{"id":31033,"date":"2025-01-23T09:30:27","date_gmt":"2025-01-23T08:30:27","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31033"},"modified":"2025-03-14T08:40:13","modified_gmt":"2025-03-14T07:40:13","slug":"nouveautes-allia","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2025\/01\/nouveautes-allia","title":{"rendered":"Hindemith come maestro e il dialogo con Stravinsky"},"content":{"rendered":"
\"\"
Hindemith alle prove di un concerto a Brema nel 1960. Foto: Veronika Kupczyk, Archivio di famiglia \/ wikimedia commons<\/a><\/figcaption><\/figure>\n

La pedagogia ebbe un ruolo importante nella vita di Hindemith. A trent'anni era gi\u00e0 stato nominato professore alla Staatliche akademische Hochschule f\u00fcr Musik di Berlino e, quando emigr\u00f2 negli Stati Uniti durante la Seconda guerra mondiale, ricopr\u00ec, tra gli altri incarichi, la cattedra di composizione all'Universit\u00e0 di Yale. Al suo ritorno in Europa, insegn\u00f2 musicologia all'Universit\u00e0 di Zurigo. Questa attivit\u00e0 didattica \u00e8 proseguita nei suoi scritti didattici, il pi\u00f9 famoso dei quali \u00e8 Unterweisung im Tonsatz<\/em>. Scritto nel 1946, Formazione elementare per musicisti <\/em>era una risposta, da un lato, al fatto che i suoi allievi spesso soffrivano per l'empirismo e la superficialit\u00e0 della loro conoscenza teorica dei principi elementari della musica (ritmo, misure, notazione, ecc.) e, dall'altro, al fatto che, all'epoca, la maggior parte dei libri di teoria musicale non offriva un buon mix di teoria e pratica. Le Edizioni Allia hanno pubblicato la traduzione francese di questo libro, realizzata quattro decenni fa da Robert Mermoud per le Edizioni Latt\u00e8s. Pratica musicale di base<\/em>A quasi 80 anni dalla sua stesura, rimane un'opera di riferimento sull'argomento, che richiede la partecipazione attiva degli studenti attraverso innumerevoli esercizi progressivi e diversificati.<\/p>\n

\"\"<\/em><\/p>\n

Paul Hindemith: Pratique \u00e9l\u00e9mentaire de la musique, 320 p., \u20ac 20,00, Editions Allia, Paris 2024, ISBN 979-10-304-1889-7<\/em><\/p>\n

 <\/p>\n

Interviste con Stravinsky<\/strong><\/h3>\n

La stessa casa editrice ha pubblicato il Conversazioni con Igor Stravinsky<\/em>Questa \u00e8 la traduzione di una serie di cinque avvincenti interviste che il direttore d'orchestra americano Robert Craft ha condotto con il compositore settantacinquenne nel 1957, quando quest'ultimo utilizzava il serialismo da diversi anni per creare le sue ultime partiture spogliate. La loro collaborazione ha prodotto in seguito altri cinque volumi. Le risposte di Stravinskij coprono un'ampia gamma di argomenti, dagli episodi della sua vita e del suo lavoro alle tecniche di scrittura e di esecuzione, alle persone che ha conosciuto e ammirato - Debussy, Ravel e Satie in particolare - e al suo rapporto con i musicisti in patria e con Diaghilev e i Ballets Russes. Sono precise, spesso obiettive, a volte taglienti e senza compromessi. Potremmo anche citare le sue interessanti riflessioni sulla musica del dopoguerra e sul suo futuro, nonch\u00e9 i suoi consigli ai giovani compositori. I due interlocutori hanno toccato anche altre arti, soprattutto la letteratura e la pittura, in particolare le scenografie disegnate per i balletti e altre opere sceniche dall'autore di Il rito della primavera<\/em>. Il libro presenta anche una ricca iconografia in bianco e nero.\"\"<\/p>\n

Robert Craft & Igor Stravinsky: Conversazioni con Igor Stravinsky, 192 p., \u20ac 16,00, Editions Allia, Paris 2024, ISBN 979-10-304-1836-1<\/em><\/p>\n

\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Le Edizioni Allia hanno recentemente pubblicato un manuale didattico di Paul Hindemith e interviste a Igor Stravinsky.<\/p>","protected":false},"author":1,"featured_media":31043,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[2122,2120,2121],"class_list":["post-31033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-igor-stravinsky","tag-paul-hindemith","tag-robert-craft"],"acf":[],"yoast_head":"\nHindemith p\u00e9dagogue et dialogues avec Stravinsky - Revue 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