{"id":31751,"date":"2026-03-26T09:00:20","date_gmt":"2026-03-26T08:00:20","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=31751"},"modified":"2026-06-04T09:44:05","modified_gmt":"2026-06-04T07:44:05","slug":"numero-2-2026-focus-opinion","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/smz\/2026\/03\/numero-2-2026-focus-opinion","title":{"rendered":"Edizione 2\/2026, focus sull'opinione\u00ab"},"content":{"rendered":"<figure id=\"attachment_31762\" aria-describedby=\"caption-attachment-31762\" style=\"width: 2362px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-31762 size-full\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg\" alt=\"\" width=\"2362\" height=\"1688\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26.jpg 1399w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-300x214.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1024x732.jpg 1024w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-768x549.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1536x1098.jpg 1536w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-2048x1464.jpg 2048w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-245x175.jpg 245w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-490x350.jpg 490w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1119x800.jpg 1119w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-920x657.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/03\/Titel_Inhalt_2-26-1400x1001.jpg 1400w\" sizes=\"auto, (max-width: 2362px) 100vw, 2362px\" \/><figcaption id=\"caption-attachment-31762\" class=\"wp-caption-text\">Estelle Revaz intervistata a Palazzo federale. Foto: Holger Jacob<\/figcaption><\/figure>\n<h3>Indice dei contenuti<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><b>Artisti - mecenati culturali dell'azienda<\/b><b><span style=\"font-family: 'Arial',sans-serif;\">\u200a<\/span>?<br \/>\n<\/b>Intervista a Estelle Revaz, la prima musicista professionista a essere eletta al Consiglio nazionale. Rappresenta il Partito socialista ginevrino e sta anche perseguendo una carriera internazionale come violoncellista. <b><\/b><\/p>\n<p><em><strong>Pop e populismo<\/strong><\/em><br \/>\n<em>Alla politica piace utilizzare messaggi musicali di forte impatto, a volte anche contro la volont\u00e0 degli artisti. \u00c8 populista presentarsi come un ribelle cavalcando l'onda del grande pubblico.<\/em><\/p>\n<p><strong>Fanfares valaisannes - patrimonio politico e storia <\/strong><br \/>\nIn Vallese, le bande di ottoni sono state a lungo associate a un orientamento politico e questo ha contribuito al loro successo.<\/p>\n<p><em><strong>Alcune zone d'ombra nella storia della musica <\/strong><\/em><br \/>\n<em>Le affinit\u00e0 politiche di alcune grandi figure della vita musicale svizzera del XX secolo sono ben lungi dall'essere state pienamente chiarite. Continuano ad emergere rivelazioni poco brillanti, soprattutto per quanto riguarda gli anni della dittatura nazista. \u00c8 il caso dell'emblematico mecenate delle arti, Werner Reinhart.<\/em><\/p>\n<p><em>(In corsivo: riassunti francesi di articoli tedeschi)<\/em><\/p>\n<h3>Recensioni<\/h3>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/categorie\/critiques\/\">Nuovi libri, album e spartiti<\/a><\/p>\n<h3><strong>Eco\u00a0<\/strong><\/h3>\n<p><em>(Lo spazio disponibile nell'edizione cartacea non \u00e8 sufficiente per tutto ci\u00f2 che desideriamo pubblicare. In questo indice sono elencati anche gli articoli che compaiono solo online o di cui l'edizione cartacea contiene solo un estratto. La maggior parte di questi articoli \u00e8 stata pubblicata prima dell'edizione cartacea).<\/em><\/p>\n<p><strong>Una torre per il mondo distrutta<\/strong><br \/>\nDa molti anni Daniel Schnyder \u00e8 affascinato dalle connessioni tra strumenti e tradizioni musicali in tutta Europa. Nei corsi di Hirschmann-Meisterkursen ha approfondito le sue conoscenze con i musicisti.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/news\/personen\/2026\/03\/100-jahre-caspar-diethelm\" target=\"_blank\" rel=\"noopener\"><strong>100 anni di Caspar Diethelm<\/strong><\/a><br \/>\nIn occasione del suo giubileo, il pianista Patrizio Mazzola si impegna insieme ad altri musicisti e musiciste per la commemorazione di un'eccezionale qualit\u00e0 artistica e delle sue opere.<\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/entretien\/2026\/03\/quand-le-classique-decoiffe\/\" target=\"_blank\" rel=\"noopener\"><strong>Quando la musica classica ti toglie il vento dalle vele<\/strong><\/a><br \/>\nUn vibrante ecosistema culturale, la serie M Classics \u00e8 pi\u00f9 audace che mai con una svolta di 180\u00b0. Intervista con il suo direttore artistico, Mischa Damev.<\/p>\n<p><strong>Omaggio musicale alle vittime di Crans-Montana<br \/>\n<\/strong>Il 29 gennaio, presso la Rosey Concert Hall di Rolle, si \u00e8 tenuto un concerto in omaggio alle vittime della tragedia avvenuta a Crans-Montana all'inizio dell'anno.\u00a0<strong><br \/>\n<\/strong><\/p>\n<p><strong>Il piano di studi \u00e8 stato completato?<\/strong><br \/>\nCome si pu\u00f2 migliorare l'insegnamento della musica nella scuola elementare? Bernhard Suter, mentore e docente di didattica della musica presso la P\u00e4dagogischen Hochschule Z\u00fcrich, ha preparato un'analisi.