{"id":29693,"date":"2023-06-28T10:21:40","date_gmt":"2023-06-28T08:21:40","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29693"},"modified":"2023-11-29T09:12:49","modified_gmt":"2023-11-29T08:12:49","slug":"evolution-de-lharmonie","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie","title":{"rendered":"Evoluzione dell'armonia"},"content":{"rendered":"
\"\"
Thomas Gainsborough: Ritratto del compositore tedesco Johann Christian Fischer, 1780 circa (particolare). Collezione reale (Regno Unito)<\/a><\/figcaption><\/figure>\n

Alimentata dall'abbandono dei temperamenti ineguali, la progressiva esplorazione delle possibilit\u00e0 dell'armonia tonale e delle qualit\u00e0 espressive degli accordi e delle modulazioni \u00e8 stata oggetto, all'alba di questo secolo, di un libro di Jean-Pierre Bartoli che sintetizzava con chiarezza i contributi dei vari storici del linguaggio musicale. Questa seconda edizione, riveduta e ampliata, tiene conto dei risultati della ricerca musicologica degli ultimi due decenni. L'autore pone l'accento non tanto sulle rotture quanto sulla continuit\u00e0 semantica del periodo classico-romantico, che va dal 1750 al 1900 circa, iniziando con la convivenza di stili dotti e liberi o galanti, nonch\u00e9 con una pluralit\u00e0 non riducibile al solo classicismo viennese, e terminando con una diluizione o messa in discussione delle funzioni tonali, trasformate, ampliate attraverso la complessificazione o neutralizzate da un ritorno alla modalit\u00e0. Sulla base di un'analisi di oltre 130 esempi musicali, l'autore esamina l'evoluzione degli elementi dell'armonia e delle loro sequenze, l'impatto della condotta melodica delle voci, la sintassi formale (modulazioni su piccola e grande scala) e lo sviluppo parallelo di varie teorie armoniche. Lo stile fluido della scrittura non sminuisce l'arduo argomento trattato, rendendo quest'opera di riferimento didattico utile a studenti, professionisti e curiosi della musica.\"\"<\/p>\n

Nel 2019, G\u00e9rard Le Vot ha pubblicato un compendio delle conoscenze attuali sui trovatori e la loro musica (vedi la nostra recensione qui<\/a>). Come complemento, presenta un'antologia di 50 canzoni dedicate alla fin'amor: canso, planh, sirvent\u00e8s, tenso, joc partit, pastorela, alba o chansons \u00e0 danser di 23 poeti-compositori, ciascuno con una nota biografica, da Jaufre Rudel al compianto Guiraut Riquier, passando per Bernart de Ventadorn, Gaucelm Faidit, Raimon de Miraval e la contessa Beatritz de Dia, l'unico trobairitz della raccolta. All'introduzione, che riassume alcune nozioni fondamentali sull'amor cortese, nonch\u00e9 le forme e i generi poetici utilizzati, e spiega il metodo di trascrizione musicale, seguono le melodie sormontate dai neumi originali, con il testo completo in occitano e la traduzione in francese. L'ampio apparato critico, che comprende le fonti, un commento e un'analisi del metro e della musica di ogni canzone, \u00e8 riportato nelle note finali.<\/p>\n

\"\"<\/p>\n

Il flautista e musicologo Olivier Class, specialista di musica contemporanea, ha scritto un'ampia panoramica del repertorio flautistico degli ultimi 80 anni, preceduta da un resoconto delle nuove tecniche esecutive del suo strumento (dai suoni percussivi ai multifonici, dall'uso simultaneo di voce e fiato ai microintervalli), con esempi del loro utilizzo nel XX e XXI secolo. L'autore esamina in particolare l'interesse mostrato dai compositori nell'ampliare la tessitura attraverso i vari membri della famiglia, dall'ottavino all'octobasse (e persino all'iperbasso, le cui note pi\u00f9 basse sono nel dominio degli infrasuoni). Nella musica da camera, in ensemble standard o pi\u00f9 rari, o come strumento da concerto, in connessione con il teatro musicale o la musica elettroacustica, il flauto traverso \u00e8 ancora molto richiesto dagli artisti creativi, come si pu\u00f2 vedere dai circa 140 brevi estratti di partiture e dal numero considerevole di pezzi esaminati in questo libro.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

