{"id":31597,"date":"2025-11-27T09:40:54","date_gmt":"2025-11-27T08:40:54","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31597"},"modified":"2026-03-26T09:49:20","modified_gmt":"2026-03-26T08:49:20","slug":"numero-10-2025-focus-ia","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/smz\/2025\/11\/numero-10-2025-focus-ia","title":{"rendered":"Numero 11_12\/2025 - Focus sull'IA"},"content":{"rendered":"<figure id=\"attachment_69184\" aria-describedby=\"caption-attachment-69184\" style=\"width: 2953px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-69184 size-full\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2025\/11\/SMZ_Cover_11-12_2025_Web.jpg\" alt=\"\" width=\"2953\" height=\"2147\" \/><figcaption id=\"caption-attachment-69184\" class=\"wp-caption-text\">Michael Harenberg, fotografato da Holger Jacob<\/figcaption><\/figure>\n<h3>Inhaltsverzeichnis<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><em><strong>Le statistiche non comporranno mai musica<br \/>\n<\/strong>Intervista con Michael Harenberg e l'IA<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>L'intelligenza artificiale come partner creativo<br \/>\n<\/strong>La ricerca artistica di Holly Herndon e Mat Dryhurst<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>L'emergere della figura dell'Io-Artista<br \/>\n<\/strong>L'IA nella creazione e nell'educazione musicale<\/p>\n<p><em>(In corsivo: riassunti francesi di articoli tedeschi)<\/em><\/p>\n<h3><\/h3>\n<h3>Recensioni<\/h3>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/categorie\/critiques\/\">Nuovi libri, album e spartiti<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Eco\u00a0<\/strong><\/h3>\n<p><em>(Lo spazio disponibile nell'edizione cartacea non \u00e8 sufficiente per tutto ci\u00f2 che desideriamo pubblicare. In questo indice sono elencati anche gli articoli che compaiono solo online o di cui l'edizione cartacea contiene solo un estratto. La maggior parte di questi articoli \u00e8 stata pubblicata prima dell'edizione cartacea).<\/em><\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2025\/11\/pierre-boulez-un-lien-indefectible-avec-la-suisse\/\" target=\"_blank\" rel=\"noopener\"><strong>Un legame indissolubile con la Svizzera<\/strong><\/a><br \/>\nNicolas Dorin e Pierre-Michel Menger parlano di Pierre Boulez.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Base<\/strong><\/h3>\n<p>Articoli e notizie dalle associazioni<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/eov\/\" target=\"_blank\" rel=\"noopener\">Eidgen\u00f6ssischer Orchesterverband (EOV) \/ Soci\u00e9t\u00e9 F\u00e9d\u00e9rale des Orchestres (SFO)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conferenza delle universit\u00e0 svizzere di musica (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kalaidos\/\" target=\"_blank\" rel=\"noopener\">Kalaidos Musikhochschule \/ Collegio di musica Kalaidos<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Schweizer Musikrat (SMR) \/ Consiglio svizzero della musica (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Associazione Svizzera di Medicina Musicale (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Schweizerische Musikforschende Gesellschaft (SMG) \/ Societ\u00e0 svizzera di musicologia (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikerverband (SMV) \/ Unione Svizzera dei Musicisti (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Societ\u00e0 svizzera di pedagogia musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musikschaffende Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Kultur<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Societ\u00e0 dei musicisti e dei lettori di musica<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Verband Musikschulen Schweiz (VMS) \/ Associazione svizzera delle scuole di musica (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>AI barocca<br \/>\n<\/strong>L'indovinello di Michael Kube<\/p>\n<p>________________________________________<\/p>\n<p><strong><a href=\"mailto:contact@musikzeitung.ch\">Ordinate questo numero per CHF 10.- (+ CHF 2.- di spese postali)<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Inhaltsverzeichnis Focus Les statistiques ne composeront jamais de musique Entretien avec Michael Harenberg et l\u2019IA &nbsp; L\u2019IA comme partenaire cr\u00e9ative La recherche artistique de Holly Herndon et Mat Dryhurst &nbsp; L\u2019\u00e9mergence de la figure d\u2019I-Art-iste L\u2032IA dans la cr\u00e9ation et p\u00e9dagogie musicale (En italique: r\u00e9sum\u00e9 fran\u00e7ais des articles en allemand) Critiques Nouveaut\u00e9s livres, albums, partitions [&hellip;]<\/p>\n","protected":false},"author":36252,"featured_media":31580,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2291,2292,2103,2293,2294,2295,2296,2297,2298,2115,2299,2300,2301,2302,2303,2287,2132,2304,2305],"class_list":["post-31597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-aneas-humm","tag-camerata-zurich","tag-donaueschinger-musiktage","tag-ensemble-arcimboldo","tag-esther-hoppe","tag-francesco-piemontesi","tag-holly-herndon","tag-howard-griffiths","tag-i-art-iste","tag-intelligence-artificielle","tag-ki-kunstler","tag-mat-dryhurst","tag-michael-harenberg","tag-mozart-gemalde","tag-musikkollegium-winterthur","tag-pierre-boulez","tag-podcast","tag-stiftung-arvore","tag-thilo-hirsch"],"acf":[],"yoast_head":"<!-- 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d\u2019I-Art-iste L\u2032IA dans la cr\u00e9ation et p\u00e9dagogie musicale (En italique: r\u00e9sum\u00e9 fran\u00e7ais des articles en allemand) Critiques Nouveaut\u00e9s livres, albums, partitions [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2025\/11\/numero-10-2025-focus-ia\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-11-27T08:40:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-26T08:49:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2025\/11\/SMZ_Cover_11-12_2025_Web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1375\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" 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