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/die-energie-eines-orchesters\" target=\"_blank\" rel=\"noopener\"><strong>L'energia degli orchestrali<\/strong><\/a><br \/>\nLa Kammerorchester di Basilea ha presentato un trio al Tinguely-Museum, con l'obiettivo di far conoscere la Nachhaltigkeit. \u00abUnter Strom\u00bb presenta una storia musicale in speedrun, con molte domande e poche risposte.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/pgm-sparen-im-nebel\" target=\"_blank\" rel=\"noopener\"><strong>Sparen im Nebel<\/strong><\/a><br \/>\nNel corso del Treffen der Parlamentarischen Gruppe Musik vom 4. M\u00e4rz wurden die m\u00f6glichen Auswirkungen des \u00abEntlastungspakets 27\u00bb auf die Musikbranche er\u00f6rtert. Questo pacchetto, scelto dagli appassionati di musica, \u00e8 stato oggetto di grande attenzione, con conseguenze inusuali.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/amerika-schwerpunkt-beim-lucerne-festival\" target=\"_blank\" rel=\"noopener\"><strong>Amerika-Schwerpunkt al Festival di Lucerna<\/strong><\/a><br \/>\nSebastian Nordmann ha annunciato il suo primo programma estivo. Il Festival sar\u00e0 sempre pi\u00f9 importante, perch\u00e9 il tema \u00e8 molto complesso, ma non \u00e8 ancora stato compreso.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/jerusalem-im-zentrum\" target=\"_blank\" rel=\"noopener\"><strong>Gerusalemme nel centro<\/strong><\/a><br \/>\nIl f\u00fcnft\u00e4gige Kammermusik-Festival Mizmorim si \u00e8 svolto a Basilea alla fine di gennaio all'insegna di incontri interculturali. Interpreti ed ensemble di fama come il Quartetto Gringolts, il klarinettista Reto Bieri e il flautista Ariel Zuckermann hanno garantito l'eccellenza musicale.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/03\/die-verzweifelte-lust-an-der-apokalypse\" target=\"_blank\" rel=\"noopener\"><strong>La lussuria dell'Apocalisse<\/strong><\/a><br \/>\nLa Z\u00fcrcher Opernhaus mostra<em> Il paradiso dei mostri<\/em>. Gemeinsam mit Elfriede Jelinek hat die \u00d6sterreicherin Olga Neuwirth eine h\u00f6chst aktuelle Oper geschaffen, in der sie die Ungeheuer der Gegenwart aufeinander losl\u00e4sst.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/02\/ein-festival-wird-umgebaut\" target=\"_blank\" rel=\"noopener\"><strong>Un festival da non perdere<\/strong><\/a><br \/>\nA Locarno, il nuovo Ascona Music Festival \u00e8 stato lanciato a met\u00e0 gennaio. Kein Stein bleibt auf dem anderen: Aus Francesco Piemontesis K\u00fcnstlerfestival Settimane musicali wird der kulturelle Event \u00abclassicAscona\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Base<\/strong><\/h3>\n<p>Articoli e notizie dalle associazioni<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conferenza delle universit\u00e0 svizzere di musica (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Schweizer Musikrat (SMR) \/ Consiglio svizzero della musica (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Associazione Svizzera di Medicina Musicale (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Schweizerische Musikforschende Gesellschaft (SMG) \/ Societ\u00e0 svizzera di musicologia (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikerverband (SMV) \/ Unione Svizzera dei Musicisti (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Societ\u00e0 svizzera di pedagogia musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musikschaffende Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Kultur<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Societ\u00e0 dei musicisti e dei lettori di musica<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Verband Musikschulen Schweiz (VMS) \/ Associazione svizzera delle scuole di musica (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Impegnato e sordo<br \/>\n<\/strong>L'indovinello di Pia Schwab<\/p>\n<p>________________________________________<\/p>\n<p><strong><a href=\"mailto:contact@musikzeitung.ch\">Ordinate questo numero per CHF 12.- (+ CHF 2.- di spese postali)<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Table des mati\u00e8res Focus Les artistes \u2013 m\u00e9c\u00e8nes culturels de la soci\u00e9t\u00e9\u200a? Entretien avec Estelle Revaz, premi\u00e8re musicienne professionnelle \u00e9lue au Conseil national. Elle repr\u00e9sente le Parti socialiste genevois et poursuit en parall\u00e8le une carri\u00e8re internationale de violoncelliste. Pop et populisme La politique aime se servir de messages musicaux percutants, parfois m\u00eame contre la volont\u00e9 [&hellip;]<\/p>\n","protected":false},"author":36252,"featured_media":31762,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2352,2353,2358,1938,2354,2355,2341,2351,1901,1745,2356,2357,2359,2360],"class_list":["post-31751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-caspar-diethelm","tag-daniel-schnyder","tag-ecole-de-musique","tag-estelle-revaz","tag-fanfares-valaisannes","tag-fiona-stevens","tag-mischa-damev","tag-musique-de-cuivres","tag-musique-populaire","tag-othmar-schoeck","tag-politique-musicale","tag-populisme","tag-silke-gang","tag-werner-reinhart"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Num\u00e9ro 2\/2026, focus \u00ab\u00a0 opinion \u00bb - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2026\/03\/numero-2-2026-focus-opinion\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Num\u00e9ro 2\/2026, focus \u00ab\u00a0 opinion \u00bb - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Table des mati\u00e8res Focus Les artistes \u2013 m\u00e9c\u00e8nes culturels de la soci\u00e9t\u00e9\u200a? 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