{"id":34589,"date":"2026-08-28T12:23:52","date_gmt":"2026-08-28T10:23:52","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34589"},"modified":"2026-08-31T11:21:59","modified_gmt":"2026-08-31T09:21:59","slug":"adolf-reichel-un-epigone-sans-complexes","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes","title":{"rendered":"Adolf Reichel, un epigono senza complessi"},"content":{"rendered":"
\"\"
Il compositore Adolf Reichel. Foto: Schweizer Fonogramm<\/figcaption><\/figure>\n

Mentre i geni creativi stravolgono le convenzioni, ridefiniscono l\u2019essenza della loro arte e ne rinnovano il linguaggio, artisti pi\u00f9 modesti fioriscono alla loro ombra, felici di seguire i sentieri tracciati dai propri modelli, di avvalersi del loro linguaggio e di muoversi \u2013 per e con il pubblico \u2013 in un terreno conosciuto. Sarebbe ingiusto disprezzarli e sottovalutare il ruolo che svolgono nella diffusione delle correnti artistiche, indispensabile prima della comparsa delle tecniche di registrazione, riproduzione e trasmissione.<\/p>\n

Adolf Reichel (1816-1896), direttore titolare dell\u2019Orchestra Sinfonica di Berna e del Conservatorio di Berna per oltre vent\u2019anni, fu uno di quegli artisti che seppe utilizzare con talento e disinvoltura il linguaggio della fine dell\u2019epoca classica e del primo romanticismo. Dopo aver studiato a Berlino e a Dresda, dove si ispir\u00f2 a Mendelssohn e a Carl Maria von Weber, visse a Parigi, dove si immerse nell\u2019opera di Chopin e Rossini.<\/p>\n

Ogni movimento, ogni tema, ogni transizione dimostrano quanto Reichel amasse e ammirasse questi compositori, oltre agli imprescindibili Mozart e Beethoven, e quanto utilizzasse con convinzione i loro schemi e i loro strumenti. Le sue idee non sono certo nuove, ma sono formulate con chiarezza e combinate abilmente, e cos\u00ec tutto suona bene, tutto \u00e8 giusto e \u00abal posto giusto\u00bb; le sue opere sono convenzionali nel senso migliore del termine, evidentemente per scelta e non per mancanza di alternative.<\/p>\n

Questo conservatorismo disinvolto \u00e8 del resto tanto pi\u00f9 degno di nota in quanto Reichel era politicamente progressista e fu, per tutta la vita, legato da un\u2019amicizia con Bakunin.<\/p>\n

Uno stile a met\u00e0 strada tra il giovane Beethoven e Weber<\/h3>\n

I manoscritti di Reichel, scomparsi da oltre cento anni, sono stati recentemente riscoperti e ne \u00e8 iniziata la pubblicazione:<\/p>\n

Benjamin Engeli (pianoforte) e Bernhard R\u00f6thlisberger (clarinetto) presentano due sonate per clarinetto e pianoforte, in uno stile a met\u00e0 strada tra il giovane Beethoven e Carl Maria von Weber, al limite stesso del pastiche, oltre a una Mazurka<\/em> e un Preludio e fuga<\/em> per pianoforte, incantevoli omaggi a Chopin e Bach, in un CD di elevata qualit\u00e0 musicale e tecnica.<\/p>\n

L\u2019Orchestra Sinfonica di Berna, diretta da Christoph-Mathias Mueller, ha registrato le due sinfonie che Reichel ha portato a termine, con brio e grande attenzione ai dettagli. La registrazione \u00e8 musicalmente raffinata e tecnicamente perfetta, a volte quasi fin troppo levigata, il che, in definitiva, si adatta bene al carattere del compositore.<\/p>\n

I due CD sono ben documentati e offrono \u2013 anche in francese \u2013 una buona base informativa sulla vita e l\u2019opera di Adolf Reichel.<\/p>\n

\"\"\"\"<\/p>\n

Adolf Reichel: Sonate e miniature. Bernhard R\u00f6thlisberger, clarinetto; Benjamin Engeli, pianoforte. Schweizer Fonogramm SF0021<\/em><\/p>\n

