{"id":31303,"date":"2025-06-08T11:39:41","date_gmt":"2025-06-08T09:39:41","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31303"},"modified":"2025-06-03T12:08:28","modified_gmt":"2025-06-03T10:08:28","slug":"une-reverberation-de-20-violoncelles","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2025\/06\/une-reverberation-de-20-violoncelles","title":{"rendered":"Un riverbero di 20 violoncelli"},"content":{"rendered":"
\"\"
Foto: Amit Lavee<\/figcaption><\/figure>\n

\"Mi sono trasferito dall'intensa e rumorosa citt\u00e0 di Buenos Aires - che non dorme mai e i cui molteplici strati sonori sono molto presenti - a Berna, in un quartiere isolato di fronte alla foresta - probabilmente il paese pi\u00f9 silenzioso che abbia mai conosciuto. Questo shock mi ha spinto ad abitare questo silenzio e ha indubbiamente influenzato la musica che ho composto in questo periodo, ad esempio per Entrata\/uscita<\/em> \"ride Violeta Garcia, una musicista argentina che ha appena pubblicato un album molto ridotto per violoncello solo con l'etichetta ginevrina Bongo Joe.<\/p>\n

\u00c8 infatti nota per la sua attivit\u00e0 ai margini estremi del suono. Da un lato c'\u00e8 la sua sperimentazione contemporanea, ricca di improvvisazione e ricerca sonora, che si manifesta in opere solistiche abitate, ma a volte difficili, intense e non sempre facili da eseguire. adatto all'ascoltatore <\/em>Dall'altro, una carriera abrasiva con la sua band punk sperimentale Blanco Teta. Questo nuovo album altamente consonante, sospeso in un drone musicale illuminato da un pronunciato lirismo interiore, si dice sia il risultato di questa migrazione e del suo cambiamento di vita. Lo si sente: si rivela una canzone intima, potentemente naturale e di grande bellezza.<\/p>\n

\"Ho iniziato ad ascoltare altri tipi di musica e di suoni e a connettermi con la natura. Il mio ascolto si \u00e8 ampliato - o ristretto, non so - ma ho scoperto una grande sensibilit\u00e0 di cui non mi rendo ancora conto\", spiega.<\/p>\n

Il minimalismo sacro di P\u00e4rt, che l'artista ha ascoltato molto durante il suo ultimo tour nei Paesi Baltici, \u00e8 parte di questo, ma non l'unico: anche il luogo molto speciale in cui l'album \u00e8 stato registrato fa la sua parte. Entrata\/uscita<\/em> \u00e8 infatti acusticamente sbalorditivo: a un primo ascolto distratto, si potrebbe sospettare l'uso di tutta una serie di macchinari ed effetti per creare quella caratteristica bolla sonora; ma se si ascolta abbastanza intensamente, si iniziano a scartare queste possibilit\u00e0.<\/p>\n

\"Posso confermare che si tratta di una registrazione puramente acustica. Abbiamo registrato in una cisterna che un tempo conteneva l'acqua della citt\u00e0 di Ginevra. Poich\u00e9 contiene ancora molta umidit\u00e0 nelle pareti e nelle colonne, il riverbero \u00e8 molto speciale e magico\", spiega Violeta. La registrazione, unica nel suo genere, \u00e8 avvenuta al buio, in questa vecchia cisterna situata nel Bois de la B\u00e2tie di Ginevra, sotto il parco degli animali che gli abitanti del luogo conoscono bene: si pu\u00f2 infatti sentire un pavone che \u00e8 venuto a partecipare a uno dei brani. Un riverbero naturale con 28 secondi di tempo di decadimento crea un'atmosfera piuttosto speciale e unica: \"Ho iniziato a capire che se cambiavo le note ogni secondo, potevo comporre come se stessi suonando con quasi 20 violoncelli\". Questa \u00e8 la sfida per le future esecuzioni di questo repertorio: riuscire a ricreare la sonorit\u00e0 naturale del luogo con un ensemble di strumenti acustici o, come \u00e8 avvenuto per la presentazione dell'album al festival Archipel, ricreando la spazializzazione di questa specificit\u00e0 acustica con processori digitali.\"\"<\/p>\n

Violeta Garcia : In\/Out. Bongo Joe BJR109<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Violeta Garcia ha registrato un album per violoncello solo in una cisterna che un tempo conteneva l'acqua della citt\u00e0 di Ginevra, con un tempo di riverberazione naturale di 28 secondi. 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