{"id":30318,"date":"2024-05-29T15:09:41","date_gmt":"2024-05-29T13:09:41","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30318"},"modified":"2024-06-26T09:50:16","modified_gmt":"2024-06-26T07:50:16","slug":"numero-06-2024-focus-apocalypse","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/smz\/2024\/05\/numero-06-2024-focus-apocalypse","title":{"rendered":"Numero 06\/2024 - Focus sull'apocalisse"},"content":{"rendered":"
\"\"
J\u00f6rg Scheller fotografato da Holger Jacob<\/figcaption><\/figure>\n

Indice dei contenuti<\/h3>\n

Focus<\/strong><\/h3>\n

Heavy metal e la grande scadenza<\/em><\/strong>
\nIntervista con J\u00f6rg Scheller\u00a0\u00a0\u00a0<\/em>
\nLink alla playlist<\/a><\/p>\n

Visioni dell'apocalisse<\/strong>
\nDiversi modi di mettere in musica il testo dell'Apocalisse<\/p>\n

L'onnipresenza dell'apocalisse<\/em><\/strong>
\nLe molteplici sfaccettature di un termine molto comune\u00a0\u00a0\u00a0\u00a0\u00a0<\/em><\/p>\n

L'apocalisse come sfogo<\/strong>
\nDue metallari di Losanna si fanno sentire<\/p>\n

Ascolta<\/em><\/strong>
\nLa musica \u00e8 in crisi? \u00a0\u00a0<\/em><\/p>\n

(corsivo = riassunti francesi di articoli tedeschi)<\/em>Recensioni<\/p>\n

 <\/p>\n

Eco<\/strong><\/h3>\n

La nuova Jazzhaus di Zurigo<\/strong><\/a>
\nL'Orchestra Jazz di Zurigo ha creato un'area di residenza<\/p>\n

Radio Francesco<\/strong><\/a>
\nLili Marleen (Ausschnitte aus O Lungo Drom<\/em>, interpretato dall'Alban-Berg-Ensemble Wien, pu\u00f2 essere inserito nella trasmissione \"Pavillon suisse\" del 30 aprile 2024. aprile 2024 nachgeh\u00f6rt werden, bei 1:56:55)<\/p>\n

Dalle radici alla natura<\/strong><\/a>
\nIl ritmo Jaques-Dalcroze continua a evolversi<\/p>\n

Chatten \u00fcber ...<\/strong>
\nJohannes R\u00fchl e No\u00e9mi B\u00fcchi: Zukunftsmusik, die 100 Jahre in der Nationalphonothek aufbewahrt und erst dann gespielt werden soll<\/p>\n

Friedenskonzert<\/strong>
\nParallelo alla conferenza sull'Ucraina sul B\u00fcrgenstock<\/p>\n


\nBase<\/strong><\/h3>\n

Articoli e notizie dalle associazioni<\/p>\n

Eidgen\u00f6ssischer Orchesterverband (EOV) \/ Soci\u00e9t\u00e9 F\u00e9d\u00e9rale des Orchestres (SFO)<\/a><\/p>\n

Konferenz Musikhochschulen Schweiz (KMHS) \/ Conferenza delle universit\u00e0 svizzere di musica (CHEMS)<\/a><\/p>\n

Kalaidos Musikhochschule \/ Collegio di musica Kalaidos<\/a><\/p>\n

Schweizer Musikrat (SMR) \/ Consiglio svizzero della musica (CSM)<\/a><\/p>\n

CHorama<\/a><\/p>\n

Schweizerische Gesellschaft f\u00fcr Musik-Medizin (SMM) \/ Associazione svizzera di medicina musicale (SMM)<\/a><\/p>\n

Schweizerische Musikforschende Gesellschaft (SMG) \/ Societ\u00e0 svizzera di musicologia (SSM)<\/a><\/p>\n

Schweizerischer Musikerverband (SMV) \/ Unione Svizzera dei Musicisti (USDAM)<\/a><\/p>\n

Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Societ\u00e0 svizzera di pedagogia musicale (SSPM)<\/a><\/p>\n

SONART - Musikschaffende Schweiz<\/a><\/p>\n

Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n

Arosa Kultur<\/a><\/p>\n

SUISA - Societ\u00e0 dei musicisti e dei lettori di musica<\/a><\/p>\n

Verband Musikschulen Schweiz (VMS) \/ Associazione svizzera delle scuole di musica (ASEM)<\/a><\/p>\n

 <\/p>\n

Attratti dall'acqua
\n<\/b>L'indovinello di Walter Labhart<\/p>\n

________________________________________<\/p>\n

Ordinate questo numero per CHF 8.- (+ CHF 2.- di spese postali)<\/strong><\/a><\/p>","protected":false},"excerpt":{"rendered":"

Table des mati\u00e8res Focus Le heavy metal et la grande \u00e9ch\u00e9ance Entretien avec J\u00f6rg Scheller\u00a0\u00a0\u00a0 Link zur Playlist Visions de l\u2019apocalypse Differentes mises en musique du texte de l\u2019Apocalypse L\u2019omnipr\u00e9sence de l\u2019apocalypse Les multiples facettes d\u2019un terme tr\u00e8s courant\u00a0\u00a0\u00a0\u00a0\u00a0 L\u2019apocalypse comme exutoire Deux m\u00e9talleux lausannois se confient \u00c9couter La musique traverse-t-elle une crise ? \u00a0\u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":30321,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2038,2039,1946,2028,2040,2041,2042,2043,2044,2045],"class_list":["post-30318","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-bettina-uhlmann","tag-daniel-schenker","tag-francesco-biamonte","tag-jaques-dalcroze","tag-jazzhaus-zurich","tag-jorg-scheller","tag-leo-zrehen","tag-noemi-buchi","tag-yann-christinat","tag-zurich-jazz-orchestra"],"acf":[],"yoast_head":"\nNum\u00e9ro 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