{"id":34567,"date":"2026-08-24T10:37:46","date_gmt":"2026-08-24T08:37:46","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34567"},"modified":"2026-08-24T10:38:18","modified_gmt":"2026-08-24T08:38:18","slug":"top-2-le-violon","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2026\/08\/top-2-le-violon","title":{"rendered":"Top 3: il violino"},"content":{"rendered":"<p class=\"p1\"><b>Il violino \u00e8 da tempo uno degli strumenti preferiti nelle scuole di musica.<span class=\"Apple-converted-space\">\u00a0 <\/span>Per quali motivi? Cosa ne pensi? <\/b><b><\/b><\/p>\n<p class=\"p1\">A mio avviso, uno dei motivi \u00e8 la possibilit\u00e0 di suonare in un ensemble o in un\u2019orchestra. Si pu\u00f2 praticare non solo a casa nella propria cameretta, ma anche in compagnia di amici e amiche, oppure far parte di una grande orchestra e suonare magari in una grande sala.<\/p>\n<p class=\"p1\"><b>Quanto tempo ci vuole prima che un bambino possa suonare in un\u2019orchestra?<\/b><b><\/b><\/p>\n<p class=\"p1\">Al conservatorio abbiamo sviluppato un progetto orchestrale parallelamente alle lezioni individuali, per consentire ai bambini di iniziare fin da piccoli. Queste lezioni d\u2019orchestra sono gratuite: vengono offerte dalla scuola senza che le famiglie debbano pagare alcun supplemento, il che le rende naturalmente pi\u00f9 accessibili. Proponiamo inoltre corsi collettivi in cui i bambini hanno la possibilit\u00e0 di sperimentare il suono d\u2019insieme, prima all\u2019unisono, poi a due voci e cos\u00ec via.<\/p>\n<p class=\"p1\"><b>Cosa ti ha spinto a scegliere il violino?<\/b><b><\/b><\/p>\n<p class=\"p1\">Non ricordo pi\u00f9 esattamente. Mi \u00e8 piaciuto molto il suono. Non \u00e8 stato cos\u00ec facile, perch\u00e9 i miei genitori provengono da una famiglia di avvocati da generazioni e partivano dal presupposto che anche la loro figlia avrebbe seguito un percorso di studi serio \u2013 suonare il violino non era proprio una cosa seria (ride).<\/p>\n<p class=\"p1\">La cosa divertente \u00e8 che, qualche anno dopo aver iniziato a insegnare, mio zio mi ha chiamata per dirmi che aveva trovato un violino in un armadio a casa di mia nonna e mi ha chiesto se volevo tenerlo. \u00c8 uno strumento fantastico. Ho studiato a Milano, poi ho iniziato a insegnare a Lugano, e mi \u00e8 piaciuto molto. Era un ambiente che mi permetteva di continuare ad imparare parallelamente al mio lavoro.<\/p>\n<p class=\"p1\"><b>Secondo te, qual \u00e8 l\u2019et\u00e0 ideale per iniziare a suonare il violino?<\/b><b><\/b><\/p>\n<p class=\"p1\">Non credo che esista un\u2019et\u00e0 ideale. Quando si lavora con bambini molto piccoli, \u00e8 fondamentale che i genitori offrano il loro sostegno, ricordino al bambino di fare gli esercizi e lo accompagnino in questo percorso. In linea di massima, un bambino pu\u00f2 iniziare gi\u00e0 a tre o quattro anni, ne ho avuto esperienza in prima persona. Quando inizio con un bambino di otto anni, l\u2019insegnamento e l\u2019approccio cambiano completamente. Il sostegno della famiglia rimane molto importante, ma \u00e8 altrettanto importante lasciare che il bambino diventi progressivamente autonomo. I genitori possono riservargli uno spazio adeguato per esercitarsi, assicurandosi che il violino sia sempre a portata di mano.<\/p>\n<p class=\"p1\">Anche l\u2019insegnamento agli adulti \u00e8 diverso. Uno dei miei primi allievi aveva gi\u00e0 sessant\u2019anni, aveva lavorato tutta la vita con le mani e non riusciva pi\u00f9 a piegare l\u2019indice. In seguito, ha suonato il violino con passione per vent\u2019anni. A volte sento dire che il violino sia uno strumento molto difficile da suonare. \u00c8 un luogo comune, ma sono convinta che non sia vero.<\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-34566\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217.jpg\" alt=\"\" width=\"667\" height=\"1000\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217.jpg 667w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-200x300.jpg 200w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-683x1024.jpg 683w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-768x1151.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-1025x1536.jpg 1025w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-8x12.jpg 8w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-117x175.jpg 117w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-234x350.jpg 234w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-534x800.jpg 534w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-920x1379.jpg 920w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217-300x450.jpg 300w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/p>\n<p>Foto: Gabi Pavanello<\/p>","protected":false},"excerpt":{"rendered":"<p>Anna Modesti \u00e8 violinista e docente di musica presso il Conservatorio della Svizzera italiana (CSI) di Lugano. Da anni insegna violino a bambini e adulti e ha anche avviato un progetto orchestrale.<\/p>","protected":false},"author":21891,"featured_media":34566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[56],"tags":[],"class_list":["post-34567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asem"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top 3: le violon - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2026\/08\/top-2-le-violon\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Top 3: le violon - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Anna Modesti est violoniste et professeure de musique au Conservatorio della Svizzera italiana (CSI) \u00e0 Lugano. Elle y enseigne depuis des ann\u00e9es le violon \u00e0 des enfants et des adultes, et a \u00e9galement lanc\u00e9 un projet d\u2019orchestre.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/basis\/asem\/2026\/08\/top-2-le-violon\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-24T08:37:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-24T08:38:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/C2A2217.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"667\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anicia Kohler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anicia Kohler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon\"},\"author\":{\"name\":\"Anicia Kohler\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/e4ba37136bd24461e8c7874590a4762f\"},\"headline\":\"Top 3: le violon\",\"datePublished\":\"2026-08-24T08:37:46+00:00\",\"dateModified\":\"2026-08-24T08:38:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon\"},\"wordCount\":568,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/C2A2217.jpg\",\"articleSection\":[\"ASEM\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/basis\\\/asem\\\/2026\\\/08\\\/top-2-le-violon\",\"name\":\"Top 3: le violon - 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