{"id":31623,"date":"2025-12-27T09:06:26","date_gmt":"2025-12-27T08:06:26","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31623"},"modified":"2026-04-15T10:56:47","modified_gmt":"2026-04-15T08:56:47","slug":"lettre-ouverte-concernant-le-vote-sur-linitiative-200-francs-ca-suffit-en-mars-2026","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/politique\/2025\/12\/lettre-ouverte-concernant-le-vote-sur-linitiative-200-francs-ca-suffit-en-mars-2026","title":{"rendered":"Lettera aperta sulla votazione dell'iniziativa \"200 franchi sono sufficienti\" nel marzo 2026"},"content":{"rendered":"

Zurigo, dicembre 2025<\/em><\/p>\n

Cari musicisti, creatori di cultura e utenti dei programmi della SSR,
\ncara signora Susanne Wille,<\/p>\n

Nel marzo 2026 voteremo sull'iniziativa \"200 franchi sono sufficienti\". Fin dall'inizio ci siamo opposti a questo attacco al nostro servizio pubblico radiotelevisivo. La SSR si impegna a fornire un'informazione indipendente, a rappresentare la diversit\u00e0 culturale del nostro Paese, a creare ponti tra la scienza e il grande pubblico e a far conoscere le preoccupazioni delle minoranze. Svolge il suo compito in tutte le regioni e in tutte le lingue del Paese. Nell'adempimento di questa missione, \u00e8 indispensabile al nostro Paese per mantenere la democrazia e rafforzare il senso di appartenenza. Nessun canale privato a vocazione commerciale e guidato da interessi particolari pu\u00f2 assolvere a questi compiti, anche solo in parte. Nel prossimo periodo, siamo chiamati a dimostrare la nostra solidariet\u00e0 alla SSR in dibattiti e apparizioni pubbliche, e a far s\u00ec che la suddetta iniziativa venga respinta.<\/p>\n

Questo obbligo \u00e8 vincolante. Tuttavia, dobbiamo protestare con la massima fermezza contro le misure adottate dalla direzione della SSR negli ultimi mesi. La strategia dei populisti di destra per minare le condizioni democratiche comprende attacchi ai media indipendenti e alla libert\u00e0 della scienza e delle arti. L'abolizione di programmi, ad esempio nel campo della letteratura e della scienza e, pi\u00f9 recentemente, nel campo della musica - \"Musik unserer Zeit\" nella Svizzera tedesca - \u00e8 una concessione prematura alle tendenze di estrema destra sopra menzionate e un abbandono dei punti centrali sanciti dal mandato del servizio pubblico.<\/p>\n

Le principali associazioni culturali svizzere si sono finora astenute dal prendere pubblicamente posizione su questi tagli, probabilmente per non indebolire la campagna referendaria contro l'iniziativa di dimezzamento dei fondi della SSR criticando quest'ultima. Tuttavia, alla luce della situazione attuale e degli sviluppi futuri, \u00e8 necessario impegnarsi fermamente per mantenere un finanziamento sufficiente alla SSR e criticare le decisioni prese dalla sua direzione. La SRG merita il nostro sostegno per le sue caratteristiche uniche. La sua attuale strategia di adattamento alle richieste del mercato equivale a ignorare la missione che giustifica un adeguato finanziamento pubblico. Invece di eliminare programmi come \"Wissenschaftsmagazin\" e \"Musik unserer Zeit\", la strategia della direzione nella campagna referendaria dovrebbe essere, ad esempio, quella di perseguire con determinazione il dialogo tra scienza e societ\u00e0 e di coltivare con attenzione il lavoro giornalistico di approfondimento nel settore culturale.<\/p>\n

Gli studi di mercato potrebbero considerare trascurabili gli ascoltatori dei programmi musicali e letterari di Espace2, proprio come i fan sfegatati di \"Klassiktelefon\" o il pubblico fedele di \"Echo der Zeit\" - per restare ai programmi radiofonici. In vista della prossima votazione, non dobbiamo dimenticare che questo pubblico fedele \u00e8 pronto a mobilitarsi in difesa della SSR.<\/p>\n

La SSR deve puntare sulla resistenza piuttosto che sull'adattamento, sulla sua unicit\u00e0, se non vuole scavarsi la fossa da sola. Deve urgentemente ricordare quali sono le aree chiave della sua missione da proteggere e chi sono i suoi compagni d'armi, i suoi alleati nella societ\u00e0 civile, nella lotta contro l'iniziativa di dimezzare il suo budget.<\/p>\n

