{"id":30498,"date":"2018-02-21T15:48:19","date_gmt":"2018-02-21T14:48:19","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30498"},"modified":"2024-06-27T15:55:06","modified_gmt":"2024-06-27T13:55:06","slug":"chassot-haydn","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2018\/02\/chassot-haydn","title":{"rendered":"La fisarmonica si adatta perfettamente a Haydn"},"content":{"rendered":"<figure id=\"attachment_30499\" aria-describedby=\"caption-attachment-30499\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30499 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve.jpg\" alt=\"\" width=\"554\" height=\"384\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve.jpg 554w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve-300x208.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve-252x175.jpg 252w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve-505x350.jpg 505w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-30499\" class=\"wp-caption-text\">Viviane Chassot. Foto: Marco Borggreve<\/figcaption><\/figure>\n<p>A Haydn non sarebbe piaciuta la fisarmonica? Certamente no! Avrebbe amato questo strumento, austriaco come lui, inventato solo dodici anni dopo la sua morte. Nato nella campagna di Rohrau, il giovane Joseph sarebbe stato sedotto dal carattere folcloristico dello strumento, e lo scherzoso corista della Cattedrale di Santo Stefano di Vienna avrebbe approfittato dei numerosi effetti \"fisarmonicistici\" per far ridere i suoi colleghi! E Joseph, che si dimostr\u00f2 un maestro dell'opera - anche se questa dimensione del suo lavoro \u00e8 largamente ignorata sui palcoscenici di oggi - avrebbe certamente amato le qualit\u00e0 quasi-operistiche offerte dalla fisarmonica. Cos\u00ec avrebbe certamente apprezzato il respiro <em>cantabile<\/em>La gamma di fraseggi, la rapidit\u00e0 e la precisione dell'attacco, i contrasti drammatici e l'umorismo genuinamente scenico di Viviane Chassot. Per non parlare della naturale musicalit\u00e0 della pianista svizzera, evidente nel suo precedente CD di Sonate per pianoforte di Haydn: un vero piacere da ascoltare, apprezzato anche da Alfred Brendel! (Genuin 89162)<\/p>\n<p>La fedelt\u00e0 della registrazione effettuata presso la Martinskirche di M\u00fcllheim \u00e8 esemplare. Durante la <em>tutti<\/em> dell'Orchestra da Camera di Basilea, l'amante della musica si chiede come il calore delle corde di budello si sposer\u00e0 con le sonorit\u00e0 della fisarmonica. Mentre la solista si afferma con un virtuosismo mozzafiato e una chiarezza cristallina, \u00e8 anche meravigliosamente in sintonia con l'eccellente falange di Basilea.<\/p>\n<p>Le cadenze, composte da lei stessa, sono suggestive del jazz e a volte flirtano maliziosamente con la musica leggera, senza cattivo gusto, saltando frequentemente tra un <em>ppp<\/em> intimo e un <em>fff<\/em> dinamico! - Due CD da scoprire senza esitazione!<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30500 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot.jpg\" alt=\"\" width=\"180\" height=\"180\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot.jpg 180w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Cover_Chassot-96x96.jpg 96w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/p>\n<p><em>Joseph Haydn: Concerti per tastiera (versione per fisarmonica). Viviane Chassot, Kammerorchester Basel. Sony 889854074524<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Dopo le Sonate per pianoforte, Viviane Chassot ha registrato i Concerti per pianoforte di Haydn. La solista e l'Orchestra da Camera di Basilea si completano perfettamente. <\/p>","protected":false},"author":1,"featured_media":30499,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-30498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>L&#039;accord\u00e9on va parfaitement bien a Haydn - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2018\/02\/chassot-haydn\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L&#039;accord\u00e9on va parfaitement bien a Haydn - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s les Sonates de piano, Viviane Chassot a enregistr\u00e9 les Concerts de piano de Haydn. La soliste et l&#039;Orchestre de Chambre de B\u00e2le se compl\u00e8tent \u00e0 merveille.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2018\/02\/chassot-haydn\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-21T14:48:19+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-27T13:55:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Viviane_Chassot_Borggreve.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"554\" \/>\n\t<meta property=\"og:image:height\" content=\"384\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Musikzeitung-Redaktion\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Musikzeitung-Redaktion\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn\"},\"author\":{\"name\":\"Musikzeitung-Redaktion\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/b2fd892c800856270b9dcc6001265712\"},\"headline\":\"L&rsquo;accord\u00e9on va parfaitement bien a Haydn\",\"datePublished\":\"2018-02-21T14:48:19+00:00\",\"dateModified\":\"2024-06-27T13:55:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn\"},\"wordCount\":351,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/Viviane_Chassot_Borggreve.jpg\",\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2018\\\/02\\\/chassot-haydn\",\"name\":\"L'accord\u00e9on va parfaitement bien a Haydn - 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