Jean-Pierre Bartoli: L'Harmonie classique et romantique (1750-1900). \u00c9l\u00e9ments et \u00e9volution, seconda edizione riveduta e ampliata, 240 p., \u20ac 24,00, Editions Minerve, Paris 2023, ISBN 978-2-86931-170-1<\/em><\/p>\n

G\u00e9rard Le Vot: Chansons d'amour des troubadours. Un'antologia testo e musica, 264 p., \u20ac 27,00, Edizioni Minerve, Parigi 2022, ISBN 978-2-86931-168-8<\/em><\/p>\n

Olivier Class: Il flauto nel XX e XXI secolo, 264 p., \u20ac 27,00, Editions Minerve, Paris 2022, ISBN 978-2-86931-169-5<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Tre recenti pubblicazioni delle Edizioni Minerve, dedicate alla storia dell'armonia tra il 1750 e il 1900, alle canzoni dei trovatori e alla musica dedicata al flauto dal 1945.<\/p>","protected":false},"author":1,"featured_media":29701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[1740,1737,1742,1736,1739,1738,1741],"class_list":["post-29693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-flute","tag-gerard-le-vot","tag-harmonie-classique-et-romantique","tag-jean-pierre-bartoli","tag-olivier-class","tag-troubadours","tag-xxe-et-xxie-siecles"],"acf":[],"yoast_head":"\nEvolution de l\u2019harmonie - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Evolution de l\u2019harmonie - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Trois publications r\u00e9centes des \u00e9ditions Minerve, consacr\u00e9es \u00e0 l\u2019histoire de l\u2019harmonie entre 1750 et 1900, aux chansons des troubadours et \u00e0 la musique d\u00e9di\u00e9e depuis 1945 \u00e0 la fl\u00fbte.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-28T08:21:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-29T08:12:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"727\" \/>\n\t<meta property=\"og:image:height\" content=\"473\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Evolution de l\u2019harmonie\",\"datePublished\":\"2023-06-28T08:21:40+00:00\",\"dateModified\":\"2023-11-29T08:12:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie\"},\"wordCount\":712,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg\",\"keywords\":[\"Fl\u00fbte\",\"G\u00e9rard Le Vot\",\"Harmonie classique et romantique\",\"Jean-Pierre Bartoli\",\"Olivier Class\",\"Troubadours\",\"XXe et XXIe si\u00e8cles\"],\"articleSection\":[\"Critiques\",\"Livres et partitions\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie\",\"name\":\"Evolution de l\u2019harmonie - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg\",\"datePublished\":\"2023-06-28T08:21:40+00:00\",\"dateModified\":\"2023-11-29T08:12:49+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/06\\\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg\",\"width\":727,\"height\":473},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/livres-et-partitions\\\/2023\\\/06\\\/evolution-de-lharmonie#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Evolution de l\u2019harmonie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Evolution de l\u2019harmonie - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie\/","og_locale":"it_IT","og_type":"article","og_title":"Evolution de l\u2019harmonie - Revue Musicale Suisse","og_description":"Trois publications r\u00e9centes des \u00e9ditions Minerve, consacr\u00e9es \u00e0 l\u2019histoire de l\u2019harmonie entre 1750 et 1900, aux chansons des troubadours et \u00e0 la musique d\u00e9di\u00e9e depuis 1945 \u00e0 la fl\u00fbte.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2023-06-28T08:21:40+00:00","article_modified_time":"2023-11-29T08:12:49+00:00","og_image":[{"width":727,"height":473,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Evolution de l\u2019harmonie","datePublished":"2023-06-28T08:21:40+00:00","dateModified":"2023-11-29T08:12:49+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie"},"wordCount":712,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg","keywords":["Fl\u00fbte","G\u00e9rard Le Vot","Harmonie classique et romantique","Jean-Pierre Bartoli","Olivier Class","Troubadours","XXe et XXIe si\u00e8cles"],"articleSection":["Critiques","Livres et partitions"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie","url":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie","name":"Evolution de l\u2019harmonie - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg","datePublished":"2023-06-28T08:21:40+00:00","dateModified":"2023-11-29T08:12:49+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/06\/GAINSBOROUGH_Thomas_-_Johann_Christian_Fischer_1780.jpg","width":727,"height":473},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/livres-et-partitions\/2023\/06\/evolution-de-lharmonie#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Evolution de l\u2019harmonie"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=29693"}],"version-history":[{"count":3,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29693\/revisions"}],"predecessor-version":[{"id":29705,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/29693\/revisions\/29705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/29701"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=29693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=29693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=29693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}