Firmatari (in ordine alfabetico)<\/h3>\n

Heinrich Aerni, Ingrid Alexandre, Dieter Ammann<\/p>\n

Ulrike Andersen, Monika Baer, Nik B\u00e4rtsch<\/p>\n

Werner B\u00e4rtschi, Andr\u00e9 Baltensperger, Philip Bartels<\/p>\n

Felix Baumann, Peter Baur, Andr\u00e9 Bellmont<\/p>\n

Elisabeth Berger, Marino Bernasconi, Ramon Bischoff<\/p>\n

William Blank, Dominik Blum, Bettina Boller<\/p>\n

Hugo Bollschweiler, Th\u00fcring Br\u00e4m, Esther de Bros<\/p>\n

Albin Brun, Catriona B\u00fchler, Christiane Bult<\/p>\n

Peggy Chew, Jessie Cox, Flurin Cuonz<\/p>\n

Reto Cuonz, Therese Cuonz-R\u00e4z, J\u00fcrg D\u00e4hler<\/p>\n

Claudio Danuser, Daniela Dolci, Mariana Doughty<\/p>\n

Alfred Felder, Adrian Frey, Daniel Fueter<\/p>\n

Thomas Gartmann, Bettina Ginsberg, Roger Girod<\/p>\n

Katharina Gohl, Anna-Katharina Graf, Kathrin Graf<\/p>\n

Ivo Haag, Jonas C. Haefeli, Viviane Hasler<\/p>\n

Edu Haubensak, Doris Hauser, Fritz Hauser<\/p>\n

Ruedi H\u00e4usermann, Hanna Helfenstein, Horst Hildebrandt<\/p>\n

Christian Hilz, Jeannine Hirzel, Beat Hofstetter<\/p>\n

Christoph Homberger, Raphael Immoos, Markus Jans<\/p>\n

Mischa Kaeser, Eriko Kagawa, Vera Kappeler<\/p>\n

Christoph Keller, Max E. Keller, Simone Keller<\/p>\n

Burkhard Kinzler, Michael Kleiser, Christian Kobi<\/p>\n

Canan Kocaay, Tamriko Kordzaia, Niklaus Kost<\/p>\n

Herbert Kramis, Hanspeter Kriesi, Anne-May Kr\u00fcger<\/p>\n

Jojo Kunz, Annette Labusch, Mat\u00edas Lanz<\/p>\n

Leslie Leon, Heinrich M\u00e4tzener, Delia Mayer<\/p>\n

Thomas Meyer, Roland Moser, Moritz M\u00fcllenbach<\/p>\n

Marie-Louise M\u00fcller Choquard, Martin Neukom, Lucas Niggli<\/p>\n

Anne-Catherine de Perrot, Stefka Perifanova, Peter Reidemeister<\/p>\n

Felix Renggli, Nicola Roman\u00f2, Petra Ronner<\/p>\n

Michel Roth, Johannes R\u00fchl, Bettina Ruf<\/p>\n

Edward Rushton, Nina Sahdeva, Claudine Saner<\/p>\n

Urs Saner, Evangelos Sarafianos, Tobias Schabenberger<\/p>\n

Sir Andr\u00e1s Schiff, Isabelle Schn\u00f6ller, Oliver Schnyder<\/p>\n

Muriel Schwarz, Meinrad Schweizer, Yuuko Shiokawa<\/p>\n

Peter Siegwart, Rahel Sohn, Peter R. Solomon<\/p>\n

Bruno Spoerri, Eleonor St\u00e4hli, Jacques St\u00e4hli<\/p>\n

Urs St\u00e4uble, Egidius Streiff, Monica Thommy<\/p>\n

Germ\u00e1n Toro P\u00e9rez, Balz Tr\u00fcmpy, Saadet T\u00fcrk\u00f6z<\/p>\n

Nina Ulli, Christoph Ullmann, Petra Vahle<\/p>\n

Katharina Weber, Urs Weibel, Andreas Werner<\/p>\n

Peter Wettstein, Maki Wiederkehr, Helena Winkelmann<\/p>\n

Ren\u00e9 Wohlhauser, Maria Wolff, Alfred Zimmerlin, Samuel Z\u00fcnd<\/p>\n

 <\/p>\n

Scarica il PDF della lettera originale<\/a><\/h3>\n
\"\"
Immagine: SMZ<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

130 persone, soprattutto del mondo della musica, hanno firmato una lettera aperta in merito al voto su
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