{"id":30523,"date":"2015-04-21T15:54:09","date_gmt":"2015-04-21T13:54:09","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=30523"},"modified":"2024-06-28T15:57:31","modified_gmt":"2024-06-28T13:57:31","slug":"sur-les-traces-de-muller-siemens","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2015\/04\/sur-les-traces-de-muller-siemens","title":{"rendered":"Sulle orme di M\u00fcller-Siemens"},"content":{"rendered":"<div class=\"text-section\">\n<figure id=\"attachment_30525\" aria-describedby=\"caption-attachment-30525\" style=\"width: 554px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-30525 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens.jpg\" alt=\"\" width=\"554\" height=\"353\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens.jpg 554w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-300x191.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-275x175.jpg 275w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-549x350.jpg 549w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><figcaption id=\"caption-attachment-30525\" class=\"wp-caption-text\">Insieme di Mondrian. Foto: David Meskhi<\/figcaption><\/figure>\n<p>Meno pubblicizzato di altri colleghi della sua generazione, Detlev M\u00fcller-Siemens, professore di composizione a Basilea e poi a Vienna, \u00e8 raramente ascoltato nei Paesi latini. Queste quattro opere di musica da camera registrate dall'eccellente Ensemble Mondrian contribuiranno forse a colmare questa lacuna.<\/p>\n<p>Il linguaggio di M\u00fcller-Siemens \u00e8 ricco di contrasti, sempre molto colorato, a volte violento e drammatico, a volte vertiginosamente lirico; non c'\u00e8 mai un momento di noia, mai un minuto di routine. Inoltre, la sensualit\u00e0 del suono \u00e8 sempre presente, inventiva e sorprendente.<\/p>\n<p>Le <em>Trio d'archi<\/em> si svolge su pi\u00f9 livelli, caratteristici fino alla caricatura, tra i quali l'ascoltatore viene spinto senza transizione, ognuno con il proprio sviluppo drammatico. I numerosi effetti cromatici funzionano perfettamente grazie alla qualit\u00e0 del suono e al coordinamento dell'Ensemble Mondrian.<\/p>\n<p><em>Tracce lontane <\/em>\u00e0 la m\u00e9moire de Ligeti \u00e8 un omaggio al maestro, ricco di allusioni, persino di ammiccamenti, in cui \u00e8 facile riscoprire lo spirito del compositore ungherese che ha avuto un tale impatto sulla musica tedesca dal 1950.<\/p>\n<p><em>Tracce perdute <\/em>mescola microtonalit\u00e0 a grappoli con ritmi ossessivamente ripetuti fino all'incandescenza: una vera delizia.<\/p>\n<p>Un altro momento di grazia: la terza parte di <em>...chiamato crepuscolo<\/em>Un'ariosa cantilena di flageolets del violoncello, con un pianoforte malinconico che gli gravita intorno.<\/p>\n<p>Il CD \u00e8 accompagnato da un libretto con un eccellente saggio sulle generazioni che si sono succedute a Darmstadt, facendo luce sulle origini artistiche di Detlev M\u00fcller-Siemens.<img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-30524 aligncenter\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein.jpg\" alt=\"\" width=\"180\" height=\"178\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein.jpg 180w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-177x175.jpg 177w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2024\/06\/Mueller-Siemens-klein-96x96.jpg 96w\" sizes=\"auto, (max-width: 180px) 100vw, 180px\" \/><\/p>\n<p><em>Detlev M\u00fcller-Siemens: Tracce (Streichtrio, tracce lontane, ...chiamato crepuscolo, tracce perdute), Mondrian Ensemble, Basilea. Wergo WER 7310 2<\/em><\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>L'Ensemble Mondrian ci propone la musica da camera del compositore tedesco, ricca di colori e variet\u00e0.<\/p>","protected":false},"author":1,"featured_media":30525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-30523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sur les Traces de 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