{"id":34719,"date":"2026-10-23T08:00:23","date_gmt":"2026-10-23T06:00:23","guid":{"rendered":"https:\/\/www.revuemusicale.ch\/?p=34719"},"modified":"2026-10-21T16:00:14","modified_gmt":"2026-10-21T14:00:14","slug":"rafraichir-lecoute","status":"publish","type":"post","link":"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/rafraichir-lecoute","title":{"rendered":"Aggiorna la riproduzione"},"content":{"rendered":"
\"\"
L\u2019Ensemble Ostinato. Foto: DR<\/figcaption><\/figure>\n

La scelta di registrare \u201cLe quattro stagioni\u201d come primo album di un giovane violinista dimostra una solida fiducia in se stesso; la decisione di Claves di affiancare Silvan Dezini in questo progetto \u00e8 altrettanto degna di nota. La ragion d\u2019essere pi\u00f9 evidente di questa registrazione \u00e8 la cornice che Fabian M\u00fcller ha composto per accompagnare i quattro concerti pi\u00f9 eseguiti del repertorio: un preludio e tre interludi, ciascuno della durata approssimativamente equivalente a quella di un movimento di Vivaldi.<\/p>\n

Non si tratta di una delle innumerevoli trascrizioni, arrangiamenti o alterazioni che Vivaldi ha gi\u00e0 dovuto subire, ma piuttosto di una serie di frontespizi il cui intento \u00e8 quello di introdurre, in un linguaggio moderno, l\u2019atmosfera di ciascuna delle stagioni, pur mantenendo una distanza rispettosa. Non si tratta n\u00e9 di citazioni, che sarebbero inevitabilmente superficiali, n\u00e9 di riprese di motivi, ma piuttosto di un\u2019associazione libera, talmente libera che il rapporto tra i due compositori diventa quasi enigmatico.<\/p>\n

I quattro nuovi brani sono di grande qualit\u00e0 compositiva. All\u2019inizio mettono in primo piano il violino, per poi lasciare progressivamente pi\u00f9 spazio agli altri protagonisti. Interrompono un flusso fin troppo familiare, rinfrescano l\u2019ascolto e risvegliano la curiosit\u00e0 di sentire il seguito. L\u2019interludio che precede \u00abL\u2019Autunno\u00bb sembra rendere omaggio a Webern, mentre quello che precede \u00abL\u2019Inverno\u00bb a \u0160ostakovi\u010d. Nel complesso, tutto \u00e8 ben proporzionato e si fonde con naturalezza nell\u2019opera. Silvan Dezini \u00e8 molto convincente e presenta questi brani con grande virtuosismo.<\/p>\n

Per quanto riguarda i concerti originali, l\u2019interpretazione di Silvan Dezini e dell\u2019Ensemble Ostinato non manca certo di qualit\u00e0; la loro comprensibile ricerca di originalit\u00e0 sfocia purtroppo spesso nella tendenza, molto in voga, a esagerare i tratti e a cadere in un manierismo esasperante.<\/p>\n

Come bis, viene eseguita la famosa sonata a trio \u00abLa Folia\u00bb; Silvan Dezini e l\u2019Ensemble Ostinato rendono onore al titolo del brano e attingono a tutti i registri della loro creativit\u00e0, il che in questo caso si adatta perfettamente a questo grazioso slancio di \u201cfollia\u201d.<\/p>\n

\"Quelle:<\/p>\n

Vivaldi & M\u00fcller. Le Quattro Stagioni op. 8 e Preludio e 3 Intermezzi sulle \u00abQuattro Stagioni\u00bb di Vivaldi per violino e ensemble di Fabian M\u00fcller. Sonata in re minore per due violini e basso continuo \u00abLa Follia\u00bb, op. 1 n. 12 di Antonio Vivaldi. Silvan Dezini, violone solista. Ostinato Ensemble. Claves Records 3132<\/em><\/p>","protected":false},"excerpt":{"rendered":"

