{"id":34710,"date":"2026-10-21T16:00:49","date_gmt":"2026-10-21T14:00:49","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34710"},"modified":"2026-10-21T15:51:02","modified_gmt":"2026-10-21T13:51:02","slug":"melancolies-francaises","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/melancolies-francaises","title":{"rendered":"Malinconie francesi"},"content":{"rendered":"<figure id=\"attachment_34715\" aria-describedby=\"caption-attachment-34715\" style=\"width: 906px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-34715\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg\" alt=\"\" width=\"906\" height=\"566\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1.jpg 906w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-300x187.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-768x480.jpg 768w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-18x12.jpg 18w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-280x175.jpg 280w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/chor-cappella-leonis-gruppe1-1-560x350.jpg 560w\" sizes=\"auto, (max-width: 906px) 100vw, 906px\" \/><figcaption id=\"caption-attachment-34715\" class=\"wp-caption-text\">L'Ensemble Capella Leonis. Foto: Parrocchia cattolica di L\u00f6rrach e Inzlingen<\/figcaption><\/figure>\n<p>Un disco che cerca di ricreare una bolla sonora: quella malinconia che si insinua nelle pagine della musica francese del XVII secolo. Nulla a che vedere con il manifesto filosofico e la passione che l\u2019Inghilterra elisabettiana nutriva per gli umori cupi solo pochi decenni prima, ma l\u2019Ensemble Capella Leonis in questo caso sembra voler mettere in risalto una certa atmosfera sonora.<\/p>\n<p>Nelle note introduttive, Gabriel Garrido spiega anche l\u2019elemento principale utilizzato dai direttori C\u00e9dric Costantino e Philippe Foulon per ottenere questo risultato: la delicatezza nella scelta dei colori, sia nella strumentazione che nelle voci. \u00abScelte insolite, che svelano le pratiche musicali nelle dimore private e il gusto per le fusionali dei ricercatori dell\u2019epoca \u00bb, aggiunge il direttore d\u2019orchestra argentino, e questi colori ci guidano in un percorso di squisita malinconia, intessuto secondo la retorica dei brani strumentali e delle poesie messe in musica da de Grigny, Couperin, du Mont e de Boesset.<\/p>\n<p>Due piccoli esempi di successo in questa dolce malinconia di armonie: gli assoli di chalumeau di Gilles Thom\u00e9 e l\u2019interpretazione nel finale della soprano Marie Najma. Una piccola nota per gli appassionati di musicologia: il disco \u00e8 accompagnato da un ringraziamento all\u2019organista Jean-Luc Perrot, per il suo straordinario lavoro di ricostruzione armonica dell\u2019Ouverture di de Grigny, di cui restava traccia solo nel manoscritto del primo violino dell\u2019orchestra di Lully all\u2019Arsenal \u2013 manoscritto in cui, tra l\u2019altro, si trova anche un secondo soprano per i *Carillons* di Couperin. Ci\u00f2 che \u00e8 degno di nota \u00e8 il lavoro di squadra e il risultato che ne deriva: Jean-Luc Perrot ha offerto la sua armonizzazione, Huguette Gr\u00e9my-Chauliac ha approfondito l\u2019interpretazione armonica nello stile; Costantino ne ha realizzato l\u2019arrangiamento a cinque parti, curandone l\u2019equilibrio sonoro, poi ha chiesto a Thomas Leininger di rivedere la linea melodica attingendo alla sua conoscenza dell\u2019orchestra dell\u2019epoca e di perfezionare il suo lavoro. Il risultato \u00e8 una proposta che restituisce una piacevole visione d\u2019insieme di ci\u00f2 che fu l\u2019opera, ed \u00e8 la prima volta che la ascoltiamo su disco. Il resto dell\u2019opera \u00e8 una selezione di brani molto rari o inediti in registrazione, che scopriamo sotto questa luce speciale, ricca di colori e sfumature grazie alla direzione di C\u00e9dric Costantino, che firma qui un esordio singolare.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-34729 size-medium\" src=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-300x300.jpg 300w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-12x12.jpg 12w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-175x175.jpg 175w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-350x350.jpg 350w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-150x150.jpg 150w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-100x100.jpg 100w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-24x24.jpg 24w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-48x48.jpg 48w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-96x96.jpg 96w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1-250x250.jpg 250w, https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/363912_356023-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><em>Capella Leonis: Ovunque l\u2019amore mi viene a cercare. Indesens Records. IC094<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>L'Ensemble Capella Leonis presenta brani strumentali e poesie messe in musica da Grigny, Couperin, du Mont e de Boesset.<\/p>","protected":false},"author":36265,"featured_media":34715,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2424,2263],"class_list":["post-34710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-ensemble-capella-leonis","tag-langage-musical-baroque"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - 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