{"id":30286,"date":"2024-06-19T12:09:04","date_gmt":"2024-06-19T10:09:04","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30286"},"modified":"2024-07-01T11:31:15","modified_gmt":"2024-07-01T09:31:15","slug":"clara-schumann-marguerite-canal","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2024\/06\/clara-schumann-marguerite-canal","title":{"rendered":"Compositori ostacolati"},"content":{"rendered":"
\"\"
Clara Schumann (autotipo di Franz Hanfstaengl, 1857<\/a>) e Marguerite Canal (foto pubblicata in \"Comoedia illustr\u00e9\" in occasione dell'assegnazione del suo Premier Grand Prix de Rome nel 1920<\/a>). Wikimedia commons<\/figcaption><\/figure>\n

Troppo spesso la vita di Clara Schumann viene messa a confronto con quella di Robert, trascurando il fatto che quando Robert mor\u00ec, la vedova aveva quarant'anni di vita, pi\u00f9 della met\u00e0 della sua. Pianista leggendaria, insegnante rinomata e accorta organizzatrice di concerti, era anche una compositrice precoce la cui produzione fu prima rallentata dal matrimonio, poi completamente soffocata dalla morte dell'uomo che amava con devozione. Al contrario, sebbene la sua carriera di concertista, iniziata durante l'infanzia sotto la guida di un padre autoritario, sia stata relativamente eclissata durante i suoi anni matrimoniali di autosacrificio, torn\u00f2 a girare l'Europa non appena si liber\u00f2 dai suoi doveri domestici, La sua missione fu quella di servire e imporre le partiture di Robert, suonandole e diffondendole, anche attraverso la monumentale edizione delle sue opere complete, un apostolato favorito tra l'altro dalla fedele amicizia di Brahms (di cui fu interprete prediletta) e Joachim.<\/p>\n

Nella sua recente biografia di questa importante figura della musica tedesca, Brigitte Fran\u00e7ois-Sappey, specialista del periodo romantico, unisce l'erudizione a una narrazione efficace, rendendo la lettura affascinante. L'autrice non nasconde i difetti di Frau Doktor Schumann, le sue difficolt\u00e0 relazionali, la sua incomprensione di capolavori come l'Opera di Schumann. Sonata in si minore<\/em> di Liszt o Tristano e Isotta<\/em> Inoltre, rende esplicite tutte le sofferenze e le rinunce che questo coraggioso musicista ha dovuto sopportare. Inoltre, ogni brano di Clara viene presentato e descritto in una barra laterale e vengono evidenziati i numerosi riferimenti codificati tra le composizioni dei due coniugi.\"\"<\/p>\n

 <\/p>\n

Nonostante sia stata la seconda donna a vincere il Prix de Rome, nel 1920 (sette anni dopo Lili Boulanger), Marguerite Canal (1890-1978) \u00e8 caduta nell'oblio, anche se la sua magnifica sonata per violino e pianoforte (che Enesco, poco prima della sua morte, volle inserire nel suo repertorio) \u00e8 stata frequentemente suonata fin dalla sua prima esecuzione e recentemente \u00e8 stata oggetto di diverse registrazioni. Quest'opera, nella vena di Debussy, dimostra i poteri di costruzione e di invenzione melodica del compositore. La sua musica malinconica, al tempo stesso modesta e appassionata, si esprime magnificamente anche in un ampio corpo di melodie che attingono a poeti spesso parnassiani o simbolisti, come Baudelaire, Desbordes-Valmore, Leconte de Lisle, Rodenbach e Verlaine. Vari ostacoli, come il difficile divorzio e l'attivit\u00e0 di accompagnatrice e insegnante di pianoforte, ostacolarono progressivamente la creativit\u00e0 di Marguerite Canal. Alla fine, lasci\u00f2 incompiuta l'opera che aveva progettato di scrivere mezzo secolo prima della sua morte. La concisa monografia pubblicata dalle Edizioni Delatour rende giustizia a questa affettuosa musicista, scritta da Pierrette Germain, che per decenni ha condotto numerosi programmi radiofonici per Radio-France ed \u00e8 impegnata a far conoscere figure musicali trascurate.<\/p>\n

\"\"<\/p>\n

 <\/p>\n

Pierrette Germain: Marguerite Canal, compositrice. La cr\u00e9ation entrav\u00e9e, 118 p., \u20ac 17,00, Edizioni Delatour, Sampzon 2022, ISBN 978-2-7521-0-450-2<\/em><\/p>\n

Brigitte Fran\u00e7ois-Sappey: Clara Schumann und icon romantique, 328 p., \u20ac 17,00, Le Passeur Editeur, Paris 2023, ISBN 978-2-36890-975-1<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Due libri su compositrici il cui impulso creativo \u00e8 stato ostacolato: una \u00e8 stata stroncata dalla morte dell'amato, l'altra \u00e8 stata gradualmente ostacolata dal lavoro e da molteplici preoccupazioni.<\/p>","protected":false},"author":1,"featured_media":30302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[2025,2022,2026,2023,2024,2027],"class_list":["post-30286","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-brigitte-francois-sappey","tag-clara-schumann","tag-compositrice","tag-marguerite-canal","tag-pierrette-germain","tag-prix-de-rome"],"acf":[],"yoast_head":"\nCompositrices 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