{"id":29627,"date":"2023-06-01T15:29:10","date_gmt":"2023-06-01T13:29:10","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29627"},"modified":"2025-04-07T16:49:01","modified_gmt":"2025-04-07T14:49:01","slug":"kancheli","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/kancheli","title":{"rendered":"La musica del silenzio"},"content":{"rendered":"
\"\"
Giya Kancheli nel 2010. Foto (estratto) : George Mel\/wikimedia commons CC BY-SA 2.0<\/a><\/figcaption><\/figure>\n

Formatosi nel vuoto del mondo artistico sovietico, il compositore georgiano Giya Kancheli, morto nel 2019 all'et\u00e0 di 84 anni, ha approfittato del disgelo per scrivere alcune partiture d'avanguardia prima di trovare il proprio stile: musica modale, profondamente malinconica, volutamente semplice, in cui i silenzi giocano un ruolo fondamentale, lenta fino a sospendere ogni percezione del tempo, spesso raffinata e interiorizzata, con contrasti dinamici estremi e vere e proprie esplosioni di suono. \u00c8 stato influenzato in particolare da Bart\u00f3k, Shostakovich, Stravinskij e, naturalmente, dalla musica popolare georgiana, ma anche dal jazz e dalla musica da film (di Nino Rota, tra gli altri). \u00c8 noto soprattutto per le sue opere orchestrali, in particolare un ciclo di sette sinfonie, che alternano passaggi lirici, misteriosi, meditativi ed epici, e numerosi brani concertanti, tra cui Pianto dal vento<\/em> \u00c8 anche autore di un numero considerevole di opere per il cinema e il teatro. Da tempo specialista di musica nordica, l'autore di questa monografia, Jean-Luc Caron, \u00e8 un ammiratore di lunga data del tbilissiano, che emigr\u00f2 (non esili\u00f2) a Berlino e poi trascorse un quarto di secolo ad Anversa, di cui mette in luce la ricca personalit\u00e0 umanista, mistica pi\u00f9 che religiosa, il pensiero e le composizioni, pi\u00f9 di 80 delle quali sono descritte in dettaglio. Il libro contiene numerose appendici, tra cui un catalogo delle opere, una discografia selettiva e un dizionario biografico dei principali personaggi legati a Kancheli.\"\"<\/p>\n

Debussy non aveva molta pazienza per i poemi sinfonici descrittivi che seguono un programma passo dopo passo, o per le opere wagneriane con leitmotiv che impongono una griglia di lettura dell'azione in corso. Preferiva lasciare ai suoi ascoltatori una completa libert\u00e0 di immaginazione, permettendo loro, attraverso un subconscio incondizionato, di sperimentare le sensazioni di effluvi sottili o di concepire corrispondenze nascoste, senza vincoli o percorsi segnati. Questa nuova arte dell'ascolto andava contro le abitudini dell'epoca e sorprese i contemporanei di Debussy, causando difficolt\u00e0 nella percezione di alcune sue opere. Il dettagliato saggio di Andrea Malvano affronta in modo innovativo questo fraintendimento della poetica debussyana con un duplice approccio, prendendo in esame tre grandi composizioni (Notturni<\/em>, La Mer<\/em> e Iberia<\/em>) studiando la loro ricezione e l'analisi musicale delle partiture. Sar\u00e0 ancora pi\u00f9 facile capire perch\u00e9 l'autore di Preludio al Pomeriggio di un fauno <\/em>ha chiesto \"un po' di benevolenza\" a un pubblico che voleva delicato e tutt'altro che volgare.\"\"<\/p>\n

Jean-Luc Caron: Giya Kancheli - Les m\u00e9ditations musicales d'un sage, 350 p., \u20ac 36,00, Editions l'Harmattan, Paris 2023, ISBN 978-2-14-030630-3<\/em><\/p>\n

Andrea Malvano: Debussy, un nouvel art de l'\u00e9coute, 270 p., \u20ac 25,00, Van Dieren Editeur, Paris 2022, ISBN 978-2-37466-024-0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Due opere recenti: una monografia sulla vita, il pensiero e le opere del compositore georgiano Kancheli e un saggio sulla ricezione dell'opera di Debussy.<\/p>","protected":false},"author":1,"featured_media":29678,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[1729,1727,1726,1728],"class_list":["post-29627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-andrea-malvano","tag-claude-debussy","tag-giya-kancheli","tag-jean-luc-caron"],"acf":[],"yoast_head":"\nMusique du silence - Revue Musicale 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