{"id":29489,"date":"2023-03-29T10:25:51","date_gmt":"2023-03-29T08:25:51","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29489"},"modified":"2024-03-12T18:02:54","modified_gmt":"2024-03-12T17:02:54","slug":"lecture-organique","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/03\/lecture-organique","title":{"rendered":"Lettura organica"},"content":{"rendered":"
\"\"
Gli Angeli Ginevra. Foto: \u00a9 Elam Rotem<\/figcaption><\/figure>\n

I concerti di Mozart sono sotto i riflettori da quando \u00e8 iniziata la storia della registrazione. Alcune esecuzioni hanno lasciato il segno nel panorama musicale. Altre meno. Molti appassionati di musica ricordano (e ascoltano ancora) con emozione queste pagine registrate da Karl B\u00f6hm e dai suoi solisti della Filarmonica di Vienna (ah... il suono dell'oboe e del corno viennese...). Pi\u00f9 vicino a noi, Emmanuel Pahud, con la complicit\u00e0 dei Berliner e di Claudio Abbado, ha colorato i concerti per flauto con il suo suono regale. Questa registrazione, eseguita su strumenti originali, aggiunge un'altra pietra all'edificio. Una pietra preziosa, bella, oserei dire indispensabile?<\/p>\n

La leggerezza dell'esecuzione, il fraseggio finemente cesellato, il temperamento Vallotti e la notevole registrazione sonora fanno s\u00ec che ogni strato orchestrale sia chiaramente percepibile. Alexis Kossenko ci offre un suono fruttato, con un nucleo molto solido circondato da ricchi armonici, ben lontano dal tono talvolta ventoso di alcuni colleghi che suonano il traverso. La sua lettura di Mozart, punteggiata da cadenze originali e piene di imprevisti, \u00e8 cos\u00ec organica che ci troviamo a respirare e a muoverci nel tempo. Sotto le dita di Valeria Kafelnikov, l'arpa della fine del XVIII secolo \u00e8 un vero capolavoro.th<\/sup> secolo porta un'eleganza perlata al concerto per flauto e arpa.<\/p>\n

Diretti da Stephan MacLeod, Gli Angeli Gen\u00e8ve non si limitano ad accompagnare, con tutta la routine che questa parola pu\u00f2 comportare. C'\u00e8 coinvolgimento in ogni momento, si sente il lavoro di squadra, la complicit\u00e0 con i solisti, la passione e la freschezza sono presenti e questo \u00e8 un bene! Venendo dal mondo dell'opera, il direttore non dimentica mai che Mozart era un uomo di teatro, anche quando non scriveva opere. I solisti, il direttore e l'orchestra non fanno solo musica, ma ci raccontano una storia. Una storia che fa venire voglia di ascoltarla ancora e ancora senza stancarsi. Grazie per Mozart e per il pubblico!\"\"<\/em><\/p>\n

Mozart: Concerti per flauto e orchestra. Concerti per fiati Vol. 1. Alexis Kossenko, flauto; Valeria Kafelnikov, arpa; Gli Angeli Gen\u00e8ve; Stephan MacLeod. Claves Records CD 3050<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Gli Angeli Gen\u00e8ve, Alexis Kossenko e Valeria Kafelnikov, diretti da Stephan MacLeod, si sono dedicati ai concerti per flauto e per flauto e arpa di Mozart. <\/p>","protected":false},"author":1,"featured_media":29490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[1685,1679,1680,1682,1683,1684,1681],"class_list":["post-29489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-alexis-kossenko","tag-gli-angeli-geneve","tag-mozart","tag-stephan-macleod","tag-thierry-dagon","tag-valeria-kafelnikov","tag-wind-concertos"],"acf":[],"yoast_head":"\nLecture organique - 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