In questa registrazione, \u00abLe quattro stagioni\u00bb sono incorniciate da composizioni contemporanee. Tuttavia, Fabian M\u00fcller non cita n\u00e9 imita: esplora l\u2019essenza dei movimenti di Vivaldi.<\/p>","protected":false},"author":36265,"featured_media":34725,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","pgc_sgb_lightbox_settings":"","footnotes":""},"categories":[1614,1615],"tags":[2428,2426,2425],"class_list":["post-34719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-disques","tag-ostinato-ensemble","tag-silvan-dezini","tag-vivaldi"],"acf":[],"yoast_head":"\nRafra\u00eechir l\u2019\u00e9coute - Revue Musicale Suisse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/rafraichir-lecoute\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rafra\u00eechir l\u2019\u00e9coute - Revue Musicale Suisse\" \/>\n<meta property=\"og:description\" content=\"Sur cet enregistrement \u00abLes Quatre Saisons\u00bb sont encadr\u00e9es par des compositions contemporaines. Toutefois, Fabian M\u00fcller ne cite et n\u2019imite pas. Il explore la substance des mouvements de Vivaldi.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/rafraichir-lecoute\/\" \/>\n<meta property=\"og:site_name\" content=\"Revue Musicale Suisse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-23T06:00:23+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"788\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"fabian.renz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:site\" content=\"@smusikzeitung\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"fabian.renz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute\"},\"author\":{\"name\":\"fabian.renz\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\"},\"headline\":\"Rafra\u00eechir l\u2019\u00e9coute\",\"datePublished\":\"2026-10-23T06:00:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute\"},\"wordCount\":453,\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/ostinato.webp\",\"keywords\":[\"Ostinato Ensemble\",\"Silvan Dezini\",\"Vivaldi\"],\"articleSection\":[\"Critiques\",\"Disques\"],\"inLanguage\":\"it-IT\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute\",\"name\":\"Rafra\u00eechir l\u2019\u00e9coute - Revue Musicale Suisse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/ostinato.webp\",\"datePublished\":\"2026-10-23T06:00:23+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#primaryimage\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/ostinato.webp\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/ostinato.webp\",\"width\":1400,\"height\":788,\"caption\":\"Photo:\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/critiques\\\/2026\\\/10\\\/rafraichir-lecoute#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Rafra\u00eechir l\u2019\u00e9coute\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#website\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"name\":\"Revue Musicale Suisse\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.revuemusicale.ch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#organization\",\"name\":\"Revue Musicale Suisse\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"contentUrl\":\"https:\\\/\\\/www.revuemusicale.ch\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/logo_revuemusicale_musikzeitung.jpg\",\"width\":1200,\"height\":243,\"caption\":\"Revue Musicale Suisse\"},\"image\":{\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/SchweizerMusikzeitung\\\/\",\"https:\\\/\\\/x.com\\\/smusikzeitung\",\"https:\\\/\\\/www.instagram.com\\\/musikzeitung.ch\\\/?hl=de\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.revuemusicale.ch\\\/#\\\/schema\\\/person\\\/bee73db8a48e75ce4c0987aa85f04e5b\",\"name\":\"fabian.renz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g\",\"caption\":\"fabian.renz\"},\"url\":\"https:\\\/\\\/www.revuemusicale.ch\\\/it\\\/author\\\/fabian-renz\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Rinnovare l'ascolto - Rivista musicale svizzera","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/rafraichir-lecoute\/","og_locale":"it_IT","og_type":"article","og_title":"Rafra\u00eechir l\u2019\u00e9coute - Revue Musicale Suisse","og_description":"Sur cet enregistrement \u00abLes Quatre Saisons\u00bb sont encadr\u00e9es par des compositions contemporaines. Toutefois, Fabian M\u00fcller ne cite et n\u2019imite pas. Il explore la substance des mouvements de Vivaldi.","og_url":"https:\/\/www.revuemusicale.ch\/it\/critiques\/2026\/10\/rafraichir-lecoute\/","og_site_name":"Revue Musicale Suisse","article_publisher":"https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","article_published_time":"2026-10-23T06:00:23+00:00","og_image":[{"width":1400,"height":788,"url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp","type":"image\/webp"}],"author":"fabian.renz","twitter_card":"summary_large_image","twitter_creator":"@smusikzeitung","twitter_site":"@smusikzeitung","twitter_misc":{"Scritto da":"fabian.renz","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#article","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute"},"author":{"name":"fabian.renz","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b"},"headline":"Rafra\u00eechir l\u2019\u00e9coute","datePublished":"2026-10-23T06:00:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute"},"wordCount":453,"publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp","keywords":["Ostinato Ensemble","Silvan Dezini","Vivaldi"],"articleSection":["Critiques","Disques"],"inLanguage":"it-IT"},{"@type":"WebPage","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute","url":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute","name":"Rinnovare l'ascolto - Rivista musicale svizzera","isPartOf":{"@id":"https:\/\/www.revuemusicale.ch\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#primaryimage"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#primaryimage"},"thumbnailUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp","datePublished":"2026-10-23T06:00:23+00:00","breadcrumb":{"@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#primaryimage","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2026\/10\/ostinato.webp","width":1400,"height":788,"caption":"Photo:"},{"@type":"BreadcrumbList","@id":"https:\/\/www.revuemusicale.ch\/critiques\/2026\/10\/rafraichir-lecoute#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.revuemusicale.ch\/"},{"@type":"ListItem","position":2,"name":"Rafra\u00eechir l\u2019\u00e9coute"}]},{"@type":"WebSite","@id":"https:\/\/www.revuemusicale.ch\/#website","url":"https:\/\/www.revuemusicale.ch\/","name":"Rassegna musicale svizzera","description":"","publisher":{"@id":"https:\/\/www.revuemusicale.ch\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.revuemusicale.ch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Organization","@id":"https:\/\/www.revuemusicale.ch\/#organization","name":"Rassegna musicale svizzera","url":"https:\/\/www.revuemusicale.ch\/","logo":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/","url":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","contentUrl":"https:\/\/www.revuemusicale.ch\/wp-content\/uploads\/2023\/01\/logo_revuemusicale_musikzeitung.jpg","width":1200,"height":243,"caption":"Revue Musicale Suisse"},"image":{"@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/SchweizerMusikzeitung\/","https:\/\/x.com\/smusikzeitung","https:\/\/www.instagram.com\/musikzeitung.ch\/?hl=de"]},{"@type":"Person","@id":"https:\/\/www.revuemusicale.ch\/#\/schema\/person\/bee73db8a48e75ce4c0987aa85f04e5b","name":"fabian.renz","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/2d30a35a3fc008c3c0ccb0a1e6758ef4a34aad80df2ce102b470992541cd3b66?s=96&d=mm&r=g","caption":"fabian.renz"},"url":"https:\/\/www.revuemusicale.ch\/it\/author\/fabian-renz"}]}},"publishpress_future_action":{"enabled":false,"date":"1970-01-01 01:00:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/users\/36265"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/comments?post=34719"}],"version-history":[{"count":7,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34719\/revisions"}],"predecessor-version":[{"id":34739,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/posts\/34719\/revisions\/34739"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media\/34725"}],"wp:attachment":[{"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/media?parent=34719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/categories?post=34719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuemusicale.ch\/it\/wp-json\/wp\/v2\/tags?post=34719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}