{"id":30379,"date":"2024-06-26T10:00:23","date_gmt":"2024-06-26T08:00:23","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30379"},"modified":"2024-06-25T18:42:22","modified_gmt":"2024-06-25T16:42:22","slug":"trois-temoignages-dun-ete-doctoral","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral","title":{"rendered":"Tre racconti di un'estate di dottorato"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">A Zurigo, Lisa Brader sta conducendo una ricerca fenomenologica sulla spazialit\u00e0 musicale nel XX secolo.<sup>e<\/sup> secolo. Durante l'estate, ha in programma di partecipare a un laboratorio di scrittura. A Friburgo, Consuelo Salvadori sta studiando l'opera della compositrice Caroline Charri\u00e8re, sulla quale \u00e8 in preparazione un simposio. Infine, a Ginevra, Raphael Eccel sta lavorando a una raccolta di lieder del XVI secolo.<sup>e<\/sup> secolo, che ha curato.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Queste testimonianze sono disponibili di seguito in tedesco, italiano e francese.<\/span><\/p>\n<p class=\"p2\"><strong><span class=\"s2\">Lisa Brader, Zurigo<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\">Ich heisse Lisa Brader und habe im Jahr 2023 meinen PhD am Musikwissenschaftlichen Institut der Universit\u00e4t Z\u00fcrich begonnen. Il mio progetto, che \u00e8 stato promosso dalla professoressa Inga Mai Groote,<br \/>\nbefasst sich mit R\u00e4umlichkeit in deutsch- und franz\u00f6sischsprachigen musikph\u00e4nomenologischen Texten des 20. Jahrhunderts.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Der Sommer ist f\u00fcr mich die Zeit, mich v.a. dem vertieften Studium meiner Prim\u00e4rquellen zu widmen, sodass ich im Herbst im Rahmen des w\u00f6chentlichen Kolloquiums an unserem Institut hoffentlich bereits einige Ergebnisse meines Projektes pr\u00e4sentieren kann. Inoltre, ho deciso di avere la possibilit\u00e0 di riflettere sulle mie esperienze di ritiro di scrittura a Montreux, che sono state gi\u00e0 oggetto di discussione. Qui mi sono soffermato su alcune riflessioni sul mio lavoro di scrittore e sulla possibilit\u00e0 di confrontarmi con altri studenti di dottorato. Schliesslich plane ich, an der Rezension eines k\u00fcrzlich ver\u00f6ffentlichten Sammelbandes zum Thema Interpretation zu arbeiten.<\/span><\/p>\n<p class=\"p2\"><strong><span class=\"s2\">Consuelo Salvadori, Friborgo<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s3\">Mi chiamo Consuelo Salvadori e la mia tesi esplora la musica della compositrice friborghese Caroline Charri\u00e8re (1960-2018). Nel giugno 2024 ho pubblicato un catalogo delle sue opere presso la Biblioteca cantonale e universitaria di Friborgo. Questo elenco tutte le 199 composizioni di Charri\u00e8re, gli arrangiamenti e gli schizzi, completando quello redatto dalla compositrice che ne comprendeva 153.<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Inoltre, mi sto dedicando al convegno <i>Caroline Charri\u00e8re: dalla commissione alla creazione<\/i>L'evento si svolger\u00e0 a Friborgo dal 3 al 4 ottobre. Faccio parte del comitato scientifico insieme a Beat F\u00f6llmi (Universit\u00e0 di Strasburgo\/CREAA), la mia relatrice Delphine Vincent (Universit\u00e0 di Friborgo) e Viviane Waschb\u00fcsch (Universit\u00e0 di Saint-\u00c9tienne\/ECCLA). Tale convegno si inserisce in una prospettiva di studi di genere e di rivalutazione delle regioni considerate periferiche dalla storiografia, come la Svizzera. In questa occasione, mi concentrer\u00f2 su <i>40 anni di voto<\/i> e a <i>30 anni di uguaglianza<\/i>, brani emblematici della produzione femminista della compositrice. Charri\u00e8re celebra il suffragio femminile e la legge federale sulla parit\u00e0 dei sessi.<\/span><\/p>\n<p class=\"p2\"><strong><span class=\"s2\">Raphael Eccel, Ginevra<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s3\">Mi chiamo Raphael Eccel e sono assistente di dottorato all'Universit\u00e0 di Ginevra dal 2022. La mia tesi, sotto la supervisione del professor Christoph Riedo, si concentra sulla raccolta di Lieder del 16<sup>e<\/sup> secolo che apparteneva all'umanista basilese Bonifacius Amerbach (1495-1562). In particolare, mi occupo di come questa antologia si inserisca nel movimento identitario dell'umanesimo tedesco, con il quale Amerbach era in stretto contatto.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Gran parte del mio lavoro consiste nel trascrivere i 119 brani contenuti nella fonte per poterli analizzare e citare nella mia tesi. Avendo gi\u00e0 trascritto la musica, passer\u00f2 l'estate a copiare i testi e a preparare un apparato critico in vista della pubblicazione di un'edizione moderna di questa raccolta a partire da 16 anni.<sup>e<\/sup> secolo. L'ideale sarebbe che l'edizione fosse pronta in autunno e che io potessi cercare i fondi per la sua pubblicazione.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Che ruolo ha la ricerca durante l'estate? I dottorandi parlano dei loro programmi per i prossimi mesi. Leggete questo articolo in tre lingue!<\/p>","protected":false},"author":1,"featured_media":30380,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[31,49],"tags":[],"class_list":["post-30379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basis","category-smg-ssm"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Quelle est la place de la recherche durant l\u2019\u00e9t\u00e9 ? Des doctorant-e-s \u00e9voquent leurs programmes \u2028pour les mois \u00e0 venir. Un article \u00e0 lire en trois langues !\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-26T08:00:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"717\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral\",\"datePublished\":\"2024-06-26T08:00:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral\"},\"wordCount\":579,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png\",\"articleSection\":[\"Basis\",\"SMG \u2013 SSM\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral\",\"name\":\"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png\",\"datePublished\":\"2024-06-26T08:00:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png\",\"width\":1400,\"height\":717},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/smg-ssm\\\/2024\\\/06\\\/trois-temoignages-dun-ete-doctoral#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral\/","og_locale":"it_IT","og_type":"article","og_title":"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse","og_description":"Quelle est la place de la recherche durant l\u2019\u00e9t\u00e9 ? Des doctorant-e-s \u00e9voquent leurs programmes \u2028pour les mois \u00e0 venir. Un article \u00e0 lire en trois langues !","og_url":"https:\/\/www.revuemusicale.ch\/it\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2024-06-26T08:00:23+00:00","og_image":[{"width":1400,"height":717,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png","type":"image\/png"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral","datePublished":"2024-06-26T08:00:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral"},"wordCount":579,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png","articleSection":["Basis","SMG \u2013 SSM"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral","url":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral","name":"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png","datePublished":"2024-06-26T08:00:23+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/01_Ach_frowelin_zart_lieplich_von_artt-1-Copie-2.png","width":1400,"height":717},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/basis\/smg-ssm\/2024\/06\/trois-temoignages-dun-ete-doctoral#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Trois t\u00e9moignages d\u2019un \u00e9t\u00e9 doctoral"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=30379"}],"version-history":[{"count":2,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30379\/revisions"}],"predecessor-version":[{"id":30398,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30379\/revisions\/30398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/30380"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=30379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=30379"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=30379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}