd76a3d20dcab3e19ff7f2a1eedf1412?s=96&d=mm&r=g","caption":"Anicia Kohler"},"url":"https:\/\/www.revuemusicale.ch\/it\/author\/anicia-kohler"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/21891"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=29450"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29450\/revisions"}],"predecessor-version":[{"id":29452,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29450\/revisions\/29452"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/29451"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=29450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=29450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=29450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}