{"id":34580,"date":"2026-08-27T09:00:46","date_gmt":"2026-08-27T07:00:46","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34580"},"modified":"2026-08-27T13:24:36","modified_gmt":"2026-08-27T11:24:36","slug":"numero-4-2026-focus-generations","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/smz\/2026\/08\/numero-4-2026-focus-generations","title":{"rendered":"Numero 4\/2026 \u2013 approfondimento \u00abgenerazioni\u00bb"},"content":{"rendered":"<h3><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-74991\" src=\"https:\/\/www.musikzeitung.ch\/wp-content\/uploads\/2026\/08\/SMZ_online_Cover_4_26.jpg\" alt=\"\" width=\"1375\" height=\"1000\" \/><\/h3>\n<h3>Indice dei contenuti<\/h3>\n<h3><strong>Focus<\/strong><\/h3>\n<p><em><strong>A cavallo tra due generazioni<\/strong><\/em><br \/>\n<em>Intervista. Ilva Eigus era gi\u00e0 considerata una star quando era ancora minorenne. Nata nel 2007 a Zurigo, ci racconta come si trova, nel suo lavoro, a interagire con musicisti d\u2019orchestra pi\u00f9 anziani e un pubblico dai capelli brizzolati \u2013 oltre che con suo padre e collaboratore occasionale, il pianista Nik B\u00e4rtsch.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chitarre e DJ in tourn\u00e9e nelle case di riposo<br \/>\n<\/strong>Il giovane gruppo vodese L\u00e9a &amp; the Lions porta avanti da due anni un progetto insolito: far ballare gli anziani.<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>La curiosa evoluzione dei gusti musicali<\/strong><\/em><br \/>\n<em>Da tempo, le opinioni divergono tra le diverse generazioni riguardo all\u2019interesse che si pu\u00f2 nutrire per le ultime tendenze musicali. Ma anche sotto questo aspetto, Internet ha provocato un cambiamento radicale.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Verso nuovi orizzonti<br \/>\n<\/strong>Un articolo che ci riguarda da vicino: la RMS sta attraversando un periodo di profonda trasformazione. Il redattore Jean-Damien Humair ripercorre la sua lunga collaborazione con la caporedattrice Katrin Spelinova e la redattrice Pia Schwab, entrambe in procinto di andare in pensione.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chat: Phanee e Laurent parlano della loro relazione<br \/>\n<\/strong>La cantante Phanee de Pool parla con suo padre, che \u00e8 anche il suo manager. Tra vita professionale e vita familiare.<\/p>\n<p><em>(In corsivo: riassunti francesi di articoli tedeschi)<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>Recensioni<\/h3>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/categorie\/critiques\/\">Nuovi libri, album e spartiti<\/a><\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Eco\u00a0<\/strong><\/h3>\n<p><em>(Lo spazio disponibile nell'edizione cartacea non \u00e8 sufficiente per tutto ci\u00f2 che desideriamo pubblicare. In questo indice sono elencati anche gli articoli che compaiono solo online o di cui l'edizione cartacea contiene solo un estratto. La maggior parte di questi articoli \u00e8 stata pubblicata prima dell'edizione cartacea).<\/em><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/06\/ende-und-anfang-in-der-kartause\"><strong>Fine e inizio nella Certosa di Ittingen <\/strong><\/a><br \/>\nLa trentesima edizione dei Concerti di Pentecoste di Ittingen, tenutasi dal 22 al 25 maggio 2026, era incentrata sul tema del \u00absmettere\u00bb. \u2013 Sulla prima edizione del festival sotto la direzione artistica di Reto Bieri e sulla verticalit\u00e0 nell\u2019esperienza musicale.<\/p>\n<p><strong>Dal balletto delle balene agli incendi, l\u2019Antropocene infiamma Verbier<\/strong><br \/>\nLa maestosa serenit\u00e0 della montagna ci trasporta in un senso di eternit\u00e0, di immutabilit\u00e0. Eppure, nel pieno del cambiamento climatico, la montagna soffre, i ghiacciai si sciolgono e questa estate rovente ci soffoca in ogni angolo del mondo. Il concerto del primo agosto \u00abVoice of nature; the Anthropocene\u00bb ne \u00e8 l\u2019eco.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/07\/schweizer-klaenge-am-vilnius-festival\"><strong>Suoni svizzeri al Festival di Vilnius<\/strong><\/a><br \/>\nTra i due piccoli paesi, la Lituania e la Svizzera, esistono legami sorprendentemente numerosi. Ci\u00f2 \u00e8 emerso chiaramente anche durante l\u2019edizione di quest\u2019anno del Festival di Vilnius.<\/p>\n<p><a href=\"https:\/\/www.revuemusicale.ch\/it\/compte-rendu\/2026\/08\/a-montreux-80-septembres-en-musique\/\"><strong>A Montreux, 80 settembre all\u2019insegna della musica<\/strong><\/a><br \/>\n\u00c8 uno dei festival di musica classica pi\u00f9 antichi della Svizzera. Il \u00abSeptembre Musical\u00bb festeggia a Montreux il suo 80\u00b0 anniversario, tra nuove scoperte e valori consolidati, sotto la guida ispirata di Mischa Damev.<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/berichte\/2026\/06\/das-schoepferische-erproben\"><strong>Sperimentare la creativit\u00e0<\/strong><\/a><br \/>\nAlla fine di maggio, presso lo Stellwerk di Basilea, si \u00e8 tenuto per la prima volta l\u00ab\u00bbAtelier Cr\u00e9ation\u00bb, un piccolo festival ideato dall\u2019Accademia di musica di Basilea e dedicato alla creativit\u00e0, al confine tra dilettantismo e professionalit\u00e0.