{"id":31110,"date":"2025-03-12T10:26:03","date_gmt":"2025-03-12T09:26:03","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31110"},"modified":"2025-06-06T09:29:13","modified_gmt":"2025-06-06T07:29:13","slug":"ecoute","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/livres-et-partitions\/2025\/03\/ecoute","title":{"rendered":"Storia dell'ascolto della musica"},"content":{"rendered":"
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Veduta di un pubblico ad un concerto, con un musicista nella buca dell'orchestra parzialmente visibile. William Henry Walker (1871-1938) \/ Artvee<\/figcaption><\/figure>\n

Per molto tempo la musicografia si \u00e8 occupata principalmente dei trasmettitori (compositori e musicisti). Negli ultimi anni, tuttavia, si sono moltiplicati gli studi accademici che analizzano i riceventi, principalmente il pubblico, ma anche filosofi, scienziati, teologi... o gli stessi musicisti, che ascoltano i loro colleghi o ascoltano se stessi.<\/p>\n

Le Edizioni MF e la Philharmonie de Paris hanno pubblicato in collaborazione una monumentale antologia, la prima nel suo genere. Compilata da un'\u00e9quipe di specialisti sotto la direzione di Martin Kaltenecker, \u00e8 destinata a interessare sia i dilettanti che i professionisti. Particolarmente affascinante \u00e8 l'aspetto storico, poich\u00e9 la scelta degli scritti, presentati ciascuno nel proprio contesto (oltre 1.100 testimonianze, frammenti letterari o teorici, critiche, riflessioni e aneddoti, nonch\u00e9 un'iconografia di alcune centinaia di dipinti, sculture, affreschi, miniature, incisioni e altri manufatti), spazia dall'antichit\u00e0 omerica all'inizio del XX secolo.e<\/sup> Nel XIX secolo, le registrazioni fonografiche hanno cambiato il modo di percepire i suoni musicali.<\/p>\n

Quest'opera affascinante, sebbene limitata alla civilt\u00e0 occidentale, si interroga sui luoghi, i tempi e le pratiche dell'ascolto, esamina i paesaggi sonori, rivela una grande variet\u00e0 di atteggiamenti, esamina i poteri sacri e terapeutici attribuiti alla musica e svela teorie fisiche e filosofiche dell'udito.<\/p>\n

\"\"<\/p>\n

L'ascolto. Dall'antichit\u00e0 al XIXe<\/sup> si\u00e8cle, une anthologie, a cura di Martin Kaltenecker, 1364 p., \u20ac 40,00, Editions MF, Paris 2024, ISBN 9791094642344<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Un'imponente antologia ripercorre le variazioni della percezione musicale attraverso i secoli, dall'antichit\u00e0 al 1900 circa.<\/p>","protected":false},"author":1,"featured_media":31114,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1616],"tags":[2146,2147],"class_list":["post-31110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-livres-et-partitions","tag-ecoute","tag-martin-kaltenecker"],"acf":[],"yoast_head":"\nHistoire de l\u2019\u00e9coute musicale - Revue Musicale Suisse<\/title>\n<meta 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