{"id":31194,"date":"2025-05-06T10:51:25","date_gmt":"2025-05-06T08:51:25","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31194"},"modified":"2025-06-06T11:18:52","modified_gmt":"2025-06-06T09:18:52","slug":"frank-martin-emouvant-et-intense","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2025\/05\/frank-martin-emouvant-et-intense","title":{"rendered":"Frank Martin, commovente e intenso"},"content":{"rendered":"<figure id=\"attachment_31195\" aria-describedby=\"caption-attachment-31195\" style=\"width: 1000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31195 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg\" alt=\"\" width=\"1000\" height=\"800\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644.jpg 1000w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-300x240.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-768x614.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-15x12.jpg 15w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-219x175.jpg 219w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-438x350.jpg 438w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/Terpsycordes_schreyer_2300644-920x736.jpg 920w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption id=\"caption-attachment-31195\" class=\"wp-caption-text\">Quatuor Terpsicordes (Raya Raytcheva, Florestan Darbellay, Caroline Cohen-Adad, Girolamo Bottiglieri) con Fabrizio Chiovetta al centro. Foto: Patrice Schreyer \/ Claves<\/figcaption><\/figure>\n<p>Alcuni compositori della prima met\u00e0 del XX secolo<sup>e<\/sup> secolo stanno vivendo in un ingiusto purgatorio. Erwin Schulhoff, Henri Dutilleux, Bohuslav Martin\u016f, Andr\u00e9 Jolivet... Frank Martin \u00e8 anche uno di quei compositori di cui ogni appassionato conosce il nome e qualche titolo, ma poco altro. Questa registrazione \u00e8 quindi una manna dal cielo!<\/p>\n<p>Saranno eseguite tre opere. Il quintetto per pianoforte, il quartetto e l'orchestra. <em>Pavane couleur du temps<\/em>. Per il primo, il quartetto Terpsycordes ha collaborato con il pianista Fabrizio Chiovetta e per il secondo, il quartetto Terpsycordes ha collaborato con il pianista Fabrizio Chiovetta. <em>Pavane<\/em>e il violoncellista Fran\u00e7ois Grin.<\/p>\n<p>Molte opere per quartetto d'archi e pianoforte si rivelano concerti da camera. Nel quintetto del giovane Frank Martin, il pianoforte non \u00e8 utilizzato come solista accompagnato dagli archi. \u00c8 trattato alla pari degli altri strumenti, fornendo colori diversi. Ed \u00e8 proprio come magnifico colorista che Fabrizio Chiovetta si unisce ai Terpsycordes. Il suo tocco sottile favorisce una rotondit\u00e0 che esclude ogni asprezza, anche nelle sfumature pi\u00f9 forti. Un pianoforte molto raffinato. In questo brano, cos\u00ec come nel quartetto e nell'opera <em>Pavane<\/em>I Terpsycordes ci offrono un lirismo all'altezza dell'arco grazie a un'interpretazione intrisa di emozione e calore. Le frasi avanzano organicamente e si percepisce un coinvolgimento totale, un amore e una comprensione di questa musica che trascina l'ascoltatore in queste superbe pagine in modo del tutto naturale. Non c'\u00e8 nulla di esagerato, solo linee che respirano, supportate da un'incredibile tavolozza di scintille e luci.<\/p>\n<p>La musica di Frank Martin viene talvolta descritta come calvinista nella sua austerit\u00e0. Non \u00e8 vero! Qui ci sono pagine che trasudano magnifica emozione, intensit\u00e0 e generoso umanesimo. Da non perdere per nessun motivo!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31196 size-medium\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-1024x1024.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-768x767.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-350x350.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-801x800.jpg 801w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-920x919.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-1400x1398.jpg 1400w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon-250x250.jpg 250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/04\/04_05_crit_cd_Dagon.jpg 1001w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Frank Martin: Quintetto con pianoforte, Quartetto d'archi, Pavane couleur du temps. Quatuor Terpsycordes; Fabrizio Chiovetta, pianoforte; Fran\u00e7ois Grin, violoncello. Claves Records 3081<\/em><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Il quartetto Terpsycordes, il pianista Fabrizio Chiovetta e il violoncellista Fran\u00e7ois Grin ci propongono una musica da camera di grande impatto lirico. <\/p>","protected":false},"author":36253,"featured_media":31195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2169,2170,2150,2168],"class_list":["post-31194","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-fabrizio-chiovetta","tag-francois-grin","tag-frank-martin","tag-quatuor-terpsycordes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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