{"id":30228,"date":"2024-04-28T17:56:33","date_gmt":"2024-04-28T15:56:33","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30228"},"modified":"2024-11-27T14:23:27","modified_gmt":"2024-11-27T13:23:27","slug":"lyon-doret","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2024\/04\/lyon-doret","title":{"rendered":"Alla ricerca della musica svizzera"},"content":{"rendered":"
\"\"
Ernest Bi\u00e9ler: Ritratto di Gustave Doret, 1910 circa. Fonte : wikimedia commons<\/a><\/figcaption><\/figure>\n

Al di l\u00e0 dei regionalismi e delle specificit\u00e0 cantonali, esiste una musica autenticamente svizzera? Per rispondere a questa domanda, il violoncellista e storico della musica James Lyon ha esplorato diverse strade, dalla storia alla letteratura, dalla psicologia alla sociologia, alla ricerca di un terreno comune che trascende la diversit\u00e0 delle culture e delle tradizioni. Questa indagine ha portato alla conclusione che non si pu\u00f2 parlare di una musica nazionale, ma piuttosto di una musica confederale, con un equilibrio e delle complementariet\u00e0 simili a quelle che si trovano nella struttura politica del Paese. Riconoscere l'unicit\u00e0 della Svizzera, la combinazione di un'identit\u00e0 originale forgiata nel crogiolo delle influenze delle nazioni vicine e di una ricca molteplicit\u00e0 di situazioni locali variegate, significa anche guardare ad alcune particolarit\u00e0 come l'importanza del folklore e dell'arte corale, l'influenza del pensiero riformato o la presenza ispiratrice di paesaggi naturali, lacustri o montani. Divisa in capitoli di lunghezza diseguale, questa copiosa opera edita da Slatkine espone la storia musicale della Svizzera e delle sue principali citt\u00e0, citando numerosi compositori, scrittori e pittori e rivelando brevemente alcune delle sue principali istituzioni, Contiene anche un ampio dizionario biografico e una cronologia, ed esamina argomenti quali la musica alpina, il Ranz des vaches, la F\u00eate des Vignerons e opere sceniche simili, e l'atteggiamento dei Riformatori nei confronti dell'arte di Euterpe. Sebbene non vi sia praticamente alcuna discussione sui compositori contemporanei, l'autore ha trascritto un'intervista con Fabian M\u00fcller, noto per il suo interesse per la musica popolare.\"\"<\/p>\n

James Lyon: Una storia della musica in Svizzera. R\u00e9flexion sur la culture helv\u00e9tique, 660 p., Fr. 46.85, Editions Slatkine, Gen\u00e8ve 2023, ISBN 9782051029384<\/em><\/p>\n

 <\/p>\n

Cinque anni fa, le Edizioni Infolio hanno lanciato una raccolta di brevi monografie in formato tascabile che fanno luce su personaggi svizzeri del passato recente o pi\u00f9 lontano, famosi o poco conosciuti, spesso scrittori e altri artisti. In poche decine di pagine, cosparse di illustrazioni a colori, la scrittura vivace e piacevole di Antonin Scherrer rievoca le tappe della vita di Gustave Doret, musicista vodese con forti legami parigini: dopo un periodo a Berlino, durante il quale fu discepolo di Joseph Joachim, studi\u00f2 con Massenet e trascorse la maggior parte della sua vita nella Ville Lumi\u00e8re, dove dimostr\u00f2 le sue doti di direttore d'orchestra, ad esempio ai concerti di Harcourt, dove nel 1894 present\u00f2 in prima assoluta il Preludio al Pomeriggio di un fauno<\/em>\u00a0di Debussy, o come direttore artistico dell'Op\u00e9ra-Comique. In effetti, si adoper\u00f2 affinch\u00e9 i musicisti della Svizzera francese si formassero in Francia, pi\u00f9 vicina alle loro affinit\u00e0 naturali, piuttosto che in Germania. Come compositore, la memoria collettiva ricorda le sue partiture per le F\u00eates des Vignerons del 1905 e del 1927, ma ottenne anche un brillante successo con la sua leggenda drammatica Les Armaillis<\/em>un'opera rappresentata diverse centinaia di volte su molti palcoscenici. Il suo catalogo di quasi 400 opere \u00e8 costituito principalmente da un'abbondanza di pezzi corali, volutamente semplici e di stile popolare. In collaborazione con i fratelli Morax, scrisse le musiche di scena per il Th\u00e9\u00e2tre du Jorat di M\u00e9zi\u00e8res. Figura influente, anche grazie alle sue recensioni e cronache musicali volontariamente pungenti, e insignito di onorificenze, si sent\u00ec sopraffatto dalla musica del suo tempo, che non capiva quasi pi\u00f9, e si amareggi\u00f2 con pensieri sempre pi\u00f9 reazionari, vilipendendo tutto ci\u00f2 che si allontanava dai suoi criteri estetici.\"\"<\/p>\n

Antonin Scherrer : Doret, la musique et le pays, 64 p., Fr. 12.00, Infolio, Gollion 2024, ISBN 978-2-88968-129-7<\/em><\/p>\n

\u00a0<\/em><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Un ampio lavoro si propone di definire le caratteristiche specifiche della musica svizzera attraverso la sua storia, mentre una breve biografia introduce il compositore vodese Gustave Doret.<\/p>","protected":false},"author":1,"featured_media":30248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[2016,2015,2014,2013],"class_list":["post-30228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-antonin-scherrer","tag-gustave-doret","tag-james-lyon","tag-musique-en-suisse"],"acf":[],"yoast_head":"\nA la recherche d\u2019une musique suisse 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