<\/p>\n<h3><strong>Base<\/strong><\/h3>\n<p>Articoli e notizie dalle associazioni<\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/musikalische-bildung\" target=\"_blank\" rel=\"noopener\">Formazione musicale Svizzera<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/kmhs\" target=\"_blank\" rel=\"noopener\">Konferenz Musikhochschulen Schweiz (KMHS) \/ Conferenza delle universit\u00e0 svizzere di musica (CHEMS)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smr\/\" target=\"_blank\" rel=\"noopener\">Schweizer Musikrat (SMR) \/ Consiglio svizzero della musica (CSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smm\/\" target=\"_blank\" rel=\"noopener\">Swissmedmusica (SMM) \/ Associazione Svizzera di Medicina Musicale (SMM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smg\/\" target=\"_blank\" rel=\"noopener\">Schweizerische Musikforschende Gesellschaft (SMG) \/ Societ\u00e0 svizzera di musicologia (SSM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikerverband (SMV) \/ Unione Svizzera dei Musicisti (USDAM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/smpv\/\" target=\"_blank\" rel=\"noopener\">Schweizerischer Musikp\u00e4dagogischer Verband (SMPV) \/ Societ\u00e0 svizzera di pedagogia musicale (SSPM)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sonart\/\" target=\"_blank\" rel=\"noopener\">SONART - Musikschaffende Schweiz<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/sjmw\/\" target=\"_blank\" rel=\"noopener\">Stiftung Schweizerischer Jugendmusikwettbewerb (SJMW)<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/arosa-kultur\/\" target=\"_blank\" rel=\"noopener\">Arosa Kultur<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/suisa\/\" target=\"_blank\" rel=\"noopener\">SUISA - Societ\u00e0 dei musicisti e dei lettori di musica<\/a><\/p>\n<p><a href=\"https:\/\/www.musikzeitung.ch\/basis\/vms\/\" target=\"_blank\" rel=\"noopener\">Verband Musikschulen Schweiz (VMS) \/ Associazione svizzera delle scuole di musica (ASEM)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Il peso delle generazioni<br \/>\n<\/strong>L'indovinello di Chris Walton<\/p>\n<p>________________________________________<\/p>\n<p><strong><a href=\"mailto:contact@musikzeitung.ch\">Ordinate questo numero per CHF 12.- (+ CHF 2.- di spese postali)<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Table des mati\u00e8res Focus A cheval entre deux g\u00e9n\u00e9rations Interview. Ilva Eigus \u00e9tait d\u00e9j\u00e0 consid\u00e9r\u00e9e comme une star alors qu\u2019elle \u00e9tait encore mineure. N\u00e9e en 2007 \u00e0 Zurich, elle nous confie comment elle s\u2019entend, dans son m\u00e9tier, avec des musiciens d\u2019orchestre plus \u00e2g\u00e9s et un public aux cheveux grisonnants \u2013 ainsi qu\u2019avec son p\u00e8re et [&hellip;]<\/p>\n","protected":false},"author":36252,"featured_media":34581,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1565],"tags":[2401,2400,2402,2403,2404,2405,2406,2407,2398,1983,2408,2409,2410,2411,2412],"class_list":["post-34580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-smz","tag-atelier-creation","tag-ems","tag-generations","tag-ilva-eigus","tag-kartause-ittingen","tag-katrin-spelinova","tag-laurent-de-pool","tag-lea-the-lions","tag-montreux","tag-phanee-de-pool","tag-pia-schwab","tag-pop","tag-rolling-stones","tag-verbier-festival","tag-vilnius-festival"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Num\u00e9ro 4\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2026\/08\/numero-4-2026-focus-generations\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Num\u00e9ro 4\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Table des mati\u00e8res Focus A cheval entre deux g\u00e9n\u00e9rations Interview. Ilva Eigus \u00e9tait d\u00e9j\u00e0 consid\u00e9r\u00e9e comme une star alors qu\u2019elle \u00e9tait encore mineure. N\u00e9e en 2007 \u00e0 Zurich, elle nous confie comment elle s\u2019entend, dans son m\u00e9tier, avec des musiciens d\u2019orchestre plus \u00e2g\u00e9s et un public aux cheveux grisonnants \u2013 ainsi qu\u2019avec son p\u00e8re et [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/smz\/2026\/08\/numero-4-2026-focus-generations\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-27T07:00:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-27T11:24:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/SMZ_online_Cover_4_26.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1375\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jean Damien Humair\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jean Damien Humair\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\"},\"author\":{\"name\":\"Jean Damien Humair\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/1b30ea7776e9b81b23463f6dc0e62de1\"},\"headline\":\"Num\u00e9ro 4\\\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb\",\"datePublished\":\"2026-08-27T07:00:46+00:00\",\"dateModified\":\"2026-08-27T11:24:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\"},\"wordCount\":655,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/SMZ_online_Cover_4_26.jpg\",\"keywords\":[\"Atelier Cr\u00e9ation\",\"EMS\",\"G\u00e9n\u00e9rations\",\"Ilva Eigus\",\"Kartause Ittingen\",\"Katrin Spelinova\",\"Laurent de Pool\",\"L\u00e9a &amp; the Lions\",\"Montreux\",\"Phanee de Pool\",\"Pia Schwab\",\"Pop\",\"Rolling Stones\",\"Verbier Festival\",\"Vilnius Festival\"],\"articleSection\":[\"SMZ\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/smz\\\/2026\\\/08\\\/numero-4-2026-focus-generations\",\"name\":\"Num\u00e9ro 4\\\/2026 \u2013 focus \u00ab\u00a0g\u00e9n\u00e9rations\u00a0\u00bb - 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