Adolf Reichel: Sinfonie n. 1 e 2. Orchestra Sinfonica di Berna; Christoph-Mathias Mueller, direzione. Schweizer Fonogramm SF0023<\/em><\/p>","protected":false},"excerpt":{"rendered":"

L'etichetta Schweizer Fonogramm propone registrazioni di alta qualit\u00e0 delle Sinfonie n. 1 e n. 2, oltre a brani per clarinetto e pianoforte di questo compositore finora poco conosciuto. <\/p>","protected":false},"author":36265,"featured_media":34595,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2421],"class_list":["post-34589","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-adolf-reichel"],"acf":[],"yoast_head":"\nAdolf Reichel, un \u00e9pigone sans complexes - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Adolf Reichel, un \u00e9pigone sans complexes - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Le label Schweizer Fonogramm propose des enregistrements de grande qualit\u00e9 des Symphonies n\u00b0 1 et 2 ainsi que des \u0153uvres pour clarinette et piano de ce compositeur jusqu\u2019ici peu connu.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-08-28T10:23:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-31T09:21:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"660\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"fabian.renz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"fabian.renz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes\"},\"author\":{\"name\":\"fabian.renz\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\"},\"headline\":\"Adolf Reichel, un \u00e9pigone sans complexes\",\"datePublished\":\"2026-08-28T10:23:52+00:00\",\"dateModified\":\"2026-08-31T09:21:59+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes\"},\"wordCount\":500,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/AdolfReichel.jpg\",\"keywords\":[\"Adolf Reichel\"],\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes\",\"name\":\"Adolf Reichel, un \u00e9pigone sans complexes - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/AdolfReichel.jpg\",\"datePublished\":\"2026-08-28T10:23:52+00:00\",\"dateModified\":\"2026-08-31T09:21:59+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/AdolfReichel.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/08\\\/AdolfReichel.jpg\",\"width\":660,\"height\":1000,\"caption\":\"Image\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/disques\\\/2026\\\/08\\\/adolf-reichel-un-epigone-sans-complexes#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Adolf Reichel, un \u00e9pigone sans complexes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\",\"name\":\"fabian.renz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"caption\":\"fabian.renz\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/fabian-renz\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Adolf Reichel, un epigono senza complessi - Rivista musicale svizzera","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes\/","og_locale":"it_IT","og_type":"article","og_title":"Adolf Reichel, un \u00e9pigone sans complexes - Revue Musicale Suisse","og_description":"Le label Schweizer Fonogramm propose des enregistrements de grande qualit\u00e9 des Symphonies n\u00b0 1 et 2 ainsi que des \u0153uvres pour clarinette et piano de ce compositeur jusqu\u2019ici peu connu.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-08-28T10:23:52+00:00","article_modified_time":"2026-08-31T09:21:59+00:00","og_image":[{"width":660,"height":1000,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg","type":"image\/jpeg"}],"author":"fabian.renz","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"fabian.renz","Tempo di lettura stimato":"4 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes"},"author":{"name":"fabian.renz","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b"},"headline":"Adolf Reichel, un \u00e9pigone sans complexes","datePublished":"2026-08-28T10:23:52+00:00","dateModified":"2026-08-31T09:21:59+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes"},"wordCount":500,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg","keywords":["Adolf Reichel"],"articleSection":["Critiques","Disques"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes","url":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes","name":"Adolf Reichel, un epigono senza complessi - Rivista musicale svizzera","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg","datePublished":"2026-08-28T10:23:52+00:00","dateModified":"2026-08-31T09:21:59+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/08\/AdolfReichel.jpg","width":660,"height":1000,"caption":"Image"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/disques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Adolf Reichel, un \u00e9pigone sans complexes"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b","name":"fabian.renz","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","caption":"fabian.renz"},"url":"https:\/\/www.revuemusicale.ch\/it\/author\/fabian-renz"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34589","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/36265"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=34589"}],"version-history":[{"count":8,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34589\/revisions"}],"predecessor-version":[{"id":34634,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34589\/revisions\/34634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/34595"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=34589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=34589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=34589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}