{"id":29853,"date":"2023-10-28T14:42:05","date_gmt":"2023-10-28T12:42:05","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=29853"},"modified":"2023-12-01T10:47:17","modified_gmt":"2023-12-01T09:47:17","slug":"moeschinger","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2023\/10\/moeschinger","title":{"rendered":"Quartetti e dialoghi"},"content":{"rendered":"
\"\"
Albert Moeschinger a 16 anni. Foto: Albert-Moeschinger-Stiftung<\/figcaption><\/figure>\n

Albert Moeschinger (1897-1985) \u00e8 uno di quei compositori che seguono il proprio istinto e il proprio gusto piuttosto che le tendenze del proprio tempo. Durante gli studi a Lipsia e a Monaco di Baviera, sembra essere stato pervaso dallo spirito di Max Reger, e per molto tempo in seguito la sua musica ha mantenuto una sintesi di espressionismo e struttura rigorosa, in una tonalit\u00e0 molto leggermente ampliata.<\/p>\n

Solo dopo il Quinto Quartetto, l'ultimo lavoro di questa registrazione, Moeschinger ha rivolto la sua attenzione alla musica dodecafonica, ispirandosi non alla musica dei suoi colleghi, ma alla sua lettura del Doktor Faustus<\/em> di Thomas Mann. Tra i suoi mecenati c'era Paul Sacher e le sue opere sono state registrate da Heinz Holliger e Hansheinz Schneeberger.<\/p>\n

Il Quartetto Rasumowsky, un ensemble svizzero-tedesco, ha registrato tre opere della prima met\u00e0 della vita di Moeschinger, prima del suo ritiro volontario sulle alture di Saas Fee. Il Terzo Quartetto, composto quando Moeschinger aveva 26 anni, \u00e8 pieno di reminiscenze dell'epoca classica, in quattro movimenti, tra cui un minuetto cos\u00ec decisamente neoclassico che potrebbe essere pensato come un compito del corso di composizione o un esercizio stilistico.<\/p>\n

Il 5\u00b0 quartetto Colloqui <\/em>composto nel 1940, \u00e8 molto pi\u00f9 personale e consiste in sei brevi movimenti, tutti pezzi caratteristici che illustrano diversi tipi di dialogo, come \"colloquio passionale\", \"divergenza d'opinioni\" e \"imbroglio rustico\". Anche lo stile \u00e8 molto meno scorrevole, Moechinger tesse la sua tela di motivi ostinatamente ripetuti; \u00e8 facile immaginare il compositore che rimugina sui suoi pensieri in solitudine.<\/p>\n

La Trauermusik per Frau Hanny B\u00fcrgi<\/em>The Grave \u00e8 retorico ed espressivo, con una bella riverenza per la musica barocca.<\/p>\n

L'interpretazione del Quartetto Rasumowsky non lascia nulla a desiderare; i quattro musicisti si sono immersi nel mondo musicale di Moeschinger e lo rendono con grande sensibilit\u00e0, suono impeccabile e gioco d'insieme.\"\"<\/p>\n

Albert Moeschinger: Quartetti per archi nn. 3 e 5 \"Colloqui\", Trauermusik f\u00fcr Frau Hanny B\u00fcrgi. Quartetto Rasumowsky (Dora Bratchkova, Andrea Saxer, violini; Gerhard M\u00fcller, viola; Alina Kudelevic, violoncello). Naxox Musica Svizzera NXMS 7006<\/em><\/p>","protected":false},"excerpt":{"rendered":"

In queste tre opere per quartetto d'archi, Albert Moeschinger passa da una scrittura neoclassica a uno stile molto pi\u00f9 personale. <\/p>","protected":false},"author":1,"featured_media":29854,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[1831,1832,1833],"class_list":["post-29853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-albert-moeschinger","tag-quatuor-a-cordes","tag-quatuor-rasumowsky"],"acf":[],"yoast_head":"\nQuatuors et dialogues - 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