{"id":34589,"date":"2026-08-28T12:23:52","date_gmt":"2026-08-28T10:23:52","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34589"},"modified":"2026-08-26T13:49:32","modified_gmt":"2026-08-26T11:49:32","slug":"adolf-reichel-un-epigone-sans-complexes","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/08\/adolf-reichel-un-epigone-sans-complexes","title":{"rendered":"Adolf Reichel, un epigono senza complessi"},"content":{"rendered":"
\"\"
Le compositeur bernois Adolf Reichel. Photo: Schweizer Fonogramm<\/figcaption><\/figure>\n

Alors que les g\u00e9nies cr\u00e9ateurs bousculent les conventions, red\u00e9finissent l\u2019essence de leur art et en renouvellent le langage, des artistes plus modestes fleurissent dans leur ombre, heureux de suivre les chemins trac\u00e9s par leurs mod\u00e8les, de se servir de leur idiome et de se mouvoir \u2013 pour et avec le public \u2013 en terrain connu. Il serait injuste de les m\u00e9priser et de sous-estimer le r\u00f4le qu\u2019ils jouent dans la diffusion des courants artistiques, indispensable avant l\u2019apparition des techniques d\u2019enregistrement, de reproduction et de transmission.<\/p>\n

Adolf Reichel (1816-1896), chef titulaire de l\u2019Orchestre Symphonique de Berne et du Conservatoire de Berne durant plus de vingt ans, fut un de ces artistes qui employa avec talent et aisance le langage de la fin de l\u2019\u00e8re classique et du jeune romantisme. Apr\u00e8s avoir \u00e9tudi\u00e9 \u00e0 Berlin et \u00e0 Dresde, o\u00f9 il s\u2019est impr\u00e9gn\u00e9 de Mendelssohn et de Carl Maria von Weber, il v\u00e9cut \u00e0 Paris, o\u00f9 il respira Chopin et Rossini.<\/p>\n

Chaque mouvement, chaque th\u00e8me, chaque transition montrent combien Reichel aimait et admirait ces compositeurs, ainsi que les incontournables Mozart et Beethoven, et qu\u2019il employait avec conviction leurs moules et leurs outils. Ses id\u00e9es ne sont certainement pas nouvelles, mais elles sont rondement formul\u00e9es et habilement combin\u00e9es, et ainsi tout sonne bien, tout est juste et \u00ab \u00e0 sa place \u00bb ; ses \u0153uvres sont conventionnelles au meilleur sens du terme, manifestement par choix et non par d\u00e9faut.<\/p>\n

Ce conservatisme d\u00e9contract\u00e9 est d\u2019ailleurs d\u2019autant plus remarquable que Reichel \u00e9tait politiquement progressiste et fut, sa vie durant, li\u00e9 d\u2019amiti\u00e9 avec Bakounine.<\/p>\n

Un style \u00e0 cheval entre le jeune Beethoven et Weber<\/h3>\n

Les manuscrits de Reichel, disparus pendant plus de cent ans, furent red\u00e9couverts r\u00e9cemment et leur publication a commenc\u00e9 :<\/p>\n

Benjamin Engeli (piano) et Bernhard R\u00f6thlisberger (clarinette) pr\u00e9sentent deux sonates pour clarinette et piano, dans un style \u00e0 cheval entre le jeune Beethoven et Carl Maria von Weber, \u00e0 la limite m\u00eame du pastiche, ainsi qu\u2019une Mazurka<\/em> et un Pr\u00e9lude et Fugue<\/em> pour piano, r\u00e9v\u00e9rences charmantes \u00e0 Chopin et \u00e0 Bach, sur un CD de haute qualit\u00e9 musicale et technique.<\/p>\n

L\u2019Orchestre Symphonique de Berne, sous la direction de Christoph-Mathias Mueller, a enregistr\u00e9 les deux symphonies que Reichel a achev\u00e9es, avec verve et beaucoup de soin pour le d\u00e9tail. La production est musicalement peaufin\u00e9e et techniquement parfaite, parfois m\u00eame \u00e0 la limite d\u2019\u00eatre trop lisse, ce qui, finalement, correspond bien au caract\u00e8re du compositeur.<\/p>\n

Les deux CD sont bien document\u00e9s et offrent \u2013 en fran\u00e7ais \u00e9galement \u2013 une bonne base d\u2019informations sur la vie et l\u2019\u0153uvre d\u2019Adolf Reichel.<\/p>\n

\"\"\"\"<\/p>\n

Adolf Reichel: Sonaten und Miniaturen. Bernhard R\u00f6thlisberger, Klarinette; Benjamin Engeli, Klavier. Schweizer Fonogramm SF0021<\/em><\/p>\n

Adolf Reichel: Sinfonien Nr. 1 und 2. Berner Symphonieorchester; Christoph-Mathias Mueller, Leitung. Schweizer Fonogramm SF0023<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Le label Schweizer Fonogramm propose des enregistrements de grande qualit\u00e9 des Symphonies n\u00b0 1 et 2 ainsi que des \u0153uvres pour clarinette et piano de ce compositeur jusqu\u2019ici peu connu. <\/p>","protected":false},"author":36265,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[],"class_list":["post-34589","post","type-post","status-publish","format-standard","hentry","category-critiques","category-disques"],"acf":[],"yoast_head":"\nAdolf Reichel, un \u00e9pigone sans complexes - 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