{"id":30420,"date":"2016-04-27T10:58:36","date_gmt":"2016-04-27T08:58:36","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30420"},"modified":"2024-06-27T11:07:24","modified_gmt":"2024-06-27T09:07:24","slug":"raffalli-riva","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2016\/04\/raffalli-riva","title":{"rendered":"Ricordi del Lied"},"content":{"rendered":"<div class=\"media picture\">\n<figure style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg\" alt=\" \" width=\"554\" height=\"368\" \/><figcaption class=\"wp-caption-text\">Guy Raffalli. Foto : DR<\/figcaption><\/figure>\n<\/div>\n<p>In un'epoca che pu\u00f2 sembrare antidiluviana, ma che non \u00e8 poi cos\u00ec lontana, i musicisti si specializzavano nel suonare su strumenti storici, che venivano disprezzati dai sostenitori di una verit\u00e0 che non si voleva mettere in discussione. Non era raro sentire affermazioni prive di fondamento come \"Se Bach avesse conosciuto il pianoforte, se Mozart avesse conosciuto l'oboe moderno...\". Gli esecutori che facevano ricerche sull'organologia e sull'interpretazione storica venivano osservati con divertita, se non addirittura infastidita, condiscendenza dai loro colleghi, che non avevano alcuna utilit\u00e0 per queste considerazioni che, a loro avviso, non erano altro che una ridicola dichiarazione di moda. Rinomati direttori d'orchestra come Abbado e Rattle iniziarono a interpretare Bach e Mozart sulla falsariga di Harnoncourt, e la situazione cambi\u00f2...<\/p>\n<div class=\"text-section\">\n<p>Al giorno d'oggi, la maggior parte dei musicisti \u00e8 ugualmente abile nel suonare il repertorio contemporaneo su uno strumento moderno e la musica dei secoli passati su uno strumento d'epoca. \u00c8 il caso di Guy Raffalli, che si sente suonare opere contemporanee e che, in questa registrazione, scambia il suo flauto d'argento con il timbro per cui scrissero Schubert, Reinecke e von Weber, grazie a un flauto di legno realizzato da Abell. \u00c8 accompagnato con finezza da Adalberto Riva, che suona il pianoforte Braschoss del Castello di Gruy\u00e8re. \u00c8 un piacere riscoprire le grandi pagine del repertorio in uno stile fresco e chiaro. Si pu\u00f2 rimanere sorpresi dal tempo relativamente lento che gli esecutori impongono alle variazioni su <em>Trockne Blumen<\/em> di Schubert. I musicisti si limitano a ricordare il Lied originale e a tralasciare gli appariscenti virtuosismi di cui la poesia non ha bisogno. Nella stessa ottica, il<em>Undine<\/em> In questa registrazione, Reinecke fa chiaro riferimento alla fiaba di Friedrich de la Motte-Fouqu\u00e9, con il suo mondo incantato abitato da divinit\u00e0 ed eroi cavallereschi. Se la Sonata in la bemolle maggiore di Carl Maria von Weber \u00e8 meno conosciuta, \u00e8 perch\u00e9 \u00e8 stata originariamente scritta per pianoforte solo. Guy Raffalli lo ricorda e assume il ruolo di colorista, aggiungendo chiarezza all'architettura dell'opera.<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-30423 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-350x350.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover-250x250.jpg 250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Raffalli_Cover.jpg 600w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><em>Guy Raffalli, flauto; Adalberto Riva, pianoforte. Opere di Franz Schubert, Carl Reinecke, Carl Maria von Weber. Gallo CD-1462<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Grandi opere di Schubert, Reinecke e von Weber suonate su strumenti d'epoca. <\/p>","protected":false},"author":1,"featured_media":22918,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-30420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Souvenirs du Lied - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2016\/04\/raffalli-riva\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Souvenirs du Lied - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"De grandes pages de Schubert, Reinecke, et von Weber jou\u00e9es sur des instruments de l\u2019\u00e9poque.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2016\/04\/raffalli-riva\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-27T08:58:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-27T09:07:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"368\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"Souvenirs du Lied\",\"datePublished\":\"2016-04-27T08:58:36+00:00\",\"dateModified\":\"2024-06-27T09:07:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva\"},\"wordCount\":432,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Raffali.jpg\",\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva\",\"name\":\"Souvenirs du Lied - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Raffali.jpg\",\"datePublished\":\"2016-04-27T08:58:36+00:00\",\"dateModified\":\"2024-06-27T09:07:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Raffali.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/Raffali.jpg\",\"width\":554,\"height\":368},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2016\\\/04\\\/raffalli-riva#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Souvenirs du Lied\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\",\"name\":\"Musikzeitung-Redaktion\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g\",\"caption\":\"Musikzeitung-Redaktion\"},\"sameAs\":[\"http:\\\/\\\/wundo-docker.io\"],\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/admin\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Souvenirs du Lied - Revue Musicale Suisse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2016\/04\/raffalli-riva\/","og_locale":"it_IT","og_type":"article","og_title":"Souvenirs du Lied - Revue Musicale Suisse","og_description":"De grandes pages de Schubert, Reinecke, et von Weber jou\u00e9es sur des instruments de l\u2019\u00e9poque.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2016\/04\/raffalli-riva\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2016-04-27T08:58:36+00:00","article_modified_time":"2024-06-27T09:07:24+00:00","og_image":[{"width":554,"height":368,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg","type":"image\/jpeg"}],"author":"Musikzeitung-Redaktion","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"Musikzeitung-Redaktion","Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva"},"author":{"name":"Musikzeitung-Redaktion","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712"},"headline":"Souvenirs du Lied","datePublished":"2016-04-27T08:58:36+00:00","dateModified":"2024-06-27T09:07:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva"},"wordCount":432,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg","articleSection":["Critiques","Disques"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva","url":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva","name":"Souvenirs du Lied - Revue Musicale Suisse","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg","datePublished":"2016-04-27T08:58:36+00:00","dateModified":"2024-06-27T09:07:24+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/Raffali.jpg","width":554,"height":368},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2016\/04\/raffalli-riva#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Souvenirs du Lied"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/b2fd892c800856270b9dcc6001265712","name":"Musikzeitung-Redaktion","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/0c7e6a405862e402eb76a70f8a26fc732d07c32931e9fae9ab1582911d2e8a3b?s=96&d=mm&r=g","caption":"Musikzeitung-Redaktion"},"sameAs":["http:\/\/wundo-docker.io"],"url":"https:\/\/www.revuemusicale.ch\/it\/author\/admin"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=30420"}],"version-history":[{"count":1,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30420\/revisions"}],"predecessor-version":[{"id":30424,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/30420\/revisions\/30424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/22918"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=30420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=30420